Posted in: Disc Reviews by Archive Authors on October 22nd, 2006
Boffo! Tinseltown’s Bombs & Blockbusters is all about the magic of movies. It’s about doing it right and doing it wrong, and how there’s no sure thing. This HBO documentary doesn’t get very technical about making films, but it certainly does get personal with some of Hollywood’s heaviest hitters.
Through a well-crafted collection of interviews and clips from some of the best and worst movies of American cinema, this documentary brings us the perspectives of folks like Steven Spielberg, George Clooney... Richard Dreyfuss, Peter Bogdanovich and Morgan Freeman. Every single one of the interview subjects is dynamic and entertaining, and while their experiences and methods are all different, they all seem to agree on one thing: making a successful film is really hard to do.
Posted in: Disc Reviews by Archive Authors on October 21st, 2006
Written By Jeff Mardo
TNT is slowly becoming the poor man's HBO. Their programing quality has improved dramatically over the past couple of years, and even their original films are starting to look more like features than made-for-TV time wasters. More often than not, they provide quality programming that is a step above what you usually find on cable television.
Posted in: Disc Reviews by Gino Sassani on October 20th, 2006
From the rather twisted mind of Stephen King, Pet Sematary is actually one of my favorite of his horror novels. It’s scary to think the story was never meant to be published and only offered up to finish a contract with his earlier publisher. As has been the Stephen King plague at nearly every turn, something ends up lost in the translation. In the novel, the deeper subtexts that King is so adept at take several hundred pages to set up and ultimately pay off. Unfortunately a mere couple of hours of celluloid never ...eem to scratch the graveyard surface soil. Pet Sematary is, sadly, a definitive example. While the original work taunts us with its mystic undertones that always seem far more believable than they ought to be, the film lays down a path as overgrown as the one leading to the titular graveyard. At first the two works are not so convergent, and a great deal of hope is to be had. Soon, however, the movie descends into the typical shock horror film so common in recent years. Startles and zombies begin to dominate the experience, while the story’s deeper and far more frightening elements lie as dead as the bones of the neighborhood pets.
The plot points are pretty faithful to the King work. For ages the kids in this suburban Maine neighborhood have been burying the remains of their beloved pets, often victims of a dangerous road, in the barren soil of the local Pet Sematary, misspelled by the countless kids who christened the field untold years ago. But beyond the pet graveyard is a more mysterious and foreboding place. It was here that Indians brought the dead back to life. Our unfortunate family is about to discover that perhaps “dead is better”.
Posted in: Disc Reviews by Archive Authors on October 19th, 2006
Jack Black says when he’s embarrassed, he knows it’s funny. He must have been pretty confident about the success of Nacho Libre, because as Ignacio (Nacho) – the friar by day, wannabe wrestler by night – he embraced one embarrassing moment after another.
Black stars as a friar at a Mexican orphanage run by the sort of God-fearing folk who think wrestling, or Lucha Libre, is a sin. All his life, Black has longed to be a luchador (wrestler), which is a bit of a conflict. His only jobs at the orphanage are cooking duty, and dead-guy duty. The latter only serves as an amusing side joke, while the former drives the story. You see, Ignacio’s bosses don’t provide him enough money for decent ingredients, so his food sucks. When the beautiful Sister Encarnacion (Ana de la Reguera) shows up at the orphanage, Black is smitten, and inspired to impress her with better food. But for better food, he needs money for ingredients.
Posted in: Disc Reviews by Archive Authors on October 18th, 2006
Synopsis
Michael Caine plays Nicholas Urfe, a self-centred, cynical Englishman who arrives on the Greek island of Phraxos to take a teaching post. He meets Maurice Conchis (Anthony Quinn), a mysterious individual who ensnares Urfe in a complex, psychologically violent mind game, where Urfe is increasingly unable to distinguish truth from lies, reality from illusion.
Posted in: Disc Reviews by Archive Authors on October 16th, 2006
Synopsis
A meteor lands in your typical SF/horror movie Small Town (and it could well be the same meteor that brought the original Blob to town). Bullet-headed mug Michael Rooker stumbles over it one drunken night, and promptly becomes infected with carniverous slug-parasites from outer space. He sets about spreading the good news, as it were, and before long the entire town is a chaos of slithering nastiness and zombiefied townspeople.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2006
The USA network took over the Forever Knight series for its third year. In a way, you could say they saved the show from cancellation, but they also killed it. In keeping with the nework’s M.O. of the time, it was believed the series wasn’t accessible enough. The obvious grab for the younger audience appeared in the likes of the Andy Garcia clone Ben Bass as the Vachon. Lovable partner Schanke was killed off along with the previous season’s captain. Nick was given a female partner in the likes of sci-fi veteran Li...a Ryder as spoiled daddy’s girl Vetter. La Croix and Janette took much smaller roles, and the whole thing smelled more like a soap opera. Fortunately the new network didn’t play with the traditional double story aspect that made the show unique. The atmosphere pretty much remained intact. Now Nick’s partner is aware of vampires, but not that Nick is one of them, which is far more unbelievable. The sexy element was ratcheted up a bit to try to increase the ratings. All of these elements failed to bring in new viewers, and Nick Knight was finally laid to rest with most of the cast in May of 1995.
Video
Posted in: Disc Reviews by Archive Authors on October 11th, 2006
Synopsis
I first thought that Supernatural was a pointless, stupid show that Jared Padalecki was starring in, because I kind of liked his character on the Gilmore Girls (I’m a married male, by the way), and doing this show that I didn’t know that much about smelled like an instant disaster.
Posted in: Disc Reviews by Archive Authors on October 11th, 2006
Synopsis
About to be married for what he hopes will be the final time, Caveh Zahedi turns to us and reveals his long battle with sex addiction. His story is a difficult one for him to tell, not only for the (very, very funny) personal humiliation it entails, but because he keeps interrupting himself and jumping from one moment in his life to another, but also because he gets tangled up with explaining how the recreations were done in the movie we are now watching. Thus, having just said that he could...’t afford to shoot any scenes in Paris, suddenly, Zahedi sheepishly addresses us from Paris.
Posted in: Disc Reviews by Archive Authors on October 10th, 2006
Synopsis
In the soulless wasteland of the San Fernando Valley, feeling-her-oats teen Evan Rachel Wood meets cowboy (or something) Edward Norton at a filling station. Despite the creepy age difference, friendship becomes romance, but Wood’s father (David Morse) is understandably less than keen about the relationship. He orders an end to it. Neither of the lovers is happy with that, and the situation is all the more explosive since Norton is far from being right in the head.
