Posted in: Disc Reviews by Archive Authors on March 22nd, 2007
The Last King of Scotland generated quite a bit of buzz at this year�s Oscars, most notably the performance by Forest Whitaker. Based upon the book of the same name, which was in turn based upon the Ugandan dictator between 1970 and 1979; Idi Amin. Although the movie involves a completely fictional protagonist it apparently shadows the life of Idi Amin quite well, which offers a nice mix of fiction and reality.
Nicholas Garrigan (James McAvoy) recently graduated from medical school and decides to lead his expertise to a small countryside hospital in Uganda. Just upon arriving, a new dictator has stepped into office by force, Idi Amin (Forest Whitaker) who is greatly admired by the people. One day while in the area, Amin is involved in a small car accident and Garrigan begins treating him. A nearby cow injured from the accident is suffering and his noises begin distracting Garrigan who very boldly grabs Amin�s pistol and kills the cow. Amin appears to be offended, but when he hears that Garrigan is from Scotland, a country he respects and Amin begins to admire Garrigan. Initially Amin seems like a great guy out to improve his country; Garrigan even becomes his personal physician and his most trusted advisor. But as the story proceeds we learn more and more of Amin�s corruption and brutal ways, causing alarm for even the always-loyal Garrigan.
Posted in: Disc Reviews by Archive Authors on March 21st, 2007
Eragon is based upon the best selling book, which was written by then nineteen-year-old Christopher Paolini. This film was met with much hype, but initially to me seemed to be another generic Lord of the Rings type rip-off, with the addition of a dragon. Not usually my type of movie, but The Lord of the Rings trilogy did more that just amaze me maybe Eragon has a trick or two up its sleeve.
Right from the beginning Eragon starts off shaky, a storyline that seems too have been done a hundred times before; a mesh of Star Wars and The Lord of the Rings. Eragon is a seventeen-year-old farm boy living in the village of Carvahall in the fictional world of Alagaesia. One night, while out hunting, he stumbles upon a dragon�s egg. At first unsure of what�s really going on, Eragon becomes enlightened that he is the chosen one to save his kingdom. It turns out that before the dark ages of Alagaesia�s dark ruler the land was ruled by Dragon Riders, who are just as they�re called, people who ride dragons. The evil king Galbatroix (John Malkovich) sends his evil minion and sorcerer Durza (Robert Carlyle) to kill Eragon and his dragon as they pose a threat to his dark rule of the kingdom. While trying to unite with the remaining rebels, Eragon is trained by Brom (Jeremy Irons) in the arts of magic, combat, and dragon riding.
Posted in: Disc Reviews by David Annandale on March 19th, 2007
Cupt Epics here presents five films identified as "underground" (a fluid term at the best of times). Certainly, they are all deliberately transgressive, though not all are equally successful. Two are by Nico B. - the perviously released "Pig" and "Hollywood Babylon." The former has been reviewed here before, but briefly, its catalogue of murder and S&M horrors, working out a killer's fantasies, is rather too self-conscious about its own transgression. The latter is a 4-minute tribute to Kenneth Anger, taking in exhibits at the Museum of Death. It's not a bad little piece, but it is interesting to note that its existence confirms once and for all that now even the underground film community has an established history to look back on. "Dislandia" is a half-hour, plotless portrayal of a little girl (whose face is covered in a mask) doing odd things and moving through a gritty, disconnected landscape. Interesting visually, the film is sufficiently obscure in its goals that one's mind does begin to wander. "Adoration," on the other hand, is gruelling, brutal, intelligent and effective. Based on an actual case, we see a young man invite a woman to his apartment, record her reading poetry, then kill and eat her. All of this is seen through the eyes of a camera he has place on a wall. The unblinking gaze is explicitly equated with the audience's own, and many uneasy questions about art and voyeurism are thus raised. Finally, "Le poéme" is the one that most viewers will find hardest to deal with: we watch an actual autopsy while listening to the poem "Le bateau ivre" by Arthur Rimbaud. Difficult though the film is, it is also, like "Adoration," quite beautiful.Audio
The sound is 2.0, and the actual sound quality depends primarily on the source material. In fact, "Adoration" is largely silent. But at any rate, the overall audio quality is perfectly satisfactory. There isn't too much by way of surround, and what emerges from the rear speakers isn't always perfectly placed, but the job is generally quite effectively done.
Posted in: Disc Reviews by Archive Authors on March 15th, 2007
At one point or another you�ve either seen Ghost, or have seen some of its memorable scenes parodied. Paramount is now releasing a new special collector�s edition of the 1990 Academy Award winning picture. Since then, star Patrick Swayze hasn�t really been up to much besides a Ja Rule video and a small role in Donnie Darko. Whether Demi Moore has seen success since this film is debatable, but for a while there in 1990 these two were the talk of the town. At the time I was too young to have any interest in the film, so prior to this review all I knew were the memorable clips I�d seen. I looked forward to finally viewing the entire film.
Sam Wheat (Patrick Swayze) and Molly Jensen (Demi Moore) are just your average happy couple living out their lives in New York City. Sam appears to have a problem expressing his feelings for Molly, only saying �ditto� when she tells him �I love you.� Apart from this obvious minor hindrance on the relationship, the two seem genuinely happy. That is until one night while walking back from the theatre the couple is mugged, Sam puts up a fight and is shot and killed. His soul doesn�t realize this and chases down the thief. When he returns to the scene, he realizes what has transpired but he doesn�t accept it and refuses to be taken by the light, leaving him on earth as a ghost. Sam follows the thief home and eventually finds out that none other than Sam�s best friend and co-worker Carl Bruner in fact planned his murder. Frustrated and feeling helpless, Sam enlists the help of the fraudulent medium Oda Mae Brown (Whoopi Goldberg), who appears to be the only one who can hear him. Through her, Sam contacts Molly and tries to remedy the situation, but things get out of control and quick.
Posted in: Disc Reviews by Archive Authors on March 15th, 2007
No matter where you grew up or what books you�ve read, you have undoubtedly come across the workings of William Shakespeare, and especially his Romeo and Juliet. This film takes the dialogue from the original play pretty much word for word but depicts it in a more modern time, with, of course, then-teen heart throbs Leonardo DiCaprio and Claire Danes as our star-crossed lovers.
Instead of swords and castles, there are guns and skyscrapers. The famous opening argument with Benvolio, Tybalt and Mercuteo is a public firefight that kicks off the film. For the few of you who are unfamiliar with Romeo and Juliet, it�s a love story about two young people who are forbidden to love each other because of their families. For as long as anyone can remember, the Capulets and Montagues have shared a mutual hatred for one another. Romeo, a Montague, and Juliet, a Capulet, meet and share a passionate love for one another but are forever bound to secrecy as no one in either family could accept this love connection � the hate runs too deep. The story deals with the tribulations of love in the midst of hate, and the couple�s eventual decline.
Posted in: Disc Reviews by Archive Authors on March 11th, 2007
If you�ve been anywhere on the planet over the past year then there�s no doubt that you�ve at least heard the name Borat in passing, well Borat - Cultural Learning of America for Make Benefit Glorious Nation of Kazakhstan has finally made its way to DVD. Although I�ve wanted to see this movie since I saw its preview before Jackass 2, this is the first time I�ll actually be watching it and I eagerly anticipate it; I�ve heard lots of things about this controversial mockumentary comedy. Adding to my anticipation of the film is the fact that Seinfeld writer Larry Charles is the director.
Sacha Baron Cohen plays Borat the fictitious journalist from Kazakhstan who first introduces us to the people of his village and their way of life. He then explains that he is being sent on a mission to America to observe the way of life there and bring back lessons to help make Kazakhstan a better place, hence the title. Ken Davitian stars as the producer and close friend of Borat who accompanies him on his journey to America. From this point Sacha Baron Cohen stays in the character of Borat and tricks people into thinking that he is this over the top character, and basically their reactions to his hilarious comments are what make this movie what it is. For example, there is one scene where Borat is dinning with high society and he basically makes an ass of himself by acting indifferent, and oblivious to the customs in America. In another scene he sings at a rodeo, where a bunch of redneck�s apparently insight a riot over his comments. Its things like this that makes Borat what it is, a hilariously unpredictable journey across America.
Posted in: Disc Reviews by David Annandale on February 27th, 2007
A small town is being terrorized by a gang of thugs who use extortion and violence to buy up all the businesses. The only person who tries to stand up to the gang is the sheriff, but then he meets a violent end. His son (Kevin Sorbo), who, one gathers from vague references, has military training, shucks his apathy, dons his father’s badge, and sets out to clean up the town.
The cover art is hilariously misleading, in that it shows what appears to be Sorbo leading his posse for the titular payback. But those folks behind him are actually the villains. Whatever. At any rate, this follow-up to the remake starring The Rock is mildly entertaining, but no more. Sorbo has little of Dwayne Johnson’s screen presence or sense of humour, and the storyline is utterly by-the-numbers. So routine is it, that the lack of action set-pieces really makes itself felt. On the upside, AJ Buckley is so completely unpleasant as the primary villain that he kicks the film to a semblance of life.
Posted in: Disc Reviews by Archive Authors on February 26th, 2007
The Prestige surprised me like no other film has since The Usual Suspects. The entire film plays out like a good bit of misdirection, slight of hand and illusion, with some pseudo-science thrown in for good measure.
Robert Angier (Hugh Jackman, X-Men) and Alfred Borden (Christian Bale, Batman Begins) are rival magicians, both inspiring to be the best the world has ever seen. They began as partners, working together as assistants to an established magician, but when a trick goes terribly wrong, their relationship is forever changed. When each man sets out on his own, their rivalry grows as fast as their individual careers, with each of them suspicious of the other, and always striving to learn the other's secrets. The question is, who will win in the end, and what will be the cost of victory?
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
Comments on the supplemental material on this edition have been ported over from Brendan Surpless' excellent (and recent) review of the Blu-Ray disc, which also can be enjoyed on this site.
Now onto the review...
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
If you'd asked me last year whether I thought Ridley Scott and Russell Crowe should work together again, I would have said "absolutely." No hesitation. We're talking about the director and star of Gladiator, after all, and I'd love to see another epic picture from that team.
What I didn't expect to see was A Good Year, a romantic comedy that wholeheartedly joins the ranks of the "wine is like life" camp. What's with that, anyway? Maybe it's time to move on to another beverage, like coffee. You know, coffee and life have a lot in common - plenty of lessons to be learned there.
