Posted in: Disc Reviews by David Annandale on December 17th, 2004
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Posted in: Disc Reviews by David Annandale on December 11th, 2004
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Posted in: Disc Reviews by Gino Sassani on December 10th, 2004
Spider-Man 2 is a superior film to the first. While it is rare for sequels to live up to expectations, there are rare moments in film history when the sequel may even surpass the first film’s quality. The Godfather Part II and Bride of Frankenstein are two well known examples. But for Every T2 there are usually 20 Jaws 3-D’s. Doc Ock was the perfect choice as the story’s villain; Alfred Molina was a wonderful selection to bring this fan favorite to life on the big screen. Peter Parker’s life is more multi-dimensional...here. It’s about time a superhero film showed us this kind of impact a hero’s choices make on his life. The f/x are nothing short of a miracle. I was a bit skeptical going into the theatre originally. It would have been too easy for Doc Ock to descend into camp or outright silliness. Of course, there are moments where the glimmer of camp shows its ugly head. I’m not sure what the bank was doing with all of those gold doubloons.
It was good to find Tobey Maguire back in action as Spidey. A fall during the filming of Seabiscuit caused severe enough back trauma that the film’s production was stalled as long as possible. It was so close that Kirsten Dunst’s real-life boyfriend Jake Gyllenhaal was cast as an emergency replacement. Dunst is still the weak link in the cast. J.D. Simmons continues to nail J. Jonah Jameson perfectly. Sam Raimi manages to work in cameos from the deceased members of the first film, and let’s not forget another cameo by Raimi’s Evil Dead partner, Bruce Cambell. If you blink you’ll miss the traditional cameo by Spider-Man creator Stan Lee.
Posted in: Disc Reviews by David Annandale on December 7th, 2004
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Posted in: Disc Reviews by David Annandale on December 4th, 2004
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Chris L. McKenna plays Sean, who seems, at first, to be a typical slacker, working nothingjobs. He is hired by Daniel Baldwin (doing a very fine dissolute turn) first to watch atroublesome city hall accountant (whose wife -- Kari Wuhrer -- McKenna falls for), then to killhim. McKenna agrees with surprisingly little reluctance. He has a falling out with Baldwin andhis associates (including a brutal George Wendt), and they beat him to within an inch of the life,the idea being to indu...e such brain damage that he won’t remember them. The planbackfires.
Posted in: Disc Reviews by David Annandale on November 23rd, 2004
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Posted in: Disc Reviews by David Annandale on November 18th, 2004
One Christmas Eve, an infant crawls into Santa’s sack while the big man is visiting an orphanage, and isn’t discovered until Santa (Ed Asner) is back at the North Pole. Adopted by the Papa Elf (Bob Newhart), the baby grows into Buddy (Will Ferrell). Though Buddy does his best, he is enormously clumsy by elf standards. He decided to head off to New York City to meet his birth father (James Caan), the Scrooge-like editor of a children’s book publisher. Buddy descends on the big city with infectious naivete, and has no end of misadventures while he tries to inculcate the Christmas spirit back into his father.
This was a delightful surprise, infinitely better than the uninspiring trailers had led me to believe. Ferrell is the very incarnation of bouncing, wide-eyed, über-innocence, and his collisions with NYC realities are frequently side-splittingly funny. There are numerous extremely quotable lines, and the syrupy sentimentality that plagues most self-consciously Christmas-oriented movies is largely kept to a minimum. The forced perspective in the North Pole scenes is howlingly obvious, but the fanciful production design makes up for that flaw. The case has been made (convincingly, I think), that there have been no legitimate Christmas classics made since1983's A Christmas Story. It is, of course, far too early to tell how Elf will stand the test of time, but its mix of sharp wit and child-like whimsy makes it a serious contender. It is also entirely fitting that Peter Billingsley, the star of A Christmas Story makes a cameo here as the head elf.
Posted in: Disc Reviews by Archive Authors on November 17th, 2004
The original Around the World in 80 Days is known for its spirit of adventure, wild cameos, and also one of the weaker movies to win an Academy Award for Best Picture. Disney’s remake of Around the World still has that sense of adventure, has a few funny cameos, and is in no danger of winning Best Picture.
Based on the Jules Verne book, Around the World in 80 Days stars British actor Steve Coogan as the infamous inventor Phileas Fogg. His famous balloon is supposed to go around the wo...ld in 80 days to prove a point to his conservative “explorer’s club”. France, China, Turkey, and New York are all stops in this globetrotting trek. But it’s Jackie Chan that steals most of the screen time as Passepartout, Fogg’s partner on this adventure. It seems that the filmmakers designed the film around Chan’s comic antics. Chan also choreographs a lot of martial arts scenes because, well, that’s what Jackie does best. Not sure how Jules Verne would feel about that.
Posted in: Disc Reviews by David Annandale on November 10th, 2004
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Posted in: Disc Reviews by David Annandale on November 5th, 2004
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