Posted in: Disc Reviews by Archive Authors on October 17th, 2006
Garfield 2: A Tale of Two Kitties is a lot better than I thought it would be. Kids would love it, and it’s not too obnoxious for adults.
It’s a decent story for kids. Just before he’s planning to propose to her, Jon Arbuckle’s girlfriend, Liz, announces that she’s been scheduled at the last minute to speak at a conference in London, and she must leave right away. Jon decides to follow her there to pop the question. Garfield wants to interfere, so he and Odie smuggle themselves in Jon’s luggage.
Posted in: Disc Reviews by Archive Authors on October 16th, 2006
Synopsis
A meteor lands in your typical SF/horror movie Small Town (and it could well be the same meteor that brought the original Blob to town). Bullet-headed mug Michael Rooker stumbles over it one drunken night, and promptly becomes infected with carniverous slug-parasites from outer space. He sets about spreading the good news, as it were, and before long the entire town is a chaos of slithering nastiness and zombiefied townspeople.
Posted in: Disc Reviews by Archive Authors on October 15th, 2006
This remake of the 1976 horror classic The Omen is a solid psychological thriller. I should admit that I have never seen the original, so I can’t make a comparison. For opinions from that perspective, I imagine an Internet search will find more than enough.
I can, however, weigh in on whether I think this move should have been made, a question always asked about Hollywood remakes. My answer? Yes, because it offers the film to a new audience, of which I’m a part. And now that I’ve seen and enjoyed this new version of The Omen, I’m also interested in checking out the original.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2006
The third entry into the X-Men franchise turned out quite a bit better than I expected. Early script turmoils were only overshadowed by cast problems. It seemed the bottom fell out when Bryan Singer decided to take on The Man of Steel instead of X3. Enter Brett Ratner, best known for the Rush Hour films. Give the man credit for overcoming a ton of problems to deliver a pretty good thrill ride film. Ratner adapted quickly to the f/x driven world of X-Men and managed to fashion a rather compelling tale. The idea of a...“cure” for mutancy is likely the best plot element in the franchise. Ratner was smart enough to not tinker much with the formula already established by Singer. The problem is, he played it entirely too safe. The story has the potential for a hell of an emotional tale which it never quite delivers. Don’t get me wrong. I enjoyed the film a lot, and I have nothing against these amusement rides, but I couldn’t shake the feeling that this film wanted to be something more than it was. In the greatest traditions of shows like Star Trek, there was a powerful message to be mined here. Instead, it sat there more like a clever plot device, which it certainly was. Ratner did a fine job of dealing with so many characters all wanting their own moments to shine. Hugh Jackman still steals the show as Wolverine, but this time Berry’s Storm and particularly Famke Janssen have meaty roles, if not too much dialogue. The real cast surprise has to be Kelsey Grammer. Who could have guessed that barfly Frasier would make such a fine Beast? Patrick Stewart’s death scene was visually stunning but a bit of a letdown. (Stay tuned after the credits for more on this situation.) The Golden Gate Bridge sequence is a very impressive display. Finally, I expected to see more humor coming from Ratner. The fact is, I guess I expected that there would be too much humor. Perhaps he tried too hard not to create X3:Rush Hour.
For the most part this will be the last X-Men film for at least a little while. A Wolverine project will most certainly be the next related film. There is talk of a young Magneto film. I wouldn’t expect to see Berry return to the franchise, as she was not exceptionally happy with her role. When the X-Men do return, I would expect to see more time spent on different mutants. The three films do work well together as a satisfying trilogy. Any future films will likely take a fresh approach to the franchise.
Posted in: Disc Reviews by Archive Authors on October 4th, 2006
Synopsis
Everything I needed to know about why there was a double-dip of Save the Last Dance was answered within the first five minutes, when I saw a trailer for what appears to be the straight-to-video sequel for the film. So from there, the strategy appears to be to throw two or three semi-current extras onto the existing disc and call it a special edition. My favorite. Like green vegetables first thing in the morning. Now don’t get me wrong, the movie itself I like, but I would guess that there ar...n’t too many hard-core devotees that are complaining about a double dip.
Posted in: Disc Reviews by Archive Authors on September 25th, 2006
Ron Howard’s Backdraft tells the story of two brothers, Brian and Steve McCaffrey (William Baldwin and Kurt Russell), who are part of Engine Company No. 17 in Chicago. The two brothers always seem to have a sense of rivalry in their blood. Ever since their father passed away, Steve has always tried to prove to Brian that he is the true firefighter in the family. Well, despite all their problems, Steve and Brian soon find out that they will have to put aside their differences rather quickly since there is an ar...onist going around setting fires that are meant to kill off selected firefighters.
Having never seen this film before, I had only read numerous praise for this film. Critics loved the acting and, most importantly, the drama presented. Possibly because I saw the film Ladder 49 first, I couldn’t really get into Backdraft all too much. Granted I did enjoy the acting by Kurt Russell and Robert De Niro, but I couldn’t ever find myself feeling a connection to these characters. All I felt like I was watching a scene after scene of a huge fire explosion followed by Brian and Steve arguing. Speaking of the characters, I felt the role played by De Niro, albeit kind of useless in terms of using his acting abilities, was one of the only positives here.
Posted in: Disc Reviews by Archive Authors on September 12th, 2006
Synopsis
Larry David plays Larry David, so thorough a narcissistic curmudgeon that he would be completely and utterly loathsome were it not for his unerring propensity to bring disaster down upon his head. Once again, we see him grump from episode to episode, never failing to make the worst possible decision at the worst possible moment in every social situation. A case in point: he dings another character’s car, gives the guy money to get the car fixed. Instead, the money goes to the man’s daughter,...and Larry deduces that it financed breast enhancement. Cue a scene on the beach guaranteed to have you hiding in shame behind the couch.
Posted in: Disc Reviews by Archive Authors on September 5th, 2006
Something must be drawing Michael Douglas to the upper-crust "man in peril" role. He's been stalked by a woman who likes to boil rabbits, sexually harassed by his sexy boss, and is currently being framed for the assassination of the President in The Sentinel. Douglas plays Peter Garrison, a Secret Service veteran who is also having an affair with the wife of the man he is sworn to protect, First Lady Ballentine (Kim Basinger, still looking good at 53). When Garrison is framed by the assassins (one of who... may be another Secret Service Agent), he must stay one step ahead of former protege Agent Breckinridge (Kiefer Sutherland, doing Jack Bauer as a SS agent) and rookie agent Jill Marin (an underused but gorgeous Eva Longoria), who are hot on his trail, believing he really is trying to kill the President.
The plot is lifted from dozens of other films and simply injected into different surroundings. Instead of a doctor and a one-armed man, it's a Secret Service agent and a plot to kill the President. Despite the lack of plot originality, director Clark Johnson (The Shield, The Wire) and the professional cast, especially Douglas and Sutherland, always keep things moving at an economical clip. The Sentinel never lingers on anything long enough for us to question it, and it hits all the right marks in its 108 minute running time. It even takes some time to show us the daily grind of a Secret Service agent, which adds to the film's authenticity.
Posted in: Disc Reviews by Archive Authors on September 3rd, 2006
Synopsis
This is the second film starring Lindsay Lohan that I’ve reviewed for Upcomingdiscs, the first being Herbie: Fully Loaded. So I guess you could call me a LoFAN, get it? But in doing an IMDB scan for the credits on Just My Luck, I’ve found that one of the producers is Bruce Willis. Yes, Bruce Willis from Die Hard. So I guess the bigger question is why didn’t Bruce appear in this film? Surely he could have made it a little more entertaining for me to watch.
Posted in: Disc Reviews by Archive Authors on August 17th, 2006
Road House is macaroni and cheese for a lot of movie goers that are over 27 years of age. Released in 1989, the movie chronicles the life of James Dalton (Patrick Swayze, Ghost), a “cooler” at a local bar, who is offered a huge sum of money to help a bar owner named Frank Tilghman (Kevin Tighe, Mumford) get his place called the “Double Deuce” back on its feet. A cooler for lack of a better explanation is a bouncer who helps diffuse situations before they blow up into brawls.
When Dalton gets to the bar, he sees the type of environment he’ll have to deal with. Even though his old friend (and house band singer) is there, he’s got drug dealing waitresses, statutory raping bouncers and money stealing bartenders. And apparently the few legitimate operating businesses in town appear to be owned by Brad Wesley (Ben Gazzara, The Big Lebowski). Brad doesn’t hesitate to break the rules whenever necessary, even if it means that Dalton has to call in his mentor Wade Garrett (Sam Elliott, We Were Soldiers), while he continues romancing Dr. Elizabeth Clay (Kelly Lynch, Charlie’s Angels), who just happened to be Wesley’s woman for a little while.
