Posted in: Disc Reviews by Archive Authors on August 18th, 2007
There was a time when break dancing was the hottest thing around. For this film, that time is 1986, when a talented young dancer goes too big in a dance contest, flips off the stage and winds up in a coma. He wakes up 20 years later, a grown man with the mind of a 12-year-old, an unhealthy passion for break dancing and a crush on the girlfriend he almost had two decades earlier.
With that premise, how can you go wrong? Plus, you know Kickin' It Old Skool is a righteous movie because it spells 'School' with a 'k.'
Posted in: Disc Reviews by Archive Authors on August 17th, 2007
Are We Done Yet? That's not just the title of this film, it's a form of the question you'll be asking repeatedly during the film's runtime, until you eventually reach a climax of desperation and cry out for all to hear, "For the love all that is good and pure in this world, when will it end?" Not soon enough, my friend. Not soon enough.
Should you find yourself watching this torturously stupid sequel to 2005's Are We There Yet?, all I can say is, you should have known better. While opinions about movies are subjective, this one's a special case that allows me to say with 100% confidence: if you liked Are We Done Yet? you deserve a big ol' smack upside the head.
Posted in: Disc Reviews by Archive Authors on August 9th, 2007
There must be very few people out there who haven’t seen Taxi Driver or at the very least muttered the words, “you talking to me?†Regardless, this thirty year old film is easily a classic, and still on the top of many critics lists. It marked the blooming of an epic and ongoing relationship between Robert DeNiro and Martin Scorsese, the spawn of Jodie Foster’s career and arguably Harvey Keitel’s as well. At any rate Taxi Driver managed to receive four Academy award nominations as well as gaining a huge cult following. I don’t think it’s a surprise that I’ve already seen and love this movie, but how does the newly released DVD pan out?
Travis Bickle (Robert DeNiro, Heat) is an ex-marine who had recently fought in the Vietnam War. He has since developed several psychological disabilities as showcased throughout the movie including insomnia, obsession, and depression. He works as a nighttime taxi driver and spends his sleepless days in pornography movie theatres or watching presidential aide Betsy (Cybill Shepherd, Alice). He finally garners the courage to approach Betsy and ask her on a date, initially she in intrigued by Travis, but after he takes her on a date to a pornographic film she ditches him and takes a cab home. This acts as a catalyst for Travis’ depression and increasingly paranoid and delusional behavior. He begins having vigilante fantasies and acquires several handguns. One night a 12 year prostitute named Iris (Jodie Foster, Silence of the Lambs) jumps in to his cab trying to escape a beating from her pimp. Travis has a moment of realization about the decaying world around him. From here he begins toying with the notion of killing Senator Charles Palatine and Iris’ pimp (Harvey Keitel, Reservoir Dogs).
Posted in: Disc Reviews by Archive Authors on August 2nd, 2007
As much of a Bruce Willis fan as I am, I have to admit that this movie has no initial appeal to me. Still I am a fan of thrillers and hope I can be surprised by this one as it has a good enough cast including the previously mentioned Bruce Willis, Halle Berry, and Giovanni Ribisi.
The movie opens with the death of Grace, best friend of Rowena Price (Halle Berry, X-Men). We don’t learn much about her so it’s hard to garner up any feelings towards Rowena’s plight in tracking down the killer. But nonetheless as the story plays on Rowena enlists the help of her good friend Miles (Giovanni Ribisi Gone In 60 Seconds) and narrows down the list of potential killers to Harrison Hill (Bruce Willis, Live Free or Die Hard). The rest of the movie consists of Rowena following a trail of evidence that in the end is irrelevant in a twist ending that is quite common of modern day film.
Posted in: Disc Reviews by Archive Authors on July 30th, 2007
Director David Fincher (Se7en) has returned to serial killer territory in a very different way. Zodiac is an effective period piece that enwraps the viewer in a real-life mystery that remains unsolved because it happened before the age of computers and minute C.S.I. technology.
In 1969, a serial killer who eventually became known as the Zodiac struck for what is believed to be the first time. While the Zodiac continued to kill and take credit for murders for more than two decades, the killer eluded police, reporters and hobbyist investigators who tried to nail him down.
Posted in: Disc Reviews by David Annandale on July 20th, 2007
While expecting her husband home from a business trip, Sandra Bullock receives word that he has died. But the next morning, when she wakes up, he is still alive, and hasn't even left yet on the trip. Next morning, he's dead again, and it's the day of the funeral. Understandably, our poor heroine is a might discombobluated as she deals with having become unmoored in time, struggling to save her sanity, her husband, and her marriage.This film was thoroughly trashed at the time of its theatrical release, and there are, it must be said, plenty of things wrong with it. Some temporal elements are inconsistent as the days move around (why, for instance, does Bullock's older daughter not show, on the day the news of the husband's death is received, the facial injuries that she received a few days prior?), the pace flags after a fairly taut first half-hour, a theme of incarceration mysteriously disappears, and the explanation for why this is all happening is weak, not to mention that the purpose for it all is rather pointless. So yeah, all of that is wrong. As a supernatural thriller, the film doesn't work. But as an old fashioned weepy melodrama, it has a certain daffy power. Bullock gets to chew up the scenery in some wonderfully OTT moments of Grand Guignol soap opera. The film also stays true to the weepie form with its heroic/tragic conclusion. As a piece of whacked entertainment, engaging in no small part because of all the things it does wrong, but also because it takes itself so seriously and plays the emotional heartstings for all they're worth, this isn't on part with such classic weepies as Now, Voyager, Stella Dallas or Mildred Pierce, but it could hold its head up alongside the likes of The Other Side of Midnight.
Audio
Posted in: Disc Reviews by Gino Sassani on July 17th, 2007
Style over substance. Why is it so rare that we find quality in both at the same time? I suppose I might be showing my own age here, but Renaissance is an extremely hard film to watch. The high keyed image offers no middle tones at all. The result is a stark black and white that offers a strain on my eyes. I understand the idea was to recreate the experience of reading a graphic novel (that’s comic book to my generation). Still, I wasn’t reading a comic, was I? It took the French film crew 7 years to create this film. I wouldn't have minded waiting longer. The concept isn’t even an original one at all. Sin City and the more recent 300 both utilized a graphic novel style. In those films there was a balance between the style and being careful to allow for a cinematic experience as well. Both of those films carried it off perfectly. Not so with Renaissance. There were no compromises made to make the film work as a film.
The story is also quite convoluted. This was a mistake, particularly when the images themselves would be such a distraction. The tale actually feels like a science fictional James Bond. That idea is further enhanced by casting the voice of Daniel Craig in the lead. The character of Karas even looks, likely intentionally, like an early Sean Connery. It seems that a kidnapped geneticist holds the key to immortality. Officer Karas becomes obsessed with finding her with little apparent support from his superiors. In the end he must make a rather difficult moral decision. Throughout the film we are treated to bizarre characters that often have little to do with the plot. Again, it’s style supplanting substance. Too much “see what we can do” with very little good ever getting done. I will admit that some of the locations are drawn brilliantly and often work better than the live action later animated work.
Posted in: Disc Reviews by Archive Authors on June 23rd, 2007
Snow Cake is a slow, quiet film that creeps up on you. You don’t realize it’s working for you until the end rolls around, and you’re left reflecting on its impact.
It’s about a lonely, middle-aged man whose life is changed by a car crash. Alex Hughes (Alan Rickman, Love Actually) is on a road trip across Canada. He reluctantly picks up a hitchhiker, a spunky teenage girl. Just as they’re developing a bit of a connection, they’re blindsided by a semi. This results in Alex making an unplanned st...p in her hometown of Wawa, Ontario, to visit the girl’s mother, Linda (Sigourney Weaver, Alien), a high-functioning autistic woman.
Posted in: Disc Reviews by Archive Authors on June 20th, 2007
Shooter is closely based on Point of Impact, an excellent novel by thriller writer Stephen Hunter. I read the book in the late 90’s, and enjoyed it. A lot. When I began seeing trailers for this film last year, you can bet I was excited at the prospect of seeing Bob Lee Swagger come to life on the big screen, even if it had to be “Marky” Mark Wahlberg in the role.
The film updates Hunter’s story to present day, shifting Vietnam to Iraq and villains to mercenary pawns of thinly veiled Dubya coho...ts. Otherwise, it’s fairly true to the story structure in the novel, which is a good thing in my book, but obviously the movie has to play well on its own. I’d call this one entertaining overall, but uneven – some parts are terrific, others drag it down.
Posted in: Disc Reviews by David Annandale on June 10th, 2007
Synopsis
Gabrielle Anwar is a children’s author (of the Edward Gorey school, from the looks of things) who is haunted by intense nightmares. When she sees the house of her dreams on television, she heads out to the small town where it is located and rents the place. Sure enough, there are ghosts there. Fortunately, Forest Whitaker is also in the neighbourhood as a psychic investigator.
