Posted in: Disc Reviews by Archive Authors on September 7th, 2005
What's the dealio with The Deal? Well... Christian Slater's in it. Selma Blair's in it. What's it about? The Deal is a thriller set in the world of insider trading and the oil market. Sounds like a bore? Well, the film is fairly knowledgable about its information. The screenplay has a lot of "insider" gobbledegook. The characters talk the talk, but can they walk the walk?
The Deal, on a thriller level, gets lost in its own plot. Tom Hanson (Christian Slater) slogs through a maz... of narrative. Too much information, too little time. The world of Wall Street is hard to wrap your head around as it is. The strength of the film lies in its strong cast, sure handed look, and intelligent ideas.
Posted in: Disc Reviews by Archive Authors on September 4th, 2005
Synopsis
Kingdome Hospital is built on the site of a former Civil War textile mill, where many children lost their lives in a tragic fire. The ground is therefore haunted, and strange things are happening in the hospital. We follow the lives of many characters here, including one particular patient, an artist who was hit by a truck (the incident is very faithful reproduction of what happened to Stephen King himself) and is haunted, in his comatose state, by visions of a supernatural anteater (I’m not...making this up).
Posted in: Disc Reviews by Archive Authors on September 3rd, 2005
With Six You Get Eggroll is special for one reason. Other than the politically incorrect title, the movie features the last film appearance by Doris Day. Too bad she couldn’t go out with a bang. I will admit: I like Doris Day. The Man Who Knew Too Much is a great film. And all that “Pillow Talk” stuff. C’mon, it’s fun. But let’s get to the Eggroll, shall we?
With Six… starts off as a fairly realistic romance/comedy. Day plays Abby McClure, the owner of a construction company (...). She’s also single with kids. Enter Jake, played by Brian Keith. He’s also on the lookout for a partner. But, naturally, complications arise; and one of these complications is Jake’s overly protective daughter (played by a very young Barbara Hershey). However, the obstacles that keep Day and Keith apart get increasingly “wacky”. Hippies and motorcycles come into play; it’s not a pretty sight. It’s sad when a 50’s icon tries to be “with it” in the late 60’s. But, on a happier note, George Carlin (in his first movie appearance) shows up for some fun.
Posted in: Disc Reviews by Archive Authors on August 27th, 2005
Synopsis
After being the hunk of the moment on E.R., George Clooney came out of the starting blocks as a film actor in a few films, ranging the gamut from cult favorite (From Dusk ‘Til Dawn) to somewhat critically praised (The Peacemaker). He was also played the starring role in the film that put the Batman franchise on life support. One of his first smart acting choices came in Out Of Sight, directed by Steven Soderbergh, before Soderbergh became the Hollywood flavor of the mont... with Traffic and Erin Brockovich. His female co-star was Jennifer Lopez, whose most notable films at the time were Money Train and Anaconda. The pair was surrounded by an outstanding cast that included Don Cheadle (Boogie Nights), Albert Brooks (Mother), Luis Guzman (Punch Drunk Love) and Ving Rhames (Pulp Fiction), to name a few.
Posted in: Disc Reviews by Archive Authors on August 26th, 2005
Synopsis
Peter Finch plays Umberto Nobile, an Italian general and explorer who is haunted by his disastrous attempt to fly over the pole in a dirigible in 1928. In the present day, sleepless, he summons the ghosts of his crew and the people affected by the disaster to sit as judge and jury, and the film then proceeds to tell the tale in flashback. When the dirigible crashes, Nobile and his men are marooned on pack ice, while rescue attempts are met with one tragic setback after another. Among those s...arching for Nobile is Roald Amundsen (Sean Connery).
Posted in: Disc Reviews by Archive Authors on August 25th, 2005
Synopsis
This is the biopic of Irish painter and writer Christy Brown. Born with crippling cerebral palsy, he retained movement only in his left foot. His body is a cage for his mind, and at first, only his mother believes that he is an intelligent being. When, as a child, he spells “MOTHER” on the floor in chalk, this is the breakthrough moment, and we follow him through the triumphs and frustrations of his adult years.
Posted in: Disc Reviews by Archive Authors on August 23rd, 2005
Synopsis
Aspiring singer Ashanti (there’s some imaginative casting for you) and her pet Toto (Pepe the king prawn) are transported to Oz by a tornado. The story then plays out in familiar form, with the roles of the Scarecrow, Tin Man, Cowardly Lion and Wicked Witch of the West being essayed by, respectively, Kermit, Gonzo, Fozzy and Miss Piggy.
Posted in: Disc Reviews by Gino Sassani on August 20th, 2005
Evil sells. From the time of Adam and Eve it appears that Satan makes for great storytelling. The mini-series from NBC gets its name, obviously, from Revelations, the final book in the Bible. Combine the idea of pure evil and the end of times and you get... well, The Omen. Revelations deals more with the impending Armageddon than it actually does with the Anti-Christ. The clash of science and religion is far more important in this film than past films like The Omen. Bill Pullman is a good choice here. His portrayal of a Harvard scientist caught in the middle of this epic tale contains just the right reserved element to make him completely believable. Natascha McElhone is too stereotypical. Her constant ranting of scripture gets tiresome. I’m not really sure I blame the actress more than the way the part was written. This is a long tale that would have benefited from tighter editing. Of course, NBC had to fill 6 hours of prime-time.
Synopsis
Posted in: Disc Reviews by Archive Authors on August 19th, 2005
Synopsis
Charlton Heston is the title character, a Union officer who determines on his own hook to track down a group of Apache raiders. He gathers together a ragtag group of raw recruits, criminals and Confederate prisoners, and heads off to Mexico. His second-in-command is Confederate officer Richard Harris, and the two men have a long history of mutual hatred and respect. Heston forges ahead despite all obstacles, and despite the costs both to his men and to the civilians they encounter.
Posted in: Disc Reviews by Archive Authors on August 19th, 2005
I'll bet the script to this film read like a dream. The Exorcist meets Hellboy meets The Mummy. Surely this is the ideal vehicle for Keanu Reeves following his three picture run on The Matrix. Sound too good to be true? Unfortunately, it is. Now, there is a lot that is admirable in this film. For example, the acting, which is is far above the tired bar set by most modern action/sci-fi flicks. Furthermore, the special effects in Constantineare simply fantastic. In fact, I would go so...far as to say that they are some of the most amazing special effects I have ever seen. These are effects so amazing that they actually help to convey the story on their own. It is one thing to hear people describe hell, it is quite another to experience it firsthand through a special effect.
It is a shame that for all of the hard work and thought that went into this film, the end result is so disappointing. The film starts off with such promise. Why must it go downhill? The simple answer is that brilliant visuals can't cover a script that has been dumbed down to appeal to the lowest common denominator in the summer blockbuster movie going pantheon. This could easily have been one of the best comic book films of all time. I am just so disappointed by the potential that was squandered in this production.
