Dolby Digital 5.1 (English)

Look up in the sky. It’s a bird. It’s a plane. No, it’s…. well, Clark Kent. When Smallville was first developed for television, the showrunners made a few conscious decisions that have, for the most part, been kept for the show’s first 8 seasons. There was a strict “no flights, no tights” rule that was in effect for anyone hoping to pen an adventure for the show. Everyone knows we’re talking about Superman here, but the term is avoided like a deadly disease. All of the familiar places and names are firmly in place, but make no mistake. This is the world before Superman began to make his presence known to the world.

For those of you who have been living under a rock since the 1930’s, Smallville was the Kansas farm town where young Kal-El’s space ship from the dying planet Krypton crash landed. He was discovered by Jonathan (Schneider) and Martha (O’Toole) Kent and raised as their adopted son. The series began with Clark’s high school years. Clark always had a crush on neighbor Lana Lang (Kreuk). In a nod to the 1978 film, Martha is played by Annette O’Toole, who played Lana in that second film. Clark’s high school friends include Chloe Sullivan (Mack) who is somewhat of a computer whiz and ace school paper reporter. Clark also befriends local billionaire son Lex Luthor (Rosenbaum) after saving his life. In these early seasons the characters would slowly build towards the eventual hero/villain relationship that Luthor and Superman would share. Lex Luthor’s father Lionel Luthor (Glover) would go from being a bad guy to a good guy and back again as the show progressed. Much of these early episodes dealt with Clark discovering his powers as he matured. Eventually all but the flight ability would surface. The show also took on a freak of the week aspect at times. It seems that while Kryptonite robs Clark of his power, it has created mutant powers in many humans who have encountered it over the years. Clark and Chloe would spend many a season tracking down and stopping these “meteor freaks”.

It’s a disc loaded with pilots. No, you won’t find any daring men and their flying machines here. These pilots owe more to Philo T. Farnsworth than The Wright Brothers. Farnsworth transmitted the first televised image in 1927. In case you’re wondering, that image was a dollar bill. These pilots follow in those footsteps; that’s because these pilots are television shows. They’re the first episodes of some of the best action series to appear on CBS over the last few decades. Going back as far as the 1960’s, these shows represent a nice cross section of television action entertainment.

This is a new release of the film, and its main interest, for those who already have a copy, is the meatier set of extras (even though some on the other disc are now gone). As for the film itself, what I said before still goes, so once again, I quote myself.

In the first season of Showtime’s Californication, we were introduced to David Duchovny’s character, bitter yet upbeat writer Hank Moody. Hank, after moving to Los Angeles on the heels of his first novel - a critical darling entitled “God Hates Us All” - has recently lost his long-time love and, by extension, his daughter, to a straight-arrow bore who makes his girlfriend Karen (Natascha McElhone) feel safe.

The first season told us the story of Hank’s attempts to win Karen back and his increasingly perilous relationship with a sixteen-year-old Lolita whose inclination for combining sex with a wicked right hook leads to one of television’s all-time great novel titles. Oh yeah, and it also featured lots and lots of raunchy sex between Hank and many gorgeous women. This was a major reason for the show’s notoriety, but what really makes the show work is Duchovny’s portrayal of Hank. He imbues him with a charming kind of good-natured nihilism and, even when he is being a grade-A jackass, we still like him.

“Unlike the rest of us, sex, lies, and scandal never take a vacation. Instead they take the Long Island Expressway and head East to the Hamptons. Some would say summer is their busiest season. Think Park Avenue, but with tennis whites and Bain de Soleil. The players change, but the game remains the same.”

And for fans of the series Gossip Girl, the place may have changed at least for the season two premiere, but it’s still the show that’s become somewhat of a guilty pleasure to so many viewers. The show picks up during Summer Break in the Hamptons for our East Enders, but don’t worry. They’re back in their East End familiar surroundings before too long at all. As the opening narrative implies, the game does indeed remain the same.

“Take hope from the heart of a man, and you make him a beast or prey. And the beast eats away at you if you’re not careful. The beast will eat it all and you will have nothing and you are nothing.”

Patrick Swayze stars as Charles Barker, an FBI undercover specialist. He handles the deep cover missions, the kind that requires a total commitment to the mission. He’s the kind of agent that knows where the line is so that he knows where to cross it. He’s a grizzled veteran. His new partner is young Agent Ellis Dove, played by Australian actor Travis Fimmel. Ellis is a bit uncomfortable with Barker’s all in approach. Still, he’s a loyal student and will do what it takes to catch the bad guys. The two agents are handled by an agent named simply Conrad. Conrad is played by everyone’s favorite comedy relief from the new Mummy films, Kevin J. O’Connor. He was the cowardly rascal Beni in those first two films. Each episode brings us a special set of circumstances where the FBI feels Barker’s special brand of work ethic might work. Still, the feds are a bit worried about just how far he has gone over that line. They try to get Ellis to snitch on his new partner to no avail. Larry Gilliard, Jr. plays Ray, the persistent internal affairs agent who wants the goods on Barker.

I think it started with the writers’ strike and somehow got out of control on this series. None of these sets represent actual seasons, which is why the releases are called chapters. The first two chapters represent the times before and after the strike from the show’s first year. I kind of understand how that might work out. What I don’t quite get is why it is now continuing. This chapter includes the first episode of the second season and stops with the tenth, even though the season actually included 22 episodes, all of them aired before the release of the DVD’s. There doesn’t appear to be any reason to spread out these releases except to capture a couple of extra bucks from the fans. To be fair, there was a five month gap in the episodes where this chapter ends, but it is still considered by every episode guide I could find as all part of the second season. The question for fans has to be, when will they see the other 12 episodes on DVD?

The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies. The story is very much like a soap opera. Casey (Grammer) is a sorority sister for Zeta Beta Zeta, and after two years is a woman on the rise. She’s dating the rich and handsome Evan (McDorman) and is in line to be the next House president. Her life is about to change when her nerdy brother, Rusty (Zachar) arrives at college. In his hope to experience college life and shed some of his geek reputation, he decides to rush a fraternity and enter Casey’s perfect world. Casey’s other problem is Zeta Beta Zeta’s own new pledge in the form of Rebecca Logan (Vadsaria), the spoiled daughter of a US Senator and rival for Evan’s affections as well as the future House leadership. To further complicate matters, Rusty has pledged Omega Chi Delta, which is led by Casey’s former boyfriend, Cappie (Foster). Most of the episodes deal with the crossover of these various worlds, and there’s a ton of competition not only between the houses but the characters. The show is all about the parties and the rivalries. There’s an interesting enough group of supporting characters, all well cast, which make this series a little more interesting than it really should be.

Eli Stone is a typical corporate lawyer. He admits to being totally self-involved and greedy, that is until he begins to see and hear things that aren’t really there… or are they? These visions appear to be connected with events unfolding in Stone’s life and seem to be leading him toward a mission of sorts. It could be helping a mother whose child was stricken by a harmful vaccine or helping a convict fight prison abuse. In the pilot, Stone discovers that he has a brain aneurism, which might account for the vivid visions he is experiencing. His mentor, Dr. Chen, has another idea. He believes that Stone is being recruited by God as a prophet to help with the world’s injustices. As viewers we’re never quite certain exactly what to believe. What we know is that, like most prophets, the situation isn’t exactly working out great for Stone’s life. He loses his hot fiancée and most of his coworkers see him as some kind of a kook. Of course, it wouldn’t make good television if these visions didn’t often come at the most inopportune moments. He could be in a meeting with an important firm client or involved in the more intimate activities when he’ll hear strange music or see fire breathing dragons. Because the visions are so realistic, Stone can’t help but react to them, even when he knows they’re not real. This leads to many of the show’s awkward moments, as that gag gets old very quickly. There’s entirely too much office romance here as well.

The show’s true bright spot is a very smart cast. Jonny Lee Miller is actually pretty good in the role. Considering he has to act against a lot of blue screen, he manages to come across quite believable. He doesn’t always do a great job of hiding his own English accent, but I can forgive him that much. Victor Garber is absolutely brilliant as Jordan Wethersby, the firm’s senior partner and his fiancée’s father. I seem to like this guy in every role he’s played, particularly in Alias. His almost deadpan seriousness is a great compliment to the over the top shenanigans that make up the greater part of the show. He’s the anchor that keeps the show “real”. Natasha Henstridge shows less of herself than she did when debuting in Species, but gets to show off her acting chops instead of her body. The body’s a little better, but she does a solid job here as “daddy’s little girl” and Stone’s on again off again romantic interest. James Saito is another huge stand out as Dr. Chen, Stone’s spiritual advisor and mentor. He can be funny and straight all at the same time. Hands down my favorite character here. Sam Jaeger is Matt Dowd, Stone’s office rival. Boston Legal’s Loretta Devine plays Stone’s secretary and provides the comic wisecracks much as she did in the previous show. In fact, isn’t this the same character, Loretta? Honestly this cast might have been better served in a straight courtroom drama with better staying power.

The mutiny on the Bounty is one of those stories that carries with it the adventurous dreams and ambitions of a young child. It’s the smells and sounds of the high seas. The intrigue of a mutiny and the charismatic stature of an imposing captain, the image of sailor’s worst nightmares. Aye, Matey. There’s nothing like it. (We interrupt this review because apparently Gino has been reviewing the wrong film. Please accept our apologies for the misinformation – ed.)

As I was saying…. It’s the Old West, the kind of story that carries with it the adventurous dreams and ambitions of a young child. It’s the smells and the sounds of the open frontier. The intrigue of the famed outlaw and the charismatic stature of an imposing lawman, the image of an outlaw’s worst nightmares. Darn Tootin’, Pardner. There’s nothing like it.

From the very beginning writer/director Matt Aselton wants to make a statement with his first film, Gigantic. The tiny title letters belying the largesse of the title itself right away appears to be telling you that the film will go against any expectations. It’s a brave independent piece of cinema that exhibits ton of promise and potential that is never fully woven together coherently enough to satisfy even the most art house of audiences. Taking his cues from such iconic directors as Woody Allen, Aselton doesn’t demonstrate the experience or maturity level to take what makes perfect sense in his own mind and translate it so that an outsider can completely understand what he’s trying to say. It’s unfortunate, really, because the film contains some rather clever ideas and certainly a top notch cast. There’s a future in this business for Matt Aselton, but that future isn’t now, and it’s not with Gigantic.

Brian (Dano) works at a high end mattress store called The Sandman. The first real incoherency can be found here in the store. They sell mattresses that are tens of thousands of dollars, but the store is a dirty brick walled loft. The merchandise is certainly not well displayed, and no one who works there seems terribly interested in selling the bedding. Brian is trying to raise money to adopt a Chinese baby. No explanation as to why the young single man wants to do this other than it’s something he’s always wanted to do. Nothing in his personality appears at all consistent with the desire, and his game plan is remarkably nonexistent. He doesn’t have the means or the emotional maturity to take on the task, yet he appears to be making great progress with the adoption procedure.