Posted in: Disc Reviews by Archive Authors on April 18th, 2006
I always hated Moonstruck… but don’t get me wrong, this is a positive review. See, it seemed like, back in my childhood, every time I wanted HBO or Showtime to play The Goonies, they were always in the middle of yet another airing of this Academy Award-winning romance. It was a boring movie about love with that lady Cher, who needed to stick to the radio, and stay off my movie screens. My, how a little age and maturity can alter perceptions. As a seven-year old boy, I just didn’t have the sensibility fo... this film. And while many would argue I haven’t grown up much in the years following, I gauge all such detractors wrong by the simple fact I now enjoy Cher’s shining moment thoroughly. I mean, there has to be some growth there. Right?
Moonstruck is a modern film, which uses the model of classical Italian comedies as its primary structure. In fact, some elements are directly lifted from the divine comedies of yore, but Norman Jewison’s direction, along with a top-notch script, and a terrific cast, lend a freshness not seen in the romantic by-products of today, which make the film more homage than rip-off. For one, the story centers on a 37-year old widow (Cher) – not your common leading lady role – whose superstitions dictate her happiness. She agrees to marry an older man, whom she admittedly doesn’t love, just to bring some structure and stability to her life. Then, she meets her fiance’s estranged younger brother, and a spark ignites that turns her world upside down… in a good way. The eccentricities of her Italian-American family are mined to perfection with both warmth and humor. The film explores how cruel the closest people can be to one another without wrapping viewers up in any negativity. I can finally see what the critics were raving about – a good, solid film.
Posted in: Disc Reviews by Gino Sassani on April 17th, 2006
Can good acting make a film? Quite often it can. Dirty is a prime example of a film ending up better than it deserves to be by the powerful performance of a few good actors. Amando Sancho (Collins, Jr.) is an ex-gang kid from the mean streets of L.A. He thinks his street smarts and credibility can be an asset on the police force. Unfortunately we will never know, because he is partnered with corrupt cop Salim Adel (Gooding, Jr.). Both appear to require abject lessons in morality and loyalty, lessons that come too...late to be of any true value.
To say this is a disturbing film is putting it quite mildly. If you are at all sensitive to racial epithets being thrown about in casual fashion, this is not a film you want to view. If the depiction of cops as basically all corrupt with a few good eggs is offensive, this film will offend. It is a tragedy that the entire force is portrayed in these negative terms. We get no indication that there’s a clean cop in the film. This film is not so much about doing what’s right or not. The real question here is what is right or wrong. This is a gritty, stark world that reminds us in many ways of Vic Mackey and the Shield’s hopeless universe. The stark difference is that Adel has no respect for anyone. There is no distinction between the good guys and the bad guys. Mackey, at least, appears to believe he’s doing good. Adel simply doesn’t care. On the other hand, Sancho is more swept up with events. He aware of the ghosts that this kind of a life creates. This “day in the life” tale is all about the lack of redemption. I found it to be a pessimistic, dim view of society. While some might claim that perhaps this is reality at its core, what value is a film that has no hope at all? What good is a morality tale if there is no moral? The film is entirely too self-indulgent and a waste of some fine actors.
Posted in: Disc Reviews by Archive Authors on April 14th, 2006
Synopsis
What is it about a comedic film about death set in the English countryside that people have to equate it to Waking Ned Devine? Now granted, that film was a crowd pleaser and is a pleasure to watch, but let’s not stigmatize the films that have been released after it. Consider the case of Undertaking Betty, a film about a funeral director named (really) Boris Plots (Alfred Molina, Spider Man 2) who has known Betty (Brenda Blethyn, Beyond the Sea) for quite some time, but h...s been afraid to ask her on a date. The fact that Betty has been married to a councilman named Hugh (Robert Pugh, Master and Commander) who has taken her for granted over the last 20 years hasn’t helped either. And Hugh doesn’t hesitate to cheat with Meredith (Naomi Watts, King Kong), who wants to be with Hugh and is willing to kill for it.
Posted in: Disc Reviews by Archive Authors on April 13th, 2006
Certainly a surprise upon its initial release, Deuce Bigalow: Male Gigolo exceeded so many box office expectations a sequel was inevitable. From what I've heard, European Gigolo represents everything wrong with movies today; however, I did not let that abysmal word-of-mouth prevent me from giving the first installment a chance. Unfortunately, after viewing the original, I can't see how the sequel could be any worse.
This film has its share of supporters, and I can't really come down on anyone ...or personal taste. I can only gauge the film as a comedy based on how often it broke me down to laughter. I can honestly say the only chuckle derived from me was during the scene that involves the young lady and Deuce at a baseball game - hardly enough of an impact, however, to recommend this film to the uninitiated. Most of the "laughs" retread territory already ventured by both superior comedies (or, the equally crappy). Watch it if you dare - just, for Pete's sake - don't buy it.
Posted in: Disc Reviews by Archive Authors on April 13th, 2006
Synopsis
As one who is not a fan of much techno and even less a fan of Moby, it was a little surprising to see what my thoughts were on a recent live DVD that the artist has released (brief political soapbox rant commencing). Quite frankly, I’m not a fan of the man’s politics and his far-left rantings and ravings, and find his urge to help peddle Snapple-like tea beverages a little interesting. What I find even more interesting, nay a bit ironic is that among those that were thanked for the singer’s May 25,...2005 show in Belgium (in support of his album “Hotel”) are a group called Clear Channel Belgium. One would presume that this is the very same Clear Channel organization that many lefties say is run by a crony of George Bush, and if that’s the case, well, you can draw your own conclusions from that (end political soapbox rant).
Posted in: Disc Reviews by Archive Authors on April 12th, 2006
Cecil B. DeMille’s The Ten Commandments hits store shelves in a new three-disc special edition, just in time for the release of the new made-for-TV mini-series. While the film classic is no stranger to DVD, it has yet to be released with this kind of gusto. At over three-and-a-half hours long, the film is simply too much for one disc to hold. The first disc contains the first 140 minutes, while disc two finishes up with the last 80. Plus, as a bonus, we get the original 136-minute silent version (also a DeMill... picture) on disc three. Since the later version is the most famous – and the centerpiece of this release – I will treat the inclusion of the silent version as a bonus feature.
Unless you’ve been living under a pyramid for the last 5000 years, you’re probably familiar with the story. Moses (Charlton Heston) grows up in the Egyptian palaces as a brother to Ramses (Yul Brynner). He discovers his true heritage as a Hebrew and forsakes all the riches and comforts of his childhood for the harsh life of a Hebrew slave. After killing an abusive Egyptian overlord (Vincent Price) in defense of a fellow Hebrew, he flees into the wilderness for about thirty years, until God decides it’s time for Moses to deliver the Hebrews from their plight. At first reluctant, Moses embraces the task at hand, and boldly marches back to Egypt for the famous showdown with the man he once called “brother.” Of course, the film takes certain liberties with the source material, but not so much to fall beyond the realms of reason. Moses really did grow up as an Egyptian, or so historians tell us, and so he must have had some deep ties to that people. DeMille does a fine job of honoring the text, while parlaying it into a compelling story of a house divided.
Posted in: Disc Reviews by Gino Sassani on April 12th, 2006
Time travel has always been a favorite staple in the Star Trek franchise. Since the days of Kirk and Spock, through the Temporal Cold War of Enterprise Federation, officers and their ships have traversed both past and future. It’s no surprise that the two most popular Trek films: The Voyage Home and First Contact happen to be time travel tales. In this collection, Trek fans have voted for their favorite temporal excursions from the first four versions of the show. Unfortunately some fine Enterprise entries are not ...ncluded. While all of these episodes are to be found in their individual season sets, this is nonetheless an impressive collection.
From the Original Series comes perhaps its greatest episode. Harlen Ellison’s “The City On The Edge Of Forever” features a compelling guest stint by a then very young Joan Collins as the ill-fated Edith Keeler. When McCoy escapes into the past enraged by an accidental drug overdose, he changes the past and strands the landing party on a dead planet. Kirk and Spock travel to Depression era San Francisco, where to Kirk’s horror he finds he must allow Keeler to die. To complicate matters, he appears to have fallen in love with her along the way. This classic is accompanied by that show’s Tomorrow Is Yesterday.
Posted in: Disc Reviews by Gino Sassani on April 12th, 2006
The Greatest Game Ever Played?
When I saw that title on the DVD case my immediate thought was: “How did Disney find out about my 1981 Marathon game of RISK where I took out Mark “Trip Sixes” Shreader in 9 hours of battle? Of course, I soon decided they meant professional sports. This film would be about the Minnesota Viking playoff whoopin’ of the Green Bay Packers at Lambeau Field. Turns out that wasn’t it. Point of fact, not one game of the 1980 World Series victory of the Phillies made the cut. Sudde...ly it hit me. Disney does ice hockey films. They must have made one about the Tampa Bay Lightning’s Game Seven beat down on some Canadian boys to win the Stanley Cup. Wrong! Apparently long before my boy Abner picked up a bat or Dr. Nesmith was shooting soccer balls into his trashcan, some funny looking fellas in Scotland had come up with their own game. Golf. Don’t get me started. Still ESPN says it’s a sport, so who am I to argue?
So let’s talk about the film. It’s an old formula, and no one tells them better than Disney. Let’s face it who can tell a Cinderella story as well as the folks that brought you… well, Cinderella. Disney sprinkles enough of their traditional family movie magic to at least make this film somewhat interesting to those of us who do not enjoy golf. The opening credits hark back to Monty Python with clever use of cut-out animation mixed with period film. The screenplay was written by Mark Frost from his own novel.
Posted in: Disc Reviews by David Annandale on April 12th, 2006
Synopsis
Three friends are driving across Australia. In a particularly desolate national park, their car mysteriously dies, and they accept help from a passing bushman. Big mistake. The bushman (John Jarrat) is a psycho of the first order.
Posted in: Disc Reviews by Archive Authors on April 6th, 2006
Hmm. Another made for television sci-fi series. Most of the recent sci-fi made for television series have been quite disappointing mainly because they usually run too short, are horrible condensed forcing the creators of the show to either A. introduce characters very quickly, B. have extremely poor set design, or C. have another random plot that has been done a million times over. While The Triangle plot is nothing brand new, the director by Craig R. Baxley with production by Bryan Singer (X-Men) and D...an Devlin (Independence Day) help bring a bit of higher quality to the project.
The basic plot to this mini-series is; A team of specialists races to solve the mystery of why an alarming number of cargo ships are disappearing into the Bermuda Triangle. Made by Craig Baxley and genre veterans Dean Devlin and Bryan Singer, we naturally get scenes filled with tons of FX effects. One of the more surprising positives for this series was the cast. Boasting such actors as Sam Neill and Catherine Bell, the acting level is taken to the next level. The direction was quite surprising with a lot of the scenery and acting feeling top notch. The show, if you didn’t know it was a mini TV series, could have easily passed off as a film.
