Posted in: Disc Reviews by David Annandale on July 6th, 2004
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 6th, 2004
South Park had peaked with Season 3. The film was a huge hit and some of the best stuff came out that year. Season 4 would become a more up and down year. It’s obvious that the Stone and Parker team decided to push the envelope a bit further. This is also the year we got wheelchair bound Timmy. I liked Timmy at first, but he just gets old fast. One of the highlights of this season is the last episode. Another Mr. Hanky Christmas episode has the boys creating a special computer Christmas card called “The Spirit of Chr...stmas” this episode mirrors the actual start of Stone and Parker. I would have liked to have seen the entire original show at least as an extra here.
Audio
Posted in: Disc Reviews by Archive Authors on July 2nd, 2004
I usually meet discs that contain a movie that I have never previously heard of with a groan. I figure the chances are that if I missed it in theaters, and I have never seen a preview for it, or seen it mentioned on a chat board, there’s probably a good reason. These were my exact feelings on the day that 3-Way arrived on my doorstep. These feelings were further confirmed upon insertion of the disc, when I was greeted by trailers for such classic films as Cruel intentions 2 and 3, and Wild Thi...gs 2.
It was with an apprehensive heart that I finally pushed the “play” button on my remote. “At least it’s only 88 minutes long,” I told myself. Imagine my utter shock when the film actually tuned out to be entertaining! Now, it’s certainly not a great film by any stretch of the imagination, but it sure is a load of fun. In fact, it is fun in very much the same way that the original Wild Things was fun. There is lots of sex, lots of crime, and everybody double-crosses everybody else; all of which is portrayed by a cast of semi-popular actors.
Posted in: Disc Reviews by David Annandale on June 29th, 2004
Synopsis
May 1968. Paris is about to explode. Moving at the periphery of events that made whathappened at the same time in the States look like a mild-mannered debate are our threecharacters. American student Michael Pitt is a film buff, religiously attending the screenings atthe Cinémathèque Française. When that institution is closed (an event that helps ignite thepolitical powderkeg), Pitt falls in with two fellow buffs: twin siblings Eva Green and LouisGarrel. When the twins’ parents lea...e the apartment for a month, Pitt is invited to stay, and whatfollows is a claustrophobic series of sex games. The trio rarely venture outside, are only vaguelyconscious of what is going on out there, but sooner or later the real world will come crashingthrough into their retreat.
Posted in: Disc Reviews by Gino Sassani on June 25th, 2004
The 1970s was a fertile time for feminist movements. This film was amazingly cited by both sides of the argument, never seeming to please either. Feminists considered the film to be a slap in the face of the “modern woman”. It was accused of undermining years of progress to the age-old stereotypes of a woman’s place. At the same time anti-feminists citied it as a mockery of what were considered wholesome American values. It’s strange that a film that was never intended to be part of these controversies couldn’t seem ...o please either side. The film quickly disappeared from the box office and was deemed an early failure. That was until frequent television showing gained a cult following that exists today. To many of us this is simply a quaint blend of science fiction and horror elements to produce a better than average low budget film.
What is extremely disappointing about this disc is it is actually just a re-release of the 2000 Anchor Bay edition. Not only are there no improvements, but the extras are exactly the same.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2004
It is nearly impossible to escape the common comparisons between Monk and Columbo. But don’t get this show expecting it to be at all like the well-loved bumbling detective played for decades by Peter Falk. The two characters are nothing alike. The comparisons are made because we haven’t had a detective show since Columbo where the quirks and personality of the character himself were more important than the cases he solved.
Tony Shalhoub’s Adrian Monk suffers from a long list of phobias from germs to drink...ng milk. He also suffers from O.C.D. (Obsessive Compulsive Disorder). This means that Monk can’t stand disorder of any kind. This, of course, doesn’t help when you consider how few “neat” crime scenes there are. The series uses different writers to bring out the comedy and the mystery elements of the show. Shalhoub is what really makes everything fly. Expect that the show does go way over the top. But it’s all in good fun. On of the big surprises here is Ted Levine as the police captain. Levine, of course, is best known as the killer from Silence of the Lambs.
Posted in: Disc Reviews by David Annandale on June 8th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on May 24th, 2004
Following what may be one of the best season finales ever (i.e. Buffy sacrifices herself for her sister Dawn) Buffy is raised from the dead by the ever increasing powers of Willow. She returns disoriented just in time to battle a horde of motorcycle riding demons hell-bent on turning Sunnyvale into their own personal property. It is during the opening two episodes that it becomes clear that secrets are going to play a major role in the sixth season.
Buffy’s friends believe that as a result of the events of...the climax of the fifth season that Buffy’s essence has been in a hell dimension and they are ‘saving her’ by bringing her back to life. Buffy doesn’t ‘thank’ them until midway through the second episode. Shortly thereafter in a touching moment with Spike she reveals that she was not in a hell dimension at all…in fact just the opposite. It sure sounded like she was in heaven – finally at peace with a sense of contentment.
Posted in: Disc Reviews by Archive Authors on May 24th, 2004
Easily the best animated series to hit the airwaves over the past decade, Gennedy Tartovsky’s Samurai Jack has developed a devoted following owing to it’s superior storytelling and cinematography (if you can call it cinematography when it’s on TV).
It follows the story of Samurai Jack – a time displaced samurai looking to restore order to the planet by destroying the demon responsible for his, and the earth’s predicament. Aku, a powerful demon attacked Jack’s village destroying his home and family. Jack sw...ars revenge and tracks down Aku. Following a vicious battle, Jack uses his magical sword to strike his nemesis down. But before he can deliver the killing blow, Aku flings Jack into the far future. Jack arrives disoriented only to find to his horror that Aku is now the absolute ruler of the planet. Jack’s mission is clear – to destroy Aku at any cost while sticking to his samurai code of conduct.
Posted in: Disc Reviews by Archive Authors on May 15th, 2004
It seems that the producers of many long-running television shows are starting to catch on to what the viewing public has known for years; it’s best to go out on top. Shows such as Seinfeld, Friends and even Frasier (to an extent) have decided to pull the plug while the material is still operating on an acceptable level. It’s rare that shows can successfully pull the great switch like ER did, and replace virtually every member of the cast, while still not losing what made them great in the...first place.
I only wish that Chris Carter bought into this school of thought. While the Ninth season of The X-Files was still one of the better sci-fi dramas on television, it just wasn’t the same. The departure of David Duchovny left a hole in the cast that could not be filled. Now, that’s not to say that Robert Patrick isn’t great as Agent Doggett, it’s just that he’s not the same character. It was like those episodes of The Cosby Show that focused on Theo or Vanessa. It’s the same show, but there is a big piece missing.
