Posted in: Disc Reviews by Archive Authors on September 27th, 2006
The Fast and The Furious: Tokyo Drift is not as solid as the previous two in the Furous series, but the addition of a totally new local does add quite a bit to the film’s strength. Anyhow, Sean Boswell (Lucas Black) is your typical high school character. He loves fixing his car, racing and subsequently gets into a lot of trouble. After ‘gawking’ at the girlfriend of Clay (Zachary Ty Bryan), an immediate race occurs through the backlot of a new development. Chaos ensues and the police, due to Sean’s high...trouble rate, end up sending Sean to live with his father in Tokyo. So let me understand this… If I were to get into a lot of trouble and my father lived in a foreign country, I would avoid jail time and get to go stay with him? Riggghhhttt.
Anyhow, besides this minor story flaw, Sean soon arrives in Tokyo and promises his father he won’t do any street racing. Obviously Sean quickly becomes involved in an underground “drifting” racing scene (which is totally new to him) after meeting Twinkie (Bow Wow). For some reason, Sean gets to prove himself by racing the ultra famous Drift King (Brian Tee) who goes by DK. Han (Sung Kang), one of DK’s friends, (Sung Kang) lets Sean borrow his vehicle. It being Sean’s first time “Drifting”, he ends up destroying Han’s car. To repay his debt, Han enlists Sean as his new boy. The two quickly develop a friendship and Han decides to have Sean become one of his racers, but first Sean must learn the art of drifting.
Posted in: Disc Reviews by Archive Authors on September 13th, 2006
Seabiscuit tells the true tale of three men and one legendary racehorse. The story takes place right after the Great Depression has hit leaving many feeling the after effects. John Pollard (Tobey Maguire) is a young man who wants nothing more than to race his horse. Tom Smith (Chris Cooper) is his ‘horse whisper’ in that he seems to be able to communicate with his horses. Charles Howard (Jeff Bridges) is your standard businessman at this time, completely broke. Looking for a way to get out of his hole, he dec...des to band together with these other two men after a horse named Seabiscuit gives them the idea of a lifetime. Take this relatively unknown horse to the to the extreme top. Seems rather unlikely right? If you’ve ever read the history books, you’ll know the outcome of the story and hence the film at hand.
What makes a film like this high enjoyable (more so then I expected) is not only the characters but also the story which tugs at the heart strings. This was a time when everyone was, well, depressed and didn’t know what to do. A story about three unknown men and a horse is not only moving and inspirational, but also a sign of what anyone can really do if they have faith in themselves and those around them. Consider the film is definition of the ‘American Dream’, as the film’s main message tells us that events like this can occur.
Posted in: Disc Reviews by Archive Authors on September 12th, 2006
Wolfgang Petersen’s Troy tells the famous story based on the poem ‘The Iliad’ by poet Homer. The film recounts the struggle between the Greeks and the Trojans. The Trojan War has quickly begun after young and beautiful Helen (Diane Kruger) is seduced by Paris (Orlando Bloom) while he is on a peace mission to Sparta. Obviously Helen’s husband, Menelaus (Brendan Gleeson) is annoyed by this as is Paris’ older, wiser brother Hector (Eric Bana). Paris eventually wins Helen’s heart and sneaks her away from her husba...d back to Troy. Here Helen is declared to be a queen.
Menelaus is naturally furious about this and demands that Agamemnon, King of Mycenae, take ships and men (1,000 ships and about 50,000 men) to bring her back. Here is where the fun begins as the Trojans refuse to give up their new queen. As history tells us the Greeks would lay siege to Troy for nearly ten years. Where poet Homer’s ‘The Iliad’ picks up is around the tenth and final year of the struggle.
Posted in: Disc Reviews by Archive Authors on September 11th, 2006
Sahara tells the story of Dirk Pitt (Matthew McConaughey) and his buddy Al Giordino (Steve Zahn) as they travel to a country called Mali in search for what the locals call “The Ship of Death”. This “Ship of Death” is a lost Civil War ship named the CSS Texas that has a huge cargo of what was thought to be gold. Once there, Dirk and his buddy run into Doctor Eva Rojas (Penelope Cruz) who’s about to be executed for muddling in business that is, well, none of her business.
This “business” turns out to ...e rather huge, with ruler General Kazim (Lennie James) wanting to rid the ocean of all of its life. He figures that he will accomplish this by releasing this virus into the water system and, as it flows downstream, it will eventually reach the ocean. Why exactly Kazim wants to do this involves a standard for films such as this… for money. Dirk, Steve, and Doctor Rojas must investigate this disease and decide why it is not only infecting the water system, but causing a vast amount of pollution to the area and its surroundings. Add in a few explosions, chase scenes, and a pretty cool ending battle sequence and there you have Sahara
Posted in: Disc Reviews by Archive Authors on September 9th, 2006
The 2003 remake of The Italian Job is about five men named Charlie Croker (Marc Wahlberg), Handsome Rob (Jason Statham), Lyle (Seth Green), Steve (Edward Norton), and Left Ear (Mos Def) who are all part of a group that pull off elaborate heists. The leader of the pack, John Bridger (Donald Sutherland), has decided he wants to quit the game presumably to spend more time with his daughter Stella (Charlize Theron). The only thing is that he wants to commit one last going-away theft so that he can not only secure ...is spot in the hall of fame, but also secure his retirement. The job in question revolves around the city of Venice, Italy and a heck of a lot of gold (Try $35 Million). The plan goes off without many problems but what occurs next is somewhat of a shocker and helps to outline the rest of the film.
The first obvious comparison that this film had to deal with was the comparison with the film Ocean’s Eleven. While not as star-packed or explosive as that film, The Italian Job does a fine job at telling a somewhat ordinary story in a manner that makes the film interesting and charming at the same time. While Ocean’s Eleven had the star-punching power of George Clooney, Matt Damon, and Julia Roberts to name a few, The Italian Job rather focuses on stars not as huge, but most that rival the stars of Eleven in terms of quality of acting (don’t get me wrong, Damon and Clooney are fine actors). With the likes of Edward Norton, ‘Marky’ Mark Whalberg, Charlize Theron, Donald Sutherland, Seth Green, and the funny Jason Statham, the film’s characters make the film enjoyable mainly because these actors turn their roles into characters you’ll hate (Norton), characters you’ll laugh at (Green), and character’s you’ll laugh with (Statham).
Posted in: Disc Reviews by Archive Authors on September 2nd, 2006
Taylor Hackford’s drama Ray tells the remarkable story of singer Ray Charles’ life – dealing with subjects such as his drug addictions, his blindness and his family. We also get a look into his various recordings, his quick rise to stardom and his impact within the recording industry. More notable then the film itself is the Oscar-winning performance of Jamie Foxx in the lead role. Foxx does a fabulous job in his portrayal of Charles - most deserving of his Best Lead Actor statue.
There are scene... where, according to Director Hackford, Foxx acted so similar to Charles that he couldn’t distinguish between the two. Foxx did an unimaginable amount of work into acting just like Charles – from researching his life, to jamming and meeting with Charles himself, to wearing prosthetics over his eyes making him partially blind. In fact, Foxx is so truly good that you sometimes forget that Foxx is actually acting and wonder sometimes if Charles himself was acting in the film. Yes, Foxx is truly that good in this roll.
Posted in: Disc Reviews by Archive Authors on August 29th, 2006
Director Tony Scott’s thriller Spy Game pairs up Robert Redford and Brad Pitt for a second time – Redford previously directed Pitt in A River Runs Through It. Redford plays Nathan Muir, a man who is a on the brink of retirement from the CIA. As he is cleaning out his office, Muir is told that fellow CIA Agent Tom Bishop (Pitt) has broken into a Chinese prison simply to rescue the woman he loves. Doesn’t sound too bad, does it? It turns out that the CIA thinks that the Chinese are going to try to extra...t as much information from Bishop as possible (read information as secrets). Muir has to scramble and see if he can get Bishop out in less than 24 hours before Bishop is scheduled for execution.
Tony Scott, the director of Crimson Tide and Enemy at the State, is just as skillful here as he has been in his past efforts. While the ideas presented in Spy Game are nothing groundbreaking, Scott adds another level of credibility to the film with his interesting twist of direction. Released theatrically in 2001 following a number of box-office disasters (such as Pearl Harbor), Scott’s stylistic thriller was a welcome addition to the November frame. Both lead actors, Redford (who always seem to be on his ‘A’ game no matter what film he stars in) and Pitt (overly-publicized but a great actor despite the hatred some have for him), deliver fine performances.
Posted in: Disc Reviews by Archive Authors on August 1st, 2006
We Were Soldiers unfortunately, was a film that didn’t really find its audience, and was also a casualty of the 9/11 attacks. Whereas Black Hawk Down was released in late December 2001/early January 2002 and made almost $110 million, We Were Soldiers was released six months later, and made $30 million less. Figure in the then-recent surge of big studio films of that genre in recent years, notably Saving Private Ryan and Band of Brothers, perhaps We Were Soldiers was the film ...hat the moviegoing public wanted to take a break from.
Whatever the case may be, the film didn’t really get a fair enough look in its theatrical release. One of the differences between it and Black Hawk Down was the increased focus placed on the families in this film, including the initial delivery of casualty notices by taxicabs, an event that did occur for a period of time until the Army developed a group specialized in breaking that unfortunate news. Perhaps the focus on families, or family life, may have reminded some of scenes from The Deer Hunter, but this is still a movie full of emotion and heartache.
Posted in: Disc Reviews by Archive Authors on July 23rd, 2006
Keanu Reeves really really wants to break out of his pigeonholed role as the charismatic good guy in an action film, but sometimes he just can't help himself, and takes the easy paycheck (Chain Reaction may be a good indication of that). But in the action roles he's noted for, both as Neo in The Matrix trilogy and as John Constantine in Constantine, he's got the "protagonist with an internal conflict" down pat, that's for sure.
Written by Kevin Brodbin (who came up with the initial story) and directed by Francis Lawrence, who was previously well-reputed as a music video director (think Tarsem or David Fincher maybe), Reeves plays Constantine as a man with a conflict. While others may think that he has a gift in exorcising and deporting demons, he sees it as a burden, a duty he thinks he should get into heaven for. With the help of a grizzled priest (Pruitt Taylor Vince, Nobody's Fool) and an aspiring apprentice (Shia LaBeouf, IMDB), he plods along through the days and nights, doing his duty while battling an aggressive form of lung cancer which he doesn't make any better by chain-smoking.
Posted in: Disc Reviews by Archive Authors on July 4th, 2006
The career transformation that Clint Eastwood has endured over the last several generations can be called nothing short of extraordinary. After all, we are talking about a guy who made a steady name for himself in action films of the late '60s and '70s, first appearing in the spaghetti western films of Sergio Leone, then moving onto the Dirty Harry films of director Don Siegel, before moving on again to more of a directing role. Some of his works were hits and others were plain misses.
Then you have the case of Unforgiven a script that, admittedly he hung onto for years as a bit of a security blanket. In case of career drought, break glass, so to speak. The film helped vault Eastwood into the upper echelon of American directors while simultaneously providing a fitting closure to an earlier level of his stardom. With the help of similar top-shelf acting talent in key supporting roles, Unforgiven also perhaps did something that few other films have failed to do, which was to give a reflective farewell to a treasured genre of film.
![The Fast & The Furious: Tokyo Drift [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-fast-the-furious-tokyo-drift-large.jpg)
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