Posted in: Disc Reviews by Archive Authors on February 27th, 2007
The return of the historical epic hit Hollywood hard in 2005/2006. Troy, Kingdom of Heaven, King Arthur and the two Colin Farrell vehicles, The New World and Alexander, all hit theaters pretty close to each other... and all flopped. The basic complaint was the same about all these films; they were too long, the pace was too slow and they were hard to follow. As much as these huge pictures cost, the studios quickly looked to the DVD cash cow to try to recoup some of the production co...
Posted in: Disc Reviews by Archive Authors on February 27th, 2007
If you've seen any of Terry Gilliam's other films, you can probably guess that this one is pretty bizarre. Based on the novel of the same name by Mitch Cullen, Tideland is an eccentric, grotesque and imaginative tale of a child's resilience.
I'm going to say right off the top, I wanted to like Tideland, and for two reasons. One, Gilliam has made some incredible films in his career, from Monty Python and the Holy Grail to Twelve Monkeys and Fear and Loathing in Las Vegas.
Posted in: Disc Reviews by Archive Authors on February 26th, 2007
The Prestige surprised me like no other film has since The Usual Suspects. The entire film plays out like a good bit of misdirection, slight of hand and illusion, with some pseudo-science thrown in for good measure.
Robert Angier (Hugh Jackman, X-Men) and Alfred Borden (Christian Bale, Batman Begins) are rival magicians, both inspiring to be the best the world has ever seen. They began as partners, working together as assistants to an established magician, but when a trick goes terribly wrong, their relationship is forever changed.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
For the sake of full disclosure, I wrote this review while I was sitting in a meeting. For the sake of having a challenge, I wanted to start every sentence in this review with the name of the movie, for no discernible reason whatsoever. Feel free to call shenanigans on me at any time, as it helped me get through my meeting and to a larger extent, the film.
Crossover is a film that at least as of this writing, has no positive reviews on Rotten Tomatoes for some sort of reason, and I think that's because of the razor sharp casting that was employed.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
Comments on the supplemental material on this edition have been ported over from Brendan Surpless' excellent (and recent) review of the Blu-Ray disc, which also can be enjoyed on this site.
Now onto the review...
I was listening to a "mini" commentary track from South Park creators Trey Parker and Matt Stone the other day as they were talking about the overall silliness of a film like The Day After Tomorrow and that basically the film was done by a bunch of "hacks".
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2007
An epic is defined as an artistic work that celebrates the feats of a legendary figure. The film Cleopatra actually deals with many such figures, the title character being merely one of them. The truth is the film was never really about the Egyptian queen as much as it was about Rome and its relationship with Egypt.. Of course, Elizabeth Taylor's portrayal has achieved something of a classic status that is not completely deserved. Much has been made of the Richard Burton and Elizabeth Taylor pairing in this film.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
If you'd asked me last year whether I thought Ridley Scott and Russell Crowe should work together again, I would have said "absolutely." No hesitation. We're talking about the director and star of Gladiator, after all, and I'd love to see another epic picture from that team.
What I didn't expect to see was A Good Year, a romantic comedy that wholeheartedly joins the ranks of the "wine is like life" camp. What's with that, anyway? Maybe it's time to move on to another beverage, like coffee. You know, coffee and life have a lot in common - plenty of lessons to be learned there.
Posted in: Disc Reviews by Archive Authors on February 20th, 2007
We all know that Daniel Craig helped effectively reboot the James Bond movie franchise in 2006 with the amazing Casino Royale. But let's not forget that Pierce Brosnan was at the helm of the first Bond "rebirth" in Goldeneye. Brosnan was the darling of Bond producer Albert Broccoli in the mid '80s, but was unable to take the role because of his then-current commitment to the television show Remington Steele. Assuming he could have gotten the job back then, he would have followed Roger Moore after A View to a Kill.
Posted in: Disc Reviews by David Annandale on February 19th, 2007
We are in Haiti during the late 1970's, under the brutal dictatorship of Pap Doc Duvalier. At a beach resort, we meet three middle-aged women engaged in what amounts to sex tourism. Charlotte Rampling is Ellen, an imperious ex-pat British professor; Karen Young is Brenda, a psychologically fragile American divorcee; and Louise Portal is Sue, an earthy warehouse manager from Montreal. Disillusioned by their romantic prospects back home, they revel in the (paid) sexual attentions of handsome young Haitians, most notably Legba (Ménothy César), with whom both Rampling and Young are in love.
Posted in: Disc Reviews by Michael Durr on February 18th, 2007
Synopsis
The filming world seems to be full of un-original ideas. Everything from endless sequels to the same types of films repeated and repeated until one falls into a deep dark slumber. The Quiet staring Elisha Cuthbert(24, Girl Next Door) as Nina Deer & Camilla Belle(When A Stranger Calls) as Dot from the cover and box description appears to be another teenage high school drama about some new girl and sexual tension sans Cruel Intentions. How...
