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For nearly eleven years now, I've heard nothing but horrendous comments about Kevin Costner's post-apocalyptic film Waterworld. Critics and audiences alike have torn this film a new one, claiming that the film was boring and full of so many holes that it literally swallows itself. While I didn't absolutely love the film, it surely surprised the hell out of me as I found it to be rather entertaining.

The basic plot of the film goes something like this. The unknown future has arrived along with the me...ting of the polar ice caps. The Earth is covered almost entirely in water. The humans that are left have totally forgotten the past and tend to believe in a modified creation belief in which their god, or creator, created the world covered entirely with water. There is also a so called 'dry-land' somewhere on the planet. Actor Kevin Costner stars as a drifter (i.e. people who ply the water in their boats trading and collecting with one another) named Mariner. He's a mutant of sorts with webbed feet and gills (a very useful attribute to have especially considering the amount of water surrounding him). The other main group of people are the Smokers who are basically pirates who inhabit abandoned oil tankers. The Smokers have been tipped off that a girl named Elona, whose mother is named Helen, has a tattoo on her back that serves as a map toward Dry-land.

Ever since making the Lord of the Rings trilogy, Director Peter Jackson has almost become a household name that seems to always guarantee success. Don’t get me wrong though, Jackson has not always been successful. Before making the Lord of the Rings trilogy, Jackson had the film The Frighteners and a few smaller films where he only produced. The idea of giving this not so successful movie director hundreds of millions of dollars to remake the Lord of the Rings trilogy, made many turn their...heads simply wondering why. After the gigantic success of the trilogy, Jackson targeted another remake, a remake to a film he says was the reason he wanted to become a film director. The film in question is the 1933 classic King Kong.

When news first arrived of this remake, many fans, including myself, were very excited to see what Jackson could come up with. However, I don’t need to spell out how many remakes, including the recent Pink Panther, are extremely horrid. With the news coming out that New Line wanted Jackson to trim the film down (from the final run time of 182 minutes to 140 for a quicker turn around audience) and that the film’s budget had sky-rocketed forcing Jackson and his partner Fran Walsh to fork over their money, a lot of fans started to worry if Peter Jackson’s King Kong was going to go down in history as simply another poorly made remake. Can a one-time nobody director, now an extremely famous director turn a black and white classic into a modern age epic? Read on to find out.

The second of the Fast and Furious trilogy finds Brian O’Connor returning only this time in the streets of Miami. Down there he has become a Dominic type character ruling the streets with his excellent racing skills earning the respect of everyone. One night his buddy Tej (Chris ‘Ludacris’ Bridges) calls him up asking if he wants to race. Needing cash, Brian obviously agrees. After a close race including an impressive bridge jump, Brian wins. Cutting his celebration short, the police arrive after an undercover...cop Monica Fuentes (Eva Mendes) watches Brian’s every move. We soon learn that the authorities were rather angered with Brian when he let Dominic go. Offering to forgive this and his numerous other charges, the cops wants Brian to infiltrate a Miami drug lord Carter Verone (Cole Hunter). The only way Brian agrees to do this is if he picks his partner, who turns out to be his childhood ‘friend’ Roman Pearce (Tyrese Gibson).

We soon learn that Monica is involved with Carter as his ‘girlfriend’ which is only so she can get inside and learn what his next move is. She brings both Brian and Roman to him along with a few others. Their goal is to obtain a package that was in the glove compartment of a confiscated vehicle. This is the test for both of them, something they easily pass. Now that Brian and Roman are on board, they can give tons of tips to the police about Carter and his newest deal right? Well, that will be found out soon enough.

Steven Soderbergh’s film Out of Sight tells the story of a man named Jack Foley (E.R.’s George Clooney) and his ability to rob banks. As the film opens up, we see Jack as he cunningly convinces the bank clerk that his partner is speaking to the bank manager and will blow off his head if Jack gives the word. Turns out that this is the exact opposite and Jack almost gets away had his car not flooded. As Jack is doing his time in jail, we immediately learn that he is going to escape soon, actually that nig...t. The escape goes off cleanly until Jack and his driver named Buddy Bragg (Mission Impossible’s Ving Rhames) nab a federal marshal named Karen Sisco (The Cell’s Jennifer Lopez), putting her and Jack in the trunk of her car together. It’s here that Jack and Karen, while talking, become attracted to each other.

As a federal marshal and law officer, Karen is obviously suppose to arrest Jack. But this can’t happen yet otherwise the film would only be 20 minutes long. Here is where Soderbergh succeeds at a high level. He gives us a lot of flashbacks, one in particular to Jack’s days in prison. Jack meets a man named Glenn, who seems to be a kind of odd character who doesn’t necessarily seem to full in the upper portion of his head. We also meet a group of three men named Snoopy Miller, the violent part of the group, Kenneth, his partner and White Boy Rob, his big, bulky bodyguard who constantly stands up for Snoopy. While all this is occurring inside the prison, Soderbergh switches back and forth between the ongoing ‘relationship’ between Karen and Jack.