Dolby Digital Mono (English)

It appears that Fox is having a hard time keeping a good thing going when it comes to the Marilyn Monroe Diamond Collection. The Volume One boxed set included five discs, Volume Two included four discs, and the group of films that are generally being referred to as Volume Three don’t come in a box at all, but are only available for individual sale. I understand the logic, however, as these latest films aren’t exactly Marilyn Monroe star vehicles. Yes, she appears in all of them, but she is certainly not a feat...red performer. Once I saw a few of these films, I appreciated the fact that these discs aren’t being pushed as the next volume of the Diamond Collection in the strictest sense. True, she is the only performer featured on the covers, and the artwork matches the theme of the other titles in the series, but as I said earlier, they are not available in a boxed set, and the text on the back of the box clearly states that she holds only a minor role.

So, this is not really a Marilyn Monroe film. OK, so what exactly is this film about? In a nutshell, it deals with corporate idiocy, which is a topic that I am all-too-familiar with in my real life. The basic story goes that Grandpa gets fired from his job, because there is a company policy that prohibits workers over the age of 65 from being employed by the company. The directive comes from the parent company of a partnership of a subsidiary of the company that owns the stock of this other company… well, you get the gist of it. Anyway, so Grandpa passes himself off as the president of the whole conglomerate, and essentially hires himself back. His views on business catch on, he is found out, and hilarity ensues.

I applaud any film that dares to push at the boundaries that envelop it, be those boundaries artistic, traditional or cultural. That is precisely what is so much fun about many Criterion Collection titles. They have a complete disregard for the filmmaking conventions and social morays of their time, and instead the director creates exactly what he wants, convention be damned.

Marilyn Monroe movies, however, have never really fit into that category. In fact, she was notoriously typecast as the sexy dumb blon...e throughout her career. Though the majority of her films are undeniably entertaining, they aren’t exactly cutting-edge cinema. We’re Not Married, however, comes very close.

The 80’s were full of fun, campy comedies. Weird Science, The Money Pit… even Funny Farm had a certain charm. Unfortunately, for every Stripes there were as least six films like our feature presentation.

Walk Like a Man stars Howie Mandell, the 80’s version of Carrot Top. He’s an annoying hack, yet somehow he remained in the public spotlight. The film’s plot is a simple one; Bobo (Mandell) is a boy that was raised by wolves, and now he must learn to fit into society, or el...e his evil brother (Christopher Lloyd) will steal his inheritance. That’s pretty much it. This is a film that depends on a single joke for all of its laughs. You see, Mandell is a mad, but he acts like a dog. Apparently, that’s a concept that someone thought was so funny, that movie patrons would pay to watch it for an hour-and-a-half. I wasn’t laughing during the first part of the film, and I certainly wasn’t laughing by the end.

JULES - "That's what I've been sitting here contemplating. First, I'm gonna’ deliver this case to Marsellus. Then, basically, I'm gonna’ walk the earth."

VINCENT - "What do you mean, walk the earth?"