Dolby Digital EX (English)

The big thing that gave Captivity the anticipation leading up to its release was a less than studio endorsed billboard showing its star Elisha Cuthbert (24) being tortured before getting killed. The main thing about the film was that Cuthbert had sunk so far downhill after renouncing her dad Jack Bauer. But holy crap, Roland Joffe directed this film! For those who don’t know, Joffe is a two time Oscar nominated director for The Killing Fields and The Mission. But since then, his success arc seemed to fall off the table completely since the mid ‘80s, with contributions like Super Mario Brothers and The Scarlet Letter, even directing an episode of an MTV sitcom. So I guess it’s only natural that he come into the torture horror genre much too late in the game with Captivity.

Written by Larry Cohen (Cellular) and Joseph Tura, Cuthbert plays Jennifer Tree, a successful model who finds herself captured by an unknown assailant, with no foreseeable hope for freedom. While in captivity (get it?), she meets Gary (Daniel Gillies, Spider-Man 2), and together they both try and find a way out of their hell. I wish I could give you more without diving into a spoiler or two, but that’s as far as I can get.

A remake of writer/director John Waters' 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it's bigger and better than previous iterations, I can't say, because this DVD release marks my first Hairspray experience. What I can say is if Waters' original and the Broadway show are even half as good, they're definitely worth your time.

If that doesn't convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.

A remake of writer/director John Waters' 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it's bigger and better than previous iterations, I can't say, because this DVD release marks my first Hairspray experience. What I can say is if Waters' original and the Broadway show are even half as good, they're definitely worth your time.

If that doesn't convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.

Writer note: Apologies to Brendan who did the fine HD-DVD review for this flic. Some hack had to pick up the slack for the regular DVD and present a slightly alternate view. (and a different interpretation of english grammar)

Ever see Shaun of the Dead? No? Don't worry, not too many people did either. This fine film directed by Edgar Wright was a parody and homeage to the George Romero Dead films. Full of comedy and nods to the genre, it was a very good but mostly forgotten flic. Fast forward to 2007 and Edgar Wright along with Simon Pegg (who would also play the character of Nicholas Angel) decide to write the homeage to action movies: Hot Fuzz.

(Supplemental material portions of this review are culled from Gino Sassani's review of said film in the Blu-ray format, so enjoy or read elsewhere.)

I've always enjoyed Hitchcock's Rear Window, and I've gotta say I was more than a little disgusted when I saw that it was going to be remade and modernized, with no less than Shia fricken' LaBeouf in the main role. Oddly enough, LaBeouf carries the role pretty well.

Monty (Idris Elba, 28 Weeks Later) is a father struggling for custody of his three children. This has become of utmost importance to him especially since his ex wife is involved with a local drug dealer. He enlists the help of attorney Julia (Gabriel Union, Bad Boys 2) to get his children back. Of course sparks begin to fly between the two, and the children seem to take the backseat. I’ve seen this type of movie way too many times before, and I would be completely content if I didn’t have to again.

It’s a good thing I had no expectations of this one going into it, because otherwise I would have ended up being extremely disappointed. This movie is poorly played out, albeit pretty realistic in some aspects. But regardless I’m getting tired of these day to day struggle movies, they all end the same way, don’t expect anything different here. The acting in this movie was rather disappointing as well, including the one facial expression we are graced with from Gabriel Union throughout. The movie started off as a struggle for a man to get his kids back, but ended up being another horrific and predictable romance. But if you’re into these emotional types of movies about the struggle of Joe everyman, you might find this one worthwhile checking out.

Disturbia looks to potentially be a classic thriller; it has the elements of a classic Hitchcock film, and a noteworthy cast. Although I’m not and never will be a fan of Shia LaBeouf I will admit he has sold me with his performances several times before, but does he have the talent to carry this movie? Regardless there are some other semi-reputable names cast in Disturbia including Carrie-Anne Moss and David Morse, so here’s to hoping that this flick isn’t a waste of time.

In the opening moments of the movie Kale (Shia LeBeouf, Transformers) and his father are in an accident which results in the death of Kale’s father. Sometime goes by since the accident when Kale’s teacher makes a comment about his father, sparking Kale to crack him in the jaw. This results in a three month house arrest sentence for Kale, who in a fit of boredom starts spying on his neighbors with a set of binoculars. Mostly he spies on the girl next door Ashley (Sarah Roemer, The Grudge 2) but after befriending her, his attention turns to Robert Turner (David Morse, 16 Blocks). He drives a blue Mustang just as a suspected serial killer does, but this isn’t enough to sell anyone but Kale. But things become even more convincing when it appears that Turner kills a female visitor. Kale and his friends decide to take this matter into their own hands.

The second season of Weeds follows much the same formula as the first, and incase you haven’t seen the first season I suggest you do so beforehand. But for your benefit I’ll quickly run over what you’ve missed. Nancy (Mary Louise Parker) has recently lost her husband and the only way she sees to raise her children in the affluent neighborhood they’ve become accustom too is by dealing weed. Most of her customers are parents, most notably the town councilman Doug Wilson (Kevin Nealon, Saturday Night Live). While dealing with problems at home and on the streets Nancy goes through life the best way she can, which is rather comedic for the rest of us.

Season 2 picks up with Nancy getting in over her head with the narcotics business as she begins growing her own product. But with the help of several members of the community things seem to be playing out rather nicely, even with Nancy dating a DEA agent. Her son’s eventually find out just how their mother keeps paying the bills, and both deal with it in their own ways. But even that’s not the last of Nancy’s problems as Celia heads up an anti drug committee in the community, promising to make Agrestic a drug free community.

Synopsis

Cord (Jeff Cooper) is a martial arts expert in a mythical land who competes for the right to go on a quest to confront a legendary master (Christopher Lee) who protects a mystical book. Cord cheats and is disqualified, but heads out on the quest all the same. Along the way he encounters various threats (all played by David Carradine) and a supernaturally talented blind man (also Carradine), not to mention oddities such as Eli Wallach sitting in a barrel of oil as part of long-term project to...dissolve his penis.

Posted in Disc Reviews by Joshua Noyes

Lady in the Water is the latest film offered from M. Night Shyamalan. In its opening weekend (21-23 July 2006), the film grossed a total of $18.2 million, placing third in the United States box office results for that weekend. It was M. Night's lowest opening for any of his five major films. Due to negative reviews and poor word-of-mouth, its second week fell sharply to $7.1 million, pushing its total to only $32.2 million. Its third weekend was no better, falling another 62.1% to $2.7 million. As of September...14, 2006, its total was $42.285 million. In addition, the film only made $30.5 million in the foreign box office, pulling its tally to approximately $72.785 million internationally. The movie had an estimated budget of $70 million for production and a further $70 million in advertising costs.