Dolby Digital 5.1 (English)

Some portions of this review regarding general show information are shared with the Season 2 and Season 3 reviews.

When the original CSI was put on the air, I was a huge fan. At the time it was totally unique, entertaining, and to a certain degree educational. Not to say that hasn't changed over the years, but it has certainly lost its uniqueness over the course of two spin-offs. However I won't judge the quality of these spin-offs because I've never actually watched them before, who knows maybe they still have the integrity of the original show. But when you have a show staring David Caruso, it's going to be hard to win me over, so I'm hoping for some developed storylines and engaging character arcs.

The main quote on this disc's cover reads, "if you liked Bend it Like Beckham, you'll love Gracie." Baloney. OK! Magazine's Karen Berg got me all excited with this raving tidbit, because I did like Bend it. A lot. Unfortunately for me and anyone else who pays attention to such quotes, Bergie either never watched Gracie or just doesn't know movies and why people like them.

Here's my new quote for the DVD case: "If you still like after-school specials, you'll be delighted with Gracie, a half-baked TV movie in the guise of something more."

The CSI phenomenon has been going strong for 8 years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another.

Until not very long ago this set was being billed as Jericho: The Complete Series. The show was originally cancelled and later revived through a fan campaign to save the show. It was never a ratings monster, and I must admit that I was never interested enough to watch it even once. Now the DVDs of that first season have arrived, and I’m given my first look at Jericho. My very first impression was that this show was very ambitious from the gate. Perhaps the show’s fatal flaw is that it attempts to tackle far too many serious issues, complete with complex undertones, with the largest ensemble cast I’ve seen yet. Add this to the fact that the world is still a little sensitive to terrorist attacks, and you have a recipe for keeping your audience relatively small.

There are two very distinctive schools of thought about Walt Disney’s The Jungle Book. There are the Kipling fanatics who have never forgiven Disney for taking a story considered sacred in literary circles and creating something that honestly bears (pardon the pun) little resemblance to the original work. These folks rightfully point out that the story contains almost nothing recognizable about the story and characters from Kipling’s beloved classic. I have often condemned projects that take names like The Night Stalker and Battlestar Galactica and create a vision incompatible with the traditions I associate with them. Therefore this review might seem a bit hypocritical when I tell you I side with the other camp that considers this film to be a milestone, not only in Disney animation, but in animation history itself.

The death of Superman was a tremendous event for comic fans and media circuits around the world. Sure, it had been teased a hundred times in the past but if they did it legitimately and made people believe that he was really gone; they would create a landmark achievement and bring comics back to a worldwide stage. With the release of Superman #75, they did just that. Newspapers, television shows; circuits that never showed a comic book in their life were showing the black bag and the tattered image on the front cover. Superman had died and the world mourned. In the months that followed, the story went in four different directions and eventually he was brought back.

Sometimes films sport an ensemble cast with intertwining storylines that have large aspirations. The films wind up being acclaimed on several different levels and are memorable in the long term. In previous outings, this technique is usually mastered by the late Robert Altman, but when it’s not remotely successful, it becomes self-indulgent and overly pretentious.

Dirty Sanchez, the Welsh Jackass, or at least it’s something like it. Like Jackass, this little British show started on TV and has since made its way to the big screen, that of course is not where the similarities end. Dirty Sanchez, ‘They make Jackass look like the Royal Shakespeare Company.’ Well that’s what the say anyways, I disagree but they are definitely just as careless and insane as the Jackass crew.

To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.

The style of "Grindhouse" films were something of a cult legend. More often than not, they were crazy over-the-top horror movies or action movies that had insane action that usually involved a body count that could rival an Arrrrrnold flic. These were referred to commonly as "B" flics due to the shoddy quality of the films. Video would be scratched up, missing reels were all over the place and audio would drop at the most inconvenient moment. More often than not they would be shown at some crusty drive-in for the change in your pocket. Fast forward to 2007 where Quentin Tarantino and Robert Rodriguez decided to resurrect the forgotten genre and brings us two movies (Death Proof and Planet Terror) to the screen.