Posted in: Disc Reviews by David Annandale on April 18th, 2007
Synopsis
Anna Karenina (Vivien Leigh) is married to a rigid and boring politician (Ralph Richardson). Despite herself, she falls in love with the dashing young Kieron Moore. Richardson retaliates by cutting her off from her son. And though having an affair is tolerated by upper class Russian society, the couple wind up challenging convention too far, and Anna finds herself completely ostracized.
Posted in: Disc Reviews by David Annandale on April 16th, 2007
Synopsis
A young Jane Eyre thinks she is escaping Hell when she is sent from the home of her unloving aunt to a boarding school, but she has simply traded one Hell for another. Despite the attempts of sadistic Henry Daniell, she survives her years at the school with her spirit intact, and, now a grown woman (Joan Fontaine), she goes to work as a governess at the gothic home of Edward Rochester (Orson Welles). She perceives something good behind his forbidding extrior, and finds herself falling in lov... with her haunted employer. But what is the secret in the locked tower?
Posted in: Disc Reviews by Michael Durr on April 8th, 2007
Synopsis
As a kid, I read Garfield on a daily basis. I collected the little books they would put out every so often (still have most of them). The cartoon show, Garfield & Friends; I always found funny & I even went to the first movie though I found it a little puzzling (like why would you animate Garfield but have a real live Odie, doesn't make much sense). In my head, I had even teased the idea of owning the Volume sets of Garfield & Friends. So when this title came across my desk, I wa... a little interested to say the least.
Posted in: Disc Reviews by Michael Durr on March 25th, 2007
Synopsis
As I get older, I notice my tastes for movies change. Sure, I still like over the top action and if there is an attractive girl on the screen it gets my attention. I'm human, however as I get older I start liking films that are older. Now, I'm not talking about keeping true to films of my generation but I find myself engrossed in films that were made before I was born. There are some true classics out there such as In the Heat of the Night. This movie starred Sidney Poitier ...s Virgil Tibbs and Rod Steiger as Police Chief Bill Gillespie. A murder has gone down in the little town of Sparta, Mississippi of a prominent businessman Colbert. He was going to bring hundreds of jobs to the town for both blacks and whites alike with building a new factory. Virgil Tibbs, a black Philadelphia homicide detective is merely passing through town when he gets arrested by Officer Sam Wood (played by Warren Oates) for the color of his skin. When he is brought into the police station; the mistake is realized by Police Chief Gillespie. After a call to Philly; Tibbs is coaxed into helping out the local police solve the murder. As one would suspect from the era and the locale, this movie is steeped in race relations. This was one of the last states that was truly racist (some would argue it still is)in the middle of the civil rights movement. However, the movie brings this across in such a way as a backdrop, not the forefront. This movie is basically a whodunit where solving the murder is more important than the prejudice that surrounds it.
Posted in: Disc Reviews by David Annandale on March 17th, 2007
James Caan is a sailor whose stopover in Seattle becomes much longer than he expects, as first he has to wait for new orders when a medical exam forces him to miss shipping out with his crewmates, and then his records disappear. During this time, he meets Marsha Mason, a prostitute with an 11-year-old son. Caan falls for both of them, and a finely developed sense of responsibility sees him moving heaven and earth to make life good for all three. His task won’t be an easy one.
On the one hand, the film has the quality common in films of this era (it’s from 1973) to take its time and soak the audience in a convincingly quirky ambiance. Screenwriter Darryl Ponicsan (adapting his own novel) and director Mark Rydell have fun bouncing the various characters off each other, and we have fun as they do so. But the further into the film we go, the more predictable everything becomes, until there is a generalized collapse into hackneyed melodrama. Ponicsan also wrote the book that The Last Detail was based on, and here, as there, he seems incapable of conceiving of female characters who are not prostitutes (that is, when they are not needy, self-absorbed, neurotic, self-destructive prostitutes). The film has fine performances, is crafted well, but is also badly flawed at its core.
Posted in: Disc Reviews by David Annandale on March 11th, 2007
WWII over, three soldiers return to their home town of Boone City. Dana Andrews is the bomber officer unfit for any other kind of work, who foolishly married a party girl just before the war. Fredric March is the banker who is having trouble adjusting to the fact that his children have become adults in his absence. Harold Russell is the sailor who lost both his hands, and can’t bring himself to believe that his girlfriend still truly wants him.
Though clocking in at 168 minutes, this 1946 effort never drags, and does justice to all three characters, but Andrews is ultimately the real focus of the film. Russell himself really was a double amputee, and his scenes could easily have fallen into freak show elements or excessive sentimentality. Both traps are avoided. The film is powerful and moving without ever being sappy, and certainly earned its clutch of Oscars.
Posted in: Disc Reviews by Archive Authors on January 15th, 2007
Adapted from the hit stage musical, Norman Jewison's film version of Fiddler on the Roof has established itself as a classic over and over again since its release in 1971.
"He loves her. Love, it's a new style... On the other hand, our old ways were once new, weren't they?" I'll hardly be the first to write it, but the reason Fiddler on the Roof, a story about Jewish people and their culture, is so popular, is that its themes have universal appeal. In fact, in a way it hardly matters th...t the characters are Jewish. As we learn from a famous anecdote, when the first Japanese production of the stage musical opened, the show's creators traveled to Japan to meet the producer. He said to them, "I don't understand, I don't know how this piece can work so well in New York. It's so Japanese!"
Posted in: Disc Reviews by Archive Authors on December 18th, 2006
A Fish Called Wanda returns to DVD, this time in a stunning 2-disc collector’s edition that finally gives adequate treatment to one of the funniest surprises of the eighties. John Cleese stars as an English barrister, whose life is so dull and – well, British – that a seductress/jewel thief named Wanda comes along and steals his heart in record time. But Wanda carries a lot of baggage with her, the heaviest piece being a Nietzche-quoting moron, who just so happens to be her psychotic boyfriend. Add an anima...-loving hitman with one of the world’s worst stuttering problems, and Wanda quickly turns into an outrageous farce – but one that works with the efficiency of a well-oiled machine.
This kind of film, without doubt, is Cleese’s strong suit. An alumnus of Monty Python, Cleese actually tones down the farcical elements, and I think his film benefits from the downgrade. While Cleese is a very funny actor, most of the good stuff goes to Kline, who can’t stand to be called stupid, though he is mostly incapable of proving such accusations wrong. But he is a formidable opponent once he gets his hands on you, a fact Cleese draws many laughs from in his scenes with the nemesis. If it’s been a while since you’ve seen A Fish Called Wanda, and you’re worried it’s lost something, don’t be. The film stands up well, though some of its humor has since been copied in more unflattering films. No doubt this reality will hurt some of the laughs, but there is still plenty of Kline, Cleese, and Michael Palin, to go around for everyone, so you shouldn’t be disappointed.
Posted in: Disc Reviews by Archive Authors on December 7th, 2006
They say you can't turn back the clock. Sometimes, that really sucks. Like when I pressed "play" to watch Garfield and Friends, Behind the Scenes. There was a time in my life when I lived and breathed Garfield, and everything Jim Davis touched glittered like a clear, starry night to my eyes. I'm exaggerating, but the point is I used to really like the comic.
Well, that was age seven, and this is now. My mature, adult brain just cannot compute why this comic strip still runs in the dailies, and still sells off store shelves. So you can guess that I wasn't too keen on watching nearly two hours' worth of the animated Garfield cartoon.
Posted in: Disc Reviews by Archive Authors on December 6th, 2006
I remember that this film was all the rage when I was a kid growing up in the early 80's. I always assumed that the reason that I didn't care for the film at the time was that I was just too young to fully appreciate it. Turns out, it's just not a very good movie. I certainly appreciate where it is trying to go, it's just that it takes the hokiest path possible to get there. The film tells the story of a military academy that is slated to be shut down and turned into condominiums. The cadets, who apparently enjoy the fact that they are in military school, are so proud of the institution that they use their minimal combat training to hold off the developers. It this a dramatic film that wishes to be taken seriously, or The Goonies? By the time the situation escalates to the point where the cadets are involved in a full-fledged skirmish with the real US military, audiences will likely be too bored to care. Part of what makes Dog Day Afternoon such a fantastic film is that the standoff in that film comes at about the 5-minute mark. This thing is more like an 80's sitcom for the first hour or so.
The acting, however, is surprisingly good under the circumstances. This film marks the first real film efforts from both Tom Cruise and Sean Penn. Even with such hokey source material, these two fine actors give it their all, and it is occasionally possible to believe that they really care about the academy here and there. George C. Scott is also here as the school's Dean, which was an excellent casting decision for anyone who remembers him best as General George Patton. In the end, though, the mixture of great young actors and seasoned veterans just isn't enough to elevate this film beyond being a second-rate After School Special version of The Lord of the Flies.
