Dolby Digital 5.1 (English)

Muhammad Ali could be the greatest athlete of all time.  Facing Ali is a documentary that interviews ten of Ali’s former opponents throughout his career.  All of the retired fighters offer some brilliant insight into Ali’s career, personality and break down their memories of their individual bouts with him.  The fights that are being recounted mark the pinnacle of personal achievement for these fighters and each fight is equally as significant to each fighter.  The idea and execution of this documentary are exceptional and this film provides substantial entertainment for the duration.

There’s a quote by author Kent Nerburn that says: “It is much easier to become a father than to be one.” The Boys Are Back, based on a memoir by Simon Carr, is the best example of that sentiment on film that I’ve personally seen in a few years. Clive Owen plays sportswriter Joe Warr. He’s good at becoming a father, but not at being one. His one-the-go job keeps him from spending any real quality time with his family, leaving his wife Katy (Laura Fraser) to raise their son Artie (Nicholas McAnulty). When Katy becomes fatally ill, Joe must step up to the plate to take care of his 6-year-old son.

If there was a recipe book for the modern romantic comedy, it would undoubtedly include a checklist of the following: group of girlfriends in their late twenties/early thirties with neurotic ideologies revolving around dating and clothes, a writer’s quota of at least one catch phrase per scene, product placement, and the charming leading man. Maneater receives checks across the board, and so much more.

Nestled nicely between the appearance of two blockbuster, live-action films, Iron Man was been made into another half-hour animated show. In the past we have seen the origin and tales of the Stan Lee created Tony Stark and his amazing technology be altered in a 90s cartoon show, the Jon Favreau film(s), and a recent animated film, but the developers of these latest “adventures” take the furthest and riskiest leap from the original source material by making Stark a teenager, along with most all of his friends, and some enemies as best friends Rhodey, Pepper and arch enemy the Mandarin (!!!) are converted to high school chums.

Weeds started out as something very different from the 13 half hour episodes you will find in the 5th season release. In the beginning Weeds was an offbeat look at a suburban housewife who turns to selling pot to make ends meet. It was a very whimsical change of pace from what was commonly being offered on the networks in that half hour situation comedy dominated world most of us have grown tired of. The characters were certainly outside of the general mold, and their eccentric nature made the show entertaining, if not for the masses, for a tight cult following.

"In the early 1930's Adolph Hitler and his inner circle became obsessed with the occult, believing that the black arts were the key to their plan for world domination. Nazi agents traveled the globe in search of ancient Nordic relics known as rune stones. They believed if they harnessed the power of these stones, nothing could stop the march of the master race. The symbols inscribed in these stones were said to describe the path to immortality. Almost a century later, the nightmare has awakened."

We've heard of these fantasies of Hitler's before.

It is the last month-and-a-bit of Delta Company's tour of duty in Iraq. The IED disposal squad has just lost its leader, and he is replaced by Staff Sergeant James (Jeremy Renner), a brilliant bomb defuser who is also something of a loose cannon, prone to taking foolish risks. What follows is Kathryn Bigelow's best movie to date, as finger-gnawing scenes of bomb disposal and combat alternate with portraits of men's psyches being taken apart by war, both because of what happens to them, and because of what they must do.

I made a huge mistake when I sat down to watch this release so that I could write this review. It sometimes happens that one in this business must watch a series from somewhere other than the beginning. In most cases, particularly with older more traditional shows, that isn't very much of a problem at all. Once you get the premise down and learn who the important players are, you can sit back and watch without much concern at all about what you might have missed. Today, however, that is becoming a more and more difficult proposition

The series premiere of E.R on September 19, 1994 was preceded by the premiere of another medical drama, Chicago Hope, by one day. But one day didn’t seem to make much of a difference in the show’s longevity. E.R.ended after fifteen seasons on NBC in 2009. The show has seen a drastic change in cast members over the years—none of the original cast members were series regulars by the last season. We are, however, reunited with original cast members Dr. John Carter, played by Noah Wyle, Dr. Susan Lewis, played by Sherry Stringfield, and the underutilized Laura Innes as the stone-faced Dr. Kerry Weaver in season 12.

"The price of love is to expect the pain of loss. Maybe it's some kind of divine punishment to have the ones we love pay the cost of our own sins. The real punishment is being alone the rest of our days hoping to forget and praying for change to come again."

We've all seen our share of film heroes whose journeys are hard-fought paths to redemption. There's nothing particularly original in the concept. Writers from Homer to Shakespeare have explored the material.