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To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.

 

It’s unfortunate that the writers’ strike interrupted the second season of Brothers & Sisters. I was looking forward to finding out if the writers were going to live up to the amazing on camera talent they had speaking their words. What I found was pretty much more of the same, and a quickly eroding patience with the series. I guess the writers had a little more on their mind this year. More’s the pity.

 

The Godfather films changed storytelling forever. Films before that time, mobster or otherwise, had some very simple but unshakable rules. There was always a fairly clear distinction between the good guys and the bad guys. The good guys always win in the end, and the bad guys always succumb to justice before the final credits. For perhaps the very first time, we were given characters that we knew in our souls were evil men. They killed. They broke laws. They manipulated everyone around them through fear and terrorism to bend to their wills. Somehow, now they are the film’s core heroes, if you will. When Vito is shot, we cheer for Michael, who discards his contempt for his family’s criminal image and comes to his father’s aid. Suddenly this wasn’t just about a gang of mobsters. This was a story about a family. Most of us can’t relate to the mafia ins and outs, but we all have fathers, and even when we dislike what our fathers represent, we will more often than not come to their aid if they’re being threatened. This unique morality paved the way for an entire genre of such characters today. There just couldn’t have been a Tony Soprano or Vic Mackey without The Godfather. While there were certainly protests from aspects of the Italian-American community decrying the violent way our ethnicity was portrayed, most of us from that community saw more than violence and Mafioso. If you’re from an Italian family, you simply can’t help recognizing aspects of your own family in the Corleones. I could see my own grandfather in Vito, sans the mob boss occupation. Many of us took away the strict codes of honor and respect that drive Italian-Americans to this day in very normal lives. We’re a very passionate people, even if most of us are not part of an organized criminal element.

 

When I was a kid, I loved Archie comics. Before every family road trip (at least once a year), my mom would head to the grocery store and buy up all of the latest issues of everything from Jughead to Little Archie. We amassed quite the collection, and I read those things over and over for years. Recently, in a moment of nostalgia, I bought a new issue. I was excited to see what my old pals the Riverdale gang were up to — boy, was I disappointed. I knew nearly all of the stories! They barely did anything to hide the fact that they were reruns, simply transplanting plots from summer to winter, or changing from basketball to volleyball. What a crock.

Speaking of reruns, you'll recognize Made of Honor as My Best Friend's Wedding with a dash of When Harry Met Sally. I know it's a well-established Hollywood tradition to rehash plots from past successes, but this chick flick was marketed as something fresh. Right. It's a good thing fans of rom-coms don't mind watching the same story over and over. And over.

I've got this great idea for a new show: it's about a group of people stranded on a mysterious island after a plane crash. I'll call it Where Are We? It's gonna be the biggest ratings hit ever for whichever network is lucky enough to lavishly reward my creative genius.

On the other hand, it might seem like a complete ripoff of Lost, a rehash, old news that will never live up to the glory of the original. You know, like Cashmere Mafia, the Lucy Liu vehicle modeled gene-by-gene on HBO's mega-hit Sex and the City. It might only last seven episodes before it's axed. Now on DVD for the first time, Cashmere Mafia: The Complete Series is further proof that the entertainment industry is all out of fresh ideas.

The 70’s and 80’s were fertile ground for horror films. It was a new era of iconic monsters. Starting with Michael Myers and Jason, the trend that gave us Freddy seemed to be at the end of its run by the late 1980’s. Certainly sequels were still being churned out, but it seemed like we’d seen the last of these maniacal monsters, at least for a while. But before it petered out, the cycle would supply our nightmares with one more notable denizen…Chucky. Today Chucky paces the sidelines here in Tampa as the head coach of the local NFL franchise, but for the last 20 years it was the darkest alleyways of our dreams that Chucky prowled. Inhabited by the soul of a killer, Chucky was truly one of the “Good Guys”.

 

There are some significant changes in season 4. The interns now have interns of their own. It’s actually a little fresh to see them struggle with circumstances we only recently watched them deal with from the other perspective. All except George, who is forced to repeat after blowing off his final exam to help Izzie. There are also many cast changes. Gone are Washington and the baggage he carried with his gay bashing slur. Also gone is Kate Walsh, as her character has moved on to her own spin-off, Private Practice. There were also 3 major additions to the cast. To replace Washington, Brooke Smith has come on to play new head cardiologist Dr. Hahn. Smith plays a rather abrasive character who has it in for Yang. She believes Yang has gotten her mentors’ attention by sleeping with them in the past. She spends a lot of the season going out of her way to make Yang’s life miserable. Chyler Leigh joins the show as new intern and Meredith’s half sister Lexie. Meredith isn’t really thrilled with her half sister and tries to ignore her attempts to get to know her. Leigh adds a great deal of energy in her performance and instantly becomes a standout. Finally, Lauren Stamile plays Nurse Rose, who becomes Shepherd’s next love interest.

 

 

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.

I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI: Miami is by far the inferior of these three shows. In trying to create a slick glitzy Miami feel, the show has gone the way of style over substance. While the oversaturated colors and bright locations might make for a more visually stunning series, it tends here to overshadow the meat and potatoes of CSI, the stories. I get the impression that the show wants badly to recreate the Miami Vice accomplishment of trend setting fashion and style. Those days are long gone, and CSI has an entirely contrary mission that is weakened weekly by this overboard attempt to look good. The show is also beginning to adopt the 24 style of multi frames for no other reason than they think it looks cool. The show doesn’t respect the audience enough to believe they will buy into the series without all of these high tech distractions. It’s a shame, really, because I had higher hopes for this version of CSI, as I happen to live in Florida. Unfortunately most of CSI: Miami is shot in L.A. with the exception of a few overused establishing shots. Let me tell you, L.A. doesn’t look anything like Miami. Perhaps the show should consider dropping all of the fake glitz and move to location where they can take advantage of the city in a far more realistic way.

 

I’m going to admit from the beginning that I had a lot of trepidation going into watching Desperate Housewives. I’ve never seen the show on broadcast television, and frankly don’t know anybody who’s a big fan. The closest I ever got to any of this was the famous T.O. Monday Night Football towel incident that featured the woman from the show lusting after Owens while he was with the Philadelphia Eagles. And like Owens’ tenure with the team, Desperate Housewives was just one of those things I figured we just didn’t talk about. Certainly I’ve seen the hype, and believe, me I’m well aware of the show’s popularity. But I admit to dismissing it as something of a trendy phenomenon and more or less a “chick” show. Now that I’ve finally seen the show I guess I can see what the hype is all about, but my opinion hasn’t changed much. I still think it’s a “chick” show. Not that there’s anything wrong with that.