Posted in: Disc Reviews by Gino Sassani on October 14th, 2007
Usually a top young name combined with a recognizable name (or more accurately a recognizable body), brings a film that is somewhat underwhelming or even forgettable for all involved. In the case of Harsh Times, you’ve got Christian Bale, the latest Batman, and Eva Longoria, who stars in Desperate Housewives, appearing in a film about, well I’m not exactly sure.
Written and directed by David Ayer, Bale plays Jim, a former Army Ranger who is trying to find a job in law enforcement in Los Angeles. His friend Mike (Freddy Rodriguez, Lady in the Water) is trying to get a job in the city, but they spend large portions of their days drinking and getting high, while lying to Mike’s girlfriend Sylvia (Longoria) about his job search.
Posted in: Disc Reviews by Archive Authors on September 18th, 2007
Notting Hill is a bit of a spin on a Cinderella type story, only Cinderella is William Thacker (Hugh Grant, About A Boy) the owner of a break even book store. Nothing seems to be going his way until fate would have it that Anna Scott (Julia Roberts, Oceans Eleven) the worlds most respected and loved actress enters his store. William having a hard time coping with his recent divorce can’t believe the glimmer of hope placed before him. The two seem to get along quite nicely, and days later run into each other again. This time William accidentally spills his orange juice all over her, later inviting her to clean up in his house. The two share an intimate moment and the seeds for the relationship have been planted. Days later William comes home to find out his eccentric Welsh roommate Spike (Rhys Ifans, Formula 51) has taken down a broken message, some American girl called a few days ago. Of course William tracks her down and it’s obvious he’s falling for her, but things get really complicated when her American boyfriend shows up. Of course from here the two go through a rough patch, but it doesn’t take a genius to guess how this one ends.I wasn’t exactly knocked off my feet with Notting Hill but it was better than I originally anticipated. There were quite a few comedic moments mainly at the expense of Rhys Ifans, but Hugh Grant had his moments as well. Julia Roberts as usual does her thing and gives the movie a little extra something. Take this movie for what it is, a sappy romantic comedy with a bit of a twist to make it more enjoyable.
Video
Posted in: Disc Reviews by Archive Authors on August 30th, 2007
1998 marked an interesting time for the career of Robin Williams. The previous year he stared in his Oscar Winning Role via Gus Van Sant’s Good Will Hunting, which was a somewhat rare role for Williams as it showcased his dramatic side. Obviously hoping for similar success, Williams followed that excellent role with another role that, at some points, finds itself just as good as his performance in Hunting.
Chris Nielsen (Robin Williams) has just endured the part of life that any parent fears. Both of his children have been killed in a car accident. His wife Annie (Annabella Sciorra) is extremely distraught by this as is Chris. She falls into a suicidal state seemingly blaming herself for her the passing of her children. Events don’t improve when suddenly Chris is killed in a car crash. Upon his death, Chris wonders around the planet witnessing his funeral. Soon he finds out that his wife is dead, making him think that they might be reunited in heaven as perfect ‘soul-mates’. The only problem in this equation is that Annie has committed suicide, thus sending her to Hell (where all those who commit suicide go). Determined to bring his wife back from eternal torment, we (as the audience) are invited in a visual masterpiece from director Vincent Ward that includes almost 3-Dimensional glances into an Impressionist world of suffering that channels Dante’s Inferno in a splendid, visually stunning manner.
Posted in: Disc Reviews by Archive Authors on August 16th, 2007
In the day and age of sequels being thrown at us like lies from the media, the idea of a sequel surpassing its predecessor rarely occurs. I can only think of a few films that have achieved such a title. Titles like Aliens, The Bourne Supremacy and the recent comedy sequel Meet the Fockers are perfect examples, the latter which is actually funny and charming instead of being cruel and rather mean like the first.
As we all know in Meet the Parents, Greg Focker (Ben Stiller) asked his girlfriend Pam (Tea Leoni) to marry him, which she accepted. Only it wasn’t as open and shut as this. See first Greg had to ask the permission of Pam’s father Jack (Robert De Niro) for his daughter’s hand. Jack, an ex-CIA specialist, basically tried to torture Greg into not wanting to marry Pam by ridiculing him in front of others and digging up every little secret he could. And let’s not even bring in the other completely childish and rude family members who act like jerks. Anyhow, Jack finally comes to the realization that if Greg loves his daughter so much, he can marry her. But now there comes a dilemma. Just like Greg had to meet Pam’s parents, it would only be polite for Jack and company to meet Greg’s parents. The only problem here is that Greg’s parents, well, are a bit odd.
Posted in: Disc Reviews by Archive Authors on August 12th, 2007
Erin Brockovich tells a story based on a true series of event. Erin (Julie Roberts in her Oscar winning role) has a tough life. She’s a single mother of three kids, her two ex-husbands left her not supporting her or her children, she can’t seem to find any work due to her lack of education, and she has $16 in her bank account. Life seems to be continuing on a downward spiral for Erin. Things start looking up when she is practically handed a job by her defense lawyer Ed Marsy (Albert Finney). It’s here that Erin stumbles upon a case involving PG&E, a $28 billion company that had been disposing a chemical into the local water supply of a nearby town called Hinkley, California.
Erin and Ed soon find themselves in a lot more than they ever probably bargained for when this case turns more ugly as each minute passes.
Posted in: Disc Reviews by Archive Authors on August 9th, 2007
Sometime after 1990 when Blue Planet was released, I remember really wanting to see it. Unfortunately I was young and with time my interest in the worlds around our own dwindled. Recently with the advancements in technology my interest in space has sparked up again, making for just the right time for Blue Planet to land in my hands. After nearly 20 years I’ll be able to set my eyes on this for the first time, and in hi-definition. Then of course there’s the additional documentary The Dream Is Alive of which I’ve never previously heard of. The footage on this one is over 20 years old, so my expectations aren’t extremely high.
Blue Planet is an interesting documentary and I can imagine it was quite a bit more ground breaking upon its 1990 release. The film is a cumulative collection of all things Earth, from space, from the ground, and form the ocean floor. There is some amazing footage; more specifically is the footage from the U.S Space Station in orbit. From here we learn about the creation of Earth, the constant changes Earth undergoes and mankind’s role in it. Although in the end I was left wanting more, I was still pleasantly surprised with the images I got to see.
Posted in: Disc Reviews by Archive Authors on August 4th, 2007
(Non-format specific portions of this review are culled from my review of said film, so enjoy or read elsewhere.)
In watching Being John Malkovich again recently, for the first time in awhile, the thing I was struck by is how unique it is (duh!). It doesn’t try too hard at being different, to the point that it’s going to suck, everything is matter of fact, and it’s hilarious. Its characters are flawed, but we feel for some of them a great deal. It’s funny, it’s touching, it’s dramatic, it works on many levels.
Posted in: Disc Reviews by Archive Authors on August 2nd, 2007
The War tells the story of newly returned Vietnam soldier Stephen Simmons (Kevin Costner). Steve is the father of Stu (Elijah Woods) and Lidia (Lexi Randall) and wants nothing more than to show them the meaning of life and what it (really what HE) can provide them. The only problem is that Steve isn’t getting the adequate funds a soldier should receive. Bouncing from job to job because of his mental history (he’s had numerous flashbacks to the war), the family struggles daily to survive. The children seem to be mixed on their father with Stu loving him, but Lidia calling him a loser.
What the Simmons family doesn’t realize is that soon a simple, old tree house will bring them closer than any of them have ever been.
Posted in: Disc Reviews by Archive Authors on July 30th, 2007
Shaun (Simon Pegg) and Ed (Nick Frost) are best of buddies who share a flat with another roomie. Shaun works hard at a local electronics store, while Ed doesn’t really accomplish much besides playing games. Shaun has recently become despondent after breaking it off with his girlfriend Lizzie and fails to notice that London is slowing being taken over by zombies. When Shaun realizes what’s occurring, he and Ed must work together to fight these creatures off as well as now travel to save Shaun’s mum and his ex/girlfriend from these zombies.
Along the way, a few laughs are found, but the film’s main theme of trying to include romance with a comedy, just didn’t overall click for me (especially when compared to their follow-up film Hot Fuzz).
Posted in: Disc Reviews by Archive Authors on July 29th, 2007
I’ve been in this run lately where I’ve seen quite a bit of Brad Pitt’s dramatic work from his earlier days, before he decided to funk himself up (and earn the respect of young males everywhere with Fight Club), and in the sprawling film Meet Joe Black, he tackles a different take on a character with a respected cast and crew behind him.
The film is a remake of the 1934 film Death Takes a Holiday and this version was adapted by a cast of hundreds (well, four actually), and directed by Martin Brest, who was directing his first him after 1992’s Scent of a Woman. In this, Bill Parrish (Anthony Hopkins, The Silence of the Lambs) is a successful communications mogul about to celebrate his 65th birthday. He has two daughters in Allison (Marcia Gay Harden, Pollock) and Susan (Claire Forlani, Mallrats) and quite frankly couldn’t ask for more. However things change when one morning he has sharp chest pains, as if he’s having a heart attack, but he pulls through it. That night at dinner, he is greeted by a guest, a strapping young man (in the form of Pitt) who tells him that he’s the grim reaper, Death himself. He tells Bill that he would like to spend some time with him before taking him, and if Bill tells anyone who he is, he’ll take him beforehand.