Posted in: Disc Reviews by Michael Durr on July 16th, 2007
Synopsis
Ever know that feeling when you've seen a movie about twenty times and vow never to see it again until it comes out in a new collector's edition dvd? Coming to America is exactly like that. Coming to America is the tale of Prince Akeem (played by Eddie Murphy) who isn't quite happy with his country's arranged marriage practice. (but apparently pretty happy with the country's bathing procedure) He decides that with his friend Semmi (played by Arsenio Hall) he should travel to New Yo...k to find his bride. So with the King's blessing (played by James Earl Jones), the boys set off to New York to live the dream. (to live in an awful apartment, eat knockoff McDonalds food and go to a New York club full of really scary women) There he finds his true love Lisa (played by Shari Headley). Hence, the fairy tale story of a prince finding and marrying his princess commences.
Posted in: Disc Reviews by Archive Authors on July 15th, 2007
Synopsis
I’ve gotta say that when the first Die Hard was released, I was in a position where I hated, absolutely despised Bruce Willis. In my opinion, the world honestly didn’t need another loudmouthed movie star who was from New Jersey and didn’t hesitate to say so, and that whole schtick about him and the Bruno persona would allow him to release music albums reeking of self-promotion and another money grab. And when he hooked up with Demi Moore, my initial reaction was “good, they’ll have mongoloid...babies and divorce after a couple years”. And since 1985 or so, there’s only one part of my opinion that held true for the most part.
Posted in: Disc Reviews by Archive Authors on July 15th, 2007
Synopsis
Try to wrap your mind around this one. Take the guy who was the center of attention and played the role in Being John Malkovich, and have him play a role as a guy who impersonates the film auteur Stanley Kubrick, of 2001 fame in a story that may or may not be true.
Posted in: Disc Reviews by David Annandale on July 6th, 2007
Synopsis
Robin of Locksley returns to England from the Crusades to find the home he had left behind has taken a drastic turn for the worse under the tyrannical Sheriff of Nottingham. He is forced to take up an outlaw life, fighting for justice for the common man. Marian, fending off the advances of Guy of Gisborne, is his mole in the houses of power.
Posted in: Disc Reviews by Archive Authors on July 6th, 2007
It’s no secret that horror films these days severely lack originality and overuse violence and gore instead of actually scaring the audience. Sometimes this works and when coinciding with an actual story can make for a good movie. The Hills Have Eyes remake from 2006 wasn’t half bad because there was a tiny amount of depth in the story, combined with the violence that audiences have come to love. But ultimately for me, it didn’t hit the mark, it was just another typical horror movie. I really don’t think the s...quel will offer anything beyond it, but here’s hoping it will.
The Hills Have Eyes 2 takes place two years after the 2006 film, and offers no closure on the events left open at the end of the original. There is now military presence in the area, and I can only assume that means the surviving family members of the first film informed the government of the mutants. Regardless, in the opening scenes of the film some research scientists are brutally murdered and it’s obvious that the mutants are still around and still pissed off. Meanwhile a group of soldiers is dispatched to the location of the scientists to deliver equipment, but upon arriving it’s discovered that the camp is abandoned. It now becomes a search and rescue mission, where the cannibalistic mutants begin picking off the soldiers one by one, hoping to capture the females for breading purposes. The group must now band together to overcome the threat of the mutants and ensure their very survival.
Posted in: Disc Reviews by Archive Authors on July 1st, 2007
Synopsis
Timothy Dalton might have endured a bit of grief for his short tenure as James Bond, enduring comments equating him to Connery and Moore plagued his two film run, with this one being the last. However, this one was quite the doozy, and almost in the area of “forgotten gem” status.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2007
As you might imagine, I am often asked for my opinion on the films I see. Inevitably I’m called upon to compare the film with some other work, which is at best quite unfair and at worst simply impossible to do. But I’ve gotten good at the game. So let us play it now. We’ll call Neverwas One Flew Over The Cuckoo’s Nest meets Alice In Wonderland. Unfair, some might say, for they are actually the very same story. When you look at it carefully enough, they really are, although important differences do exist. My point i... all of this nonsense is this: There really is a razor fine line between insanity and fantasy. Neverwas blurs this distinction to an almost indefinable difference.
When Dr. Zack Riley (Eckhart) arrived at Millford Mental Health Institute, which once housed his father, he had no idea that his journey would take him full circle to a childhood he had been running from. Zack’s father (Nolte) was the author of a famous children’s story titled Neverwas. Zack has been running from Neverwas ever since. He changed his name and refused his inheritance of the book’s royalties. Here at Millford, Zack discovers a rather remarkable patient. Gabriel (McKellen) is not only intimately familiar with Neverwas and Zack himself, but claims to be her King. Zack finds himself confronted by a place he always believed came from his father’s imagination. It’s a wonderful story with an almost magical potential. Unfortunately this film takes too long to develop and never quite hits its stride. The film travels a trail of breadcrumbs laid out in such painstakingly slow motion that it is our patience and not our imagination that is finally put to the test. Writer/directors often commit the fatal sin of overcomplicating what often plays best in simpler terms. Joshua Michael Stern is guilty of it here. The film becomes too muddled, trying to show too much history and never trusting its audience enough to find their own way. You should know this IS NOT a children’s film.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2007
Eddie Murphy has a ton of films under his belt. If you’re like most folks, his antics have long ago become tired and worn out. Come with me now to a time when Murphy was young and full of energy. Trading Places was really only Murphy’s second film after 48 hours. In Trading Places, we get vintage Eddie Murphy. You can tell he was still hungry. Today he simply calls too many performances in. Dan Aykroyd was also at a turning point in his own career. It hadn’t been too long since he lost his longtime partner Jim Belu...hi to a drug overdose. He was just learning to stand on his own. Put these two guys together today, and there’s not much chance you’d get the solid gold that was possible in 1983. Fortunately for us there is this DVD release of Trading Places, when both actors still felt they had something to prove. The cast was brilliant all the way around. Jamie Lee Curtis displayed her obvious assets for the first time in a film. Known mostly as a scream queen at that time, Curtis was a choice the studio was not at all happy with. The Wolf Man’s own Ralph Bellamy, along with fellow veteran actor Don Amechi, played the Duke brothers to perfection. Finally, Denholm Eliott added his own understated brilliance as Coleman, the butler.
Trading Places was originally written as a vehicle for Gene Wilder and Richard Pryor. That team had had great success with a few films already, and it was felt they were the only ones capable of pulling off this kind of a film. I’m not sure how that might have worked. Certainly it still might have been a funny outing, but somehow I think everything worked out for the best. Trading places broke many conventions of the time. The black and white stereotypes were a concern, as were other elements. Having a hooker play such a pivotal role was questioned. The studio even expressed some problems with the fate of Mr. Beaks. A little gorilla love went a long way toward the poetic justice these kinds of villians often require. John Landis stood his ground the entire time, refusing to budge. Remove any of these elements, and who knows what we might have ended up with.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2007
I’ll admit it. I was taken in by The Life and Hard Times of Guy Terrifico, for about five minutes. I’m not a follower of the country music scene, so it didn’t really bother me that I had never heard of Guy Terrifico before. The box art explained he came and went in the early 70’s, when I was just a kid myself, so none of this was the least bit suspicious to me at all. The film opens believably enough with Kris Kristofferson on stage dedicating his next song to this Guy Terrifico. When we get to that first interview... however, I was getting mighty suspicious. Now I might not be no Jim Rockford, but I am as Italian as Columbo, so I started to sense that something was not quite right here. I instantly paused the film and began to research Guy Terrifico. You know what I came up with? You guessed it. There never was a Guy Terrifico. I was watching This Is Spinal Tap country style. I guess that just got me off on the wrong start with this film. And I’ll freely admit now I might have enjoyed this a whole lot more if I had known going in what I was watching. That’s why I loved Spinal Tap but have a bit of a cold feeling for Guy. You might consider I just wrecked the film for you, but trust me, I might just have saved you some frustration.
The story of Guy Terrifico is too bizarre to be true, which of course it isn’t. It seems that good ol’ guy was an outlaw and heavy drug addict for most of his short life. His big break came when he hit the Canadian lotto for $8 million Canadian (That’s about $2.36 in American). As his widow tells us: “It took care of our drug problem. Getting drugs just wasn’t any problem at all after that”. Through interviews and “archive” footage we are given the ridicules story of Guy all the way to his mysterious death. But did Guy actually die that night on stage? The film leads us to believe not. Most of the folks being interviewed look like they’re making this stuff up as they go along. Where Spinal Tap looked real enough to work, Guy Terrifico always appears to be just one step beyond the realm of reality. Even such stars as Kristofferson and Merle Haggard couldn’t carry the weight of this farce. While the jokes are long on telling and short on laughs, the film actually does sport a few really good musical performances.
Posted in: Disc Reviews by Archive Authors on June 27th, 2007
Synopsis
In slowly but surely wrapping up my reviews of each and every Ultimate Edition James Bond title on DVD, coming to Thunderball, a sect of people say that this is the quintessential film for the man who quintessentially personified James Bond. So in his fourth outing as the man who likes martinis, cars and women, he encounters a large swath of them all over two hours.
