Dolby Digital 2.0 (French)

Like The Brady Bunch Movie, this effort combines several incidents from the TV series and strings them together with a loose central premise, and the result is actually funnier than the first film. This premise is that Tim Matheson shows up pretending to be Carol Brady’s long-lost husband. He is after a priceless horse sculpture in the Bradys’ living room. The innocent/rude tone of the first film is carried through here, and given extra impetus by the addition of an is-it-incest-or-not? subplot involving Greg and Marcia’s attraction for each other. Added fun comes by way of a tying together of several seminal TV series from the 70s, and a hilarious moment of interaction between The Brady Bunch and Homicide: Life on the Streets (complete with hand-held camera).

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The plot, such as it is, is a pastiche of several episodes of the TV series, all twisted just enough to send them into a sunny version of the Twilight Zone. So the Bradys are going to lose their house if they don’t raise $20,000.00 by the end of the week, and Marcia’s nose is flattened by a football before the school dance, and Jan is jealous of the attention her big sister receives, and so on. The Brady's are just as oblivious to how the rest of the world perceives themas they are to the (sometimes very funny) innuendos and double-entendres they constantly (and inadvertently) utter. While not exactly hysterical, the film did have me grinning much of the time.For those who can actually remember the original show (I’m afraid I can’t), the effect should be even better.

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Brad Johnson plays Jake Grafton, one of the top A-6 Intruder pilots, stationed on an aircraft carrier off the coast of Vietnam in 1972. He is frustrated by the useless missions he is constantly sent on, fruitlessly bombing trees. His frustration turns to rage when his bombardier is killed during one of these missions. He is subsequently paired up with borderline rogue bombardier Willem Dafoe, and before long these two cowboys decide to perform their own unilateral mission into the heart of Hanoi, whatever their commanding officer (Danny Glover) might think. Based on a novel by Stephen Coonts (who deserves better), and produced by Mace Neufeld, Flight of the Intruder has the same handsome production values that grace Neufeld’s Tom Clancy movies. There are some nice flying sequences, but the plot meanders far too much, and the climax is so silly it comes dangerously close to the Hot Shots films, wiping out any trace of tension.

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Converting Tom Wolfe’s classic book The Right Stuff was undoubtedly a difficult task. The original 7 Mercury astronauts were epic figures in American history. Perhaps the last of Earth’s true explorers, astronauts are the stuff that every kid’s fantasies are made of. It seems nearly impossible to capture such incredible bravery and charisma in the scope of even a 3 hour movie. Philip Kaufman somehow achieved the impossible. It starts with one of the most dynamic casts since The Godfather. Names like Jeff Goldblume, Dennis Quaid and Ed Harris were all relative unknowns at the time. Kaufman also paid great attention to detail. The crafts and locations brought the audience directly in contact with a world long gone from reality. Chuck Yeager’s technical input provided a solid foundation to the spectacular set designers and location scouts. Many members of this cast have since gone on to become acclaimed actors, a true testament to the casting job done on this film. You simply cannot be an American and not see this film at least once. It should be required viewing in every junior high school in America.

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Eleven-year-old Harriet wants to be a writer. Told by her nanny (Rosie O’Donnell) to write down everything she sees, Harriet takes this command to heart and becomes the neighborhood spy. The people she writes about would not be gratified by what she has to say about them, and inevitably, her notebook falls into the wrong hands, leading to some painful lessons for Harriet.The pace is brisk, the editing even faster.

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Eric Roberts, miles away from direct-to-video action fodder, plays Nick, a man in the terminal stages of AIDS. Over the opening credits, we see his long-term relationship with Gregory Harrison rise and disintegrate, and in the present, this relationship and its fallout will have a major role to play at Nick’s party. This party, the heart of the film, is an event he throws to say goodbye to all his friends and family. The story has added poignancy since this is based on an actual event.

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An all new adventure for all of your favourite characters form Disney’s Jungle Book. Back for more fun we have Mowgli, Baloo, Bagheera and Shere Khan of course, Mowgli has moved out of the jungle and into the village but, he misses his old friends. He soon finds an excuse to wander back into the jungle and quickly finds himself hunted by his old enemy Shere Khan. With all new songs and a couple of new characters the fun continues in The Jungle Book 2.

As Al Pacino constantly reminds us in The Recruit, nothing is ever as it seems. This film, while not a great effort, is vintage Pacino. Strong performances are also to be found from Colin Farrell and Bridget Moynahan, but as usual it is Pacino who steals the show. The Recruit is actually two different films in one. The first half is an intruding look at CIA training at the fabled “farm”. Once the training ends, an effective spy/counterspy plot takes over that won’t lose momentum. You’ll find enough surprises to keep even the most irritating “I knew it” viewers quiet for much of the film.

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