Posted in: Disc Reviews by Gino Sassani on November 30th, 2004
While the world of Harry Potter was created primarily for a younger adolescent audience, there is no question that the tapestry is epic, and compelling enough to satisfy adults. I believe the true success of these films lies within that idea. It is truly rare when a film arrives that can appeal so completely to both demographic groups.
Prisoner of Azkaban is perhaps the darkest, but I don’t think the most frightening, Potter film. The creature images of the previous entry were considerably more graphic an... disturbing to the younger children. I’m going to take some heat for this, but I am so happy there was a very limited scene of the famous quidditch games. They are very popular it seems, but I find them a dreadful bore. The children are beginning to mature both as characters and actors. While Daniel Radcliffe has improved quite noticeably from the first film, I must admit that it is the performance of Emma Watson that showed the greatest maturity and potential. Richard Harris was most certainly missed, but I think that Michael Gambon conjured up a nice, while more limited, performance of the wise old Dumbledore. As with all of the Harry Potter films this one begins with Harry’s tedious life in the normal world. I’m sure that each time viewers of all ages are eager to see Harry return to his element and friends.
Posted in: Disc Reviews by Archive Authors on November 26th, 2004
Species III comes from good genes. The original was kind of fun (and starred Ben Kinglsey!), but the first sequel was not as fun. But here comes the second sequel. It has the original alien girl Natasha Henstridge, but her appearance is short (I’ll just leave it at that). The director, Brad Turner, is a veteran of action television shows like 24. Is this direct to DVD release the best one of the “species”? The answer tilts towards the negative.
But Species III has a few things goi...g for it. If you like the gore, there are some nice effects here. In fact, Species III plays like a horror film more than sci-fi. The budget constraints limit the movie to a few locations, so its scope isn’t as broad as the other Species siblings. Sunny Mabrey, who bares a striking resemblance to her alien mother (Henstridge), plays the new daughter. This species chick can kick some serious a$#. And the filmmakers, in this unrated cut, make sure to show off Sunny’s other features (yes, there is above the waist nudity).
Posted in: Disc Reviews by David Annandale on November 24th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on November 24th, 2004
Nicolas Cage and Laura Dern are the last-word in star-crossed lovers. Pursued by theminions of Dern’s psychopathic mother Diane Ladd, they engage in a nightmarishly picaresquejourney across the American south, encountering one grotesque after another (most memorablyWillem Dafoe’s deeply creepy Bobby Peru). The over-the-top sex and violence is held togetherby a narrative that is a dark remake of The Wizard of Oz.
This was David Lynch’s follow-up to Blue Vel...et, and with this he earned a Palmed’Or at the Cannes Film Festival. It is filled with memorable characters and scenes, but thelunatic humour prevents the movie from being as intense as its predecessor. For that matter, Ifind Lost Highway a more satisfyingly committed descent into weird nightmare (though Iacknowledge being in a minority on this). Nonetheless, flaws aside, this is spectacularfilmmaking.
Posted in: Disc Reviews by David Annandale on November 23rd, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on November 22nd, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on November 19th, 2004
Just in time for Christmas, and starring the Governator himself, we have Jingle All the Way with Arnold Swartzenegger. The story follows Arnold’s relentless pursuit to get a Turbo Man action figure for his son. This obsessive quest brings a lot of complications for our hero, from kidnapping, to stealing another kid’s toy, to a manic riot for numbered balls. Arnold even assumes the persona of Turbo Man at a parade and rockets around the city on a real turbo pack (Turbo rocket packs are real?). This all sound... like crazy fun and, for the most part, it is.
The cast is rounded out by Sinbad, as Arnie’s mailman nemesis in this quest, and Phil Hartman, as a sensitive dude putting the moves on Arnie’s wife (played by Rita Wilson). Swartzenegger gives his usual mugging comic performance. The movie climaxes with a lot of action, so it’s entertaining from that respect. But the message about the materialism of the holidays gets a little lost. Who needs a toy when you have your dad, right? But only if he dresses up as Turbo Man.
Posted in: Disc Reviews by David Annandale on November 18th, 2004
One Christmas Eve, an infant crawls into Santa’s sack while the big man is visiting an orphanage, and isn’t discovered until Santa (Ed Asner) is back at the North Pole. Adopted by the Papa Elf (Bob Newhart), the baby grows into Buddy (Will Ferrell). Though Buddy does his best, he is enormously clumsy by elf standards. He decided to head off to New York City to meet his birth father (James Caan), the Scrooge-like editor of a children’s book publisher. Buddy descends on the big city with infectious naivete, and has no end of misadventures while he tries to inculcate the Christmas spirit back into his father.
This was a delightful surprise, infinitely better than the uninspiring trailers had led me to believe. Ferrell is the very incarnation of bouncing, wide-eyed, über-innocence, and his collisions with NYC realities are frequently side-splittingly funny. There are numerous extremely quotable lines, and the syrupy sentimentality that plagues most self-consciously Christmas-oriented movies is largely kept to a minimum. The forced perspective in the North Pole scenes is howlingly obvious, but the fanciful production design makes up for that flaw. The case has been made (convincingly, I think), that there have been no legitimate Christmas classics made since1983's A Christmas Story. It is, of course, far too early to tell how Elf will stand the test of time, but its mix of sharp wit and child-like whimsy makes it a serious contender. It is also entirely fitting that Peter Billingsley, the star of A Christmas Story makes a cameo here as the head elf.
Posted in: Disc Reviews by Archive Authors on November 17th, 2004
The original Around the World in 80 Days is known for its spirit of adventure, wild cameos, and also one of the weaker movies to win an Academy Award for Best Picture. Disney’s remake of Around the World still has that sense of adventure, has a few funny cameos, and is in no danger of winning Best Picture.
Based on the Jules Verne book, Around the World in 80 Days stars British actor Steve Coogan as the infamous inventor Phileas Fogg. His famous balloon is supposed to go around the wo...ld in 80 days to prove a point to his conservative “explorer’s club”. France, China, Turkey, and New York are all stops in this globetrotting trek. But it’s Jackie Chan that steals most of the screen time as Passepartout, Fogg’s partner on this adventure. It seems that the filmmakers designed the film around Chan’s comic antics. Chan also choreographs a lot of martial arts scenes because, well, that’s what Jackie does best. Not sure how Jules Verne would feel about that.
Posted in: Disc Reviews by Archive Authors on November 16th, 2004
Released approximately at the same time as Mean Girls, Sleepover is an attempt to make an impact on the teen demographic. But after watching this movie, there’s really no impact. In fact, it barely makes a dent. Four best friends go on a crazy all night scavenger hunt against the “popular” girls. The winner of the hunt gets to sit at the “popular” lunch hang out. The loser…well…gets to hang out with the losers. Pretty trite stuff, eh?
Sleepover is supposedly a throwback to those...zany teen, staying up all night adventure comedies. The characters get themselves into some pretty weird situations. One of these “situations” includes Julie, the main character (she’s 14), sneaking into a bar because the scavenger hunt requires her to get a photo of herself being treated to a drink by a grown-up (???). Weird. The grown-up happens to be her teacher (???). Double weird. But if you’re looking for incisive commentary about teen life, this is not the movie. It plays more like an extended Lizzie McGuire episode. At least the Lizzie show was only half an hour.
