Posted in: Disc Reviews by Gino Sassani on March 28th, 2005
The sophomore effort of Wes Anderson, Rushmore brings together a 15 year old who flunked out of private school, and a steel tycoon in his 40s, and shows the lengths that people go to sometimes to try and win the heart of the one they love.
That would be too easy an effort, wouldn’t it? Well, Max Fischer (Jason Schwartzman, I Heart Huckabees) is attending Rushmore Academy on scholarship, and he loves Rushmore. So much so, that he creates a club for just about everything that hasn’t had an esta...lished club at Rushmore. Beekeepers’ Society? Check. Model U.N.? Check. He also writes and produces plays at the school. Not your average plays, more along the lines of adaptations. Adaptations which may not be appropriate for younger kids. I mean, why subject an 8 year old to a play that’s adapted from Serpico? The problem with all his extracurriculars is that he neglects his studies, and is threatened with expulsion by the school’s headmaster (Brian Cox, The Rookie). As Max’s father (Seymour Cassel, Stealing Harvard) is only a barber, expulsion would be expulsion, he couldn’t buy his way out of it. Max does find an inspiration, someone that he falls in love with, a 1st grade English teacher named Ms. Cross (Olivia Williams, The Sixth Sense). The problem is that Ms. Cross rejects his flirtations, so he enlists the aid of Herman Blume (Bill Murray, Caddyshack), a self-made tycoon who gains Max’s admiration and respect at a guest speaker engagement at the school, simply telling the poor kids to take the rich kids down. The problem with getting Blume involved is that he eventually falls in love with her also, though he is already unhappily married.
Posted in: Disc Reviews by Archive Authors on March 28th, 2005
The Monterey Pop Festival has been mostly ignored by a lot of people, compared to the two other two large concerts that occurred after it, Woodstock, and Altamont. Those who do remember Monterey always mention the one incident it is most known for, Jimi Hendrix’ appearance on the U.S. stage. Jimi had been tearing it up in England, and he ended by setting his guitar on fire, which turned out to be a defining moment in music history. Criterion brings this event and others back to life in a comprehensive 3 disc set which is designed not only to showcase Jimi’s set during the show, but also breathes new life into the festival in general. Artists who appeared were The Who, Simon and Garfunkel, Otis Redding and Janis Joplin, to name a few.
The festival was shot over 3 days, and the DVD set is broken up into 3 parts: the film of the festival on disc 1, the performances of Jimi Hendrix and Otis Redding take up disc 2, and almost 2 hours of outtake performances comprise disc 3. Disc 1 is the film of the festival. The usual components of a music concert documentary are here, including footage of crowds and artists flocking to the show, and some behind the scenes logistics, but that footage is quick, and it runs for about 10 minutes before the performances start. The performances are edited together fairly abruptly with almost no fanfare in between songs. The film is only 79 minutes, so I can‘t understand the need to get everything crammed in here as much as possible, but that helps to make the second and third discs a relief to see.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2005
What better a place to bring a city’s resurgence than Miami? The area would arguably look different if there was a different TV show that sparked a commerical revival. With Michael Mann in the producer’s chair, along with producing partner Anthony Yerkovich (whose only other cop drama he produced was Hill Street Blues), the flashy cop drama was the reason why a lot of people decided to stay home on Friday nights.
In terms of episode content, there was a lot of formulaic cop drama things, and the usua... clichéd dialogue is prevalent. I found myself shuddering at some of the things I heard when I was watching this first season of episodes again. But there are very good episodes within this run. Aside from the introduction of Tubbs (Philip Michael Thomas) to Crockett (Don Johnson) in the first episode, along with Tubbs’ pursuit of the drug dealer who killed his cop brother, No Exit features a young Bruce Willis as an arms dealer with a dark side. Milk Run has Crockett helping a couple of naïve college kids nab a cocaine dealer and get home safely, and Dennis Farina (who later starred in Mann’s TV project Crime Story appears periodically throughout the season as a drug dealer who evades arrest, and later, witness relocation. And what may be the best episode, Evan features an old partner of Crockett’s and the friction that still exists between them and a deceased partner. Set against a couple of really cool Peter Gabriel songs, this episode is probably the best of the season in my opinion.
Posted in: Disc Reviews by David Annandale on March 19th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on March 15th, 2005
Bright Young Things is a sumptuous adapation of Evelyn Waugh's novel "Vile Bodies". The book is a cutting satire of British cafe society of the 1930's. The director and adapter, Stephen Fry, retains much of the novels comic edge. I would expect nothing less from Fry, the noted British humorist and living embodiment of Oscar Wilde.
The movie is mostly about the posh lifestyle of novelist Adam Fenwick-Symes (played by Stephen Campbell Moore)and his lover Nina (played by Emily Mortimer). The circle ...f friends, however, add to the decadence; cameos by Peter O'Toole, Jim Broadbent, and Dan Akroyd add to the fun. However, World War II comes around, and we find out that glitz and glamour isn't what it's cracked up to be. This a very underrated movie that we didn't hear much about. Too bad.
Posted in: Disc Reviews by Archive Authors on March 15th, 2005
Hype! is a documentary of the "Seattle scene" of the early 90's. Grunge was king. I remember wearing flannel shirts and listening to the big three: Nirvana, Pearl Jam, and Soundgarden. But what about the other bands? Hype! also talks about the lesser-known bands, like the Supersuckers and The Gits. Hype! is an examination of what went on underneath the "hype" of the Seattle music scene. This isn't some VH1 doc. And it's not all about Kurt Cobain either. Hype! covers it all, and cre...tes a gritty portait of the music landscape at a time when grunge ruled the world.
Audio
Posted in: Disc Reviews by David Annandale on March 14th, 2005
Synopsis
Posted in: Game Reviews by Archive Authors on March 13th, 2005
Day 1 Studio’s produced one of the most anticipated games associated with the early days of the X-Box; MechAssault. This original game captured gamers with in depth gameplay, excellent visuals and great sound. What’s not to like about jumping in a 40 ton carnage dealing machine and blowing up everything in sight? The only drawback to the first one was a lack of multiple modes of online play. Day 1 has returned with the sequel to the highly successful MechAssault with MechAssault 2: Lone Wolf and ...ives the fans everything that they asked for. Let the online devastation begin!
Gameplay
Posted in: Disc Reviews by Archive Authors on March 11th, 2005
I don’t remember hearing anything about Heat when it was coming out, but once I saw who was in it, I was hooked. With Al Pacino’s 8 Oscar nominations (with 1 award) and Robert DeNiro’s 6 nominations (and 2 awards), the two have had quintessential acting performances over the past 30 years, and the impact they have had on cinema speaks for itself.
The names of the characters are hardly consequential, as they are used to further storylines more than develop character. But Pacino plays a cop who is tr...cking a group of robbers, among them Val Kilmer (Wonderland) and Tom Sizemore (Saving Private Ryan), a group headed by DeNiro. The group receives offers for work from Jon Voight (Runaway Train), and they rob anything from gold, to coins to bearer bonds. They are all ex-cons, and know all the ropes. They are a highly professional crew, which you see in the opening moments of the movie, despite the addition of a new man to the crew. What also helps to differentiate this from a usual cops and robbers movie are the secondary plotlines of the families involved. Pacino’s is clearly distant and breaking (played by Diane Venora and Natalie Portman), while DeNiro doesn’t have one to speak of, despite an emerging romance with Edy (Amy Brenneman, Judging Amy). At 3 hours, there are some unnecessary scenes involving a banker (played by William Fichtner), but the underlying message is that almost all of the actions in the movie do not involve just the primary characters, but also friends and loved ones of those characters. Kilmer’s wife in the film, played by Ashley Judd, desperately wants to get him out of his line of work, as she wants to start a new life for her family. An ex-con (Dennis Haysbert, 24) is stumbled upon working in a greasy spoon, and offered a chance to work by DeNiro. Haysbert’s character wants to be right, but runs into so many obstacles from it that he takes the job, only to wind up perishing in what results in a massive gunfight in the heart of Los Angeles while a bank robbery is being pulled.
Posted in: Disc Reviews by David Annandale on March 10th, 2005
Synopsis
