Posted in: Disc Reviews by Gino Sassani on August 5th, 2002
The Lethal Weapon series peaked with the third installment. The addition of Rene Russo, while giving Riggs more of a personal life, adds little to the chemistry of Glover, Gibson, and Pesci. Make no mistake. By the third film it’s all about these three characters. This series does not mix well with romance thrown into the pot.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 5th, 2002
Just when it seemed that the Glover and Gibson chemistry was as good as it could be, Richard Donner finds a way to improve it. Joe Pesci was the best thing that could have happened to the franchise. This second installment keeps everything that was good about the original and makes it bigger and better. Lethal Weapon 2 is a lot more fun than the first film. The guys are much more comfortable in the roles and it’s obvious they’re having a blast. Watch for a few scenes where you can see Glover working very hard not to crack up around Pesci.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 29th, 2002
Synopsis
Colin Farrell plays the Hart of the title, a callow youth kept from the front lines of WWII by his senator father. Fate puts him in a prison camp, however, where he meets McNamara (Bruce Willis), who is determined to continue to fight (echoes here of William Holden in The Bridge On the River Kwai).
Posted in: Disc Reviews by Gino Sassani on July 26th, 2002
H. G. Wells is often considered the father of science fiction. Tales like The Invisible Man, War of the Worlds, and, of course, The Time Machine, have become classics both in literature and cinematography. The latest version of The Time Machine attempts to satisfy both fans of the George Pal film and readers of the original novel. Having Simon Wells, grandson of the writer, direct the film was no accident. What you end up with is a pretty nice film, but one that might not satisfy fans of the earlier works. The device itself is certainly in homage to the Pal machine. Enough liberties are taken with the story to warrant criticism from the novel’s fans. I rather enjoyed this film for what it was: simply a wonderful time travel story.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 19th, 2002
Synopsis
Jodie Foster, victim of a gang rape, stumbles out of a bar called The Mill. Immediately before she appears, a young man also comes running out, and phones the police. Kelly McGillis is the prosecuting attorney on the case. She arranges a plea bargain with the assailants, which enrages Foster. McGillis then agrees to prosecute the men who stood by, watched, and did nothing. That young man at the beginning of the film will obviously have a crucial role to play.
Posted in: Disc Reviews by Gino Sassani on June 18th, 2002
“In space no one can hear you scream” was the slogan that drew a conglomerate of horror and science fiction fans to theatres in 1979. Was it horror or sci-fi? Alien turned out to be a rare cross-genre film that managed to satisfy both audiences. Ridley Scott started out by bringing the “space ship” film away from the glamorous bright future and depicted a world startlingly very much like our own. In Scott’s gritty future companies are quasi-government agencies and these astronauts are not explorers out for glory and...heroism. They are strictly blue collar workers trying to make a buck. It’s hard to imagine that most of the cast, including Sigourney Weaver, were relative unknowns at the time. Weaver would create a new model for female leads that would later pave the way for actors like Linda Hamilton.
Synopsis
Posted in: Disc Reviews by Archive Authors on June 16th, 2002
Exceptional! Starship Troopers (Special Edition) is a must have in any movie fanatics collection. Combine a controversial cinematic and special effects masterpiece with a superb DVD release, and Columbia-Tristar has a sure winner in its catalog.
Paul Verhoeven’s (RoboCop, Total Recall, Showgirls, Hollowman) 1997 adaptation of Robert Heinlein’s Starship Troopers is stunning not only for its Academy Award nominated special effects, but also for the volume of controversy that the film elicited amongst c...itics and the public. The movie and its director were widely lambasted for glorifying Nazism, totalitarianism, and fascism, and its not hard to see where these charges come from. Verhoeven’s future Earth is ruled by a single fascist government that has eliminated poverty and disease, and created a uniformly attractive, educated, and affluent populace. Verhoeven’s response to these critics (in the “Death From Above” documentary) makes owning this Special Edition a must for any serious film lover; in the feature Verhoeven and screenwriter Ed Neumeier discuss at length their ironic intent for the movie, talk about how the script and filming were designed to mimic and mock WWII warfare and propaganda, and how ultimately the movie failed to communicate their anti-fascist agenda (“We were warned not to be ironic.”).
Posted in: Disc Reviews by Gino Sassani on June 11th, 2002
Synopsis
Tom Cruise is the deeply shallow David Aames, who undergoes a conversion when he falls in love with Penelope Cruz (repeating her role from the original). This upsets Cameron Diaz, who commits vehicular suicide with Cruise in the passenger seat. Horribly disfigured, he nevertheless re-establishes his relationship with Cruz. And then reality starts coming apart at the seams.
Posted in: Disc Reviews by David Annandale on June 4th, 2002
Synopsis
A synopsis is pretty pointless. Either you watch the series or you don't. But for what it's worth, Buffy is a high-school student who is also one of the chosen heroes of history whose purpose in life is to combat and destroy vampires. The big complication this season is the fact that she's fallen love with one (Angel).
Posted in: Disc Reviews by Gino Sassani on May 30th, 2002
Synopsis
Child-like nun Meg Tilly is found one night lying on the floor of her cell, covered in blood, a strangled newborn in her wastebasket. Psychiatrist Jane Fonda is called in to determine whether or not Tilly is fit for trial. Mother Superior Anne Bancroft is convinced that she is not, and does not want skeptical Fonda destroying Tilly's innocence. Meanwhile, Tilly, it seems, cannot remember anything about that night, and certainly denies ever having been pregnant.