Posted in: Disc Reviews by Gino Sassani on January 28th, 2026
“You may only see it once, but that will be enough.”
That was the marketing slogan for the first Friday The 13th film in 1980. Apparently they couldn’t have been more wrong, because most of us have seen the film countless times, and no, it was never enough. The franchise would thrive with over 10 sequels or affiliated films, taking us right up to the present remake/reboot of that very first outing at Camp Crystal Lake. No, my friends, once was never going to be enough. Add to that that this is actually the first Friday The 13th film to include Jason as the killing machine that would keep going and going and going. He became the Energizer Bunny of horror monsters. In the original film it wasn't Jason. He was pretty much considered dead since he was a boy. It was his mother, Mrs. Vorhees, played by Betsy Palmer, who did the slicin' and dicin' the first time around. She got so into killing teens that she rather lost her head. Jason was a small boy creature who gives that original film its big jump-scare finale. We're never quite sure if it was a dream. It must have been, because Jason wasn't a disfigured little boy now. He also doesn't have his iconic hockey mask yet, either. They settle for a burlap bag this first go around. Many fans believe that it was with this film that the mythology was truly created. Now Paramount has given it the upgrade to UHD Blu-ray in the glory of 4K and HDR. Blood and guts are getting real now.
Posted in: Disc Reviews by Gino Sassani on January 22nd, 2026
"I'm not a bad guy. I just made bad choices. I have a plan."
Derek Cianfrance doesn't have a lot of movies in the director's chair, but his 2012 The Place Beyond The Pines was a pretty solid film. Since then he's been pretty quiet, and he's finally surfaced once again with the rather off-kilter "based on a true story" crime comic drama Roofman. He's brought Channing Tatum, Kirsten Dunst, and Peter Dinklage along for the ride. It's been something of a sleeper, coming with little advanced buzz and flying under the radar. It was a pretty good hit at the box office, and now Paramount has released the film on UHD-Blu-ray in 4K.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2025
"Yes, this is Sunset Boulevard, Los Angeles, California. It's about five o'clock in the morning. That's the Homicide Squad - complete with detectives and newspapermen. A murder has been reported from one of those great big houses in the ten thousand block. You'll read about it in the late editions, I'm sure. You'll get it over your radio and see it on television, because an old-time star is involved - one of the biggest. But before you hear it all distorted and blown out of proportion, before those Hollywood columnists get their hands on it, maybe you'd like to hear the facts, the whole truth. If so, you've come to the right party. You see, the body of a young man was found floating in the pool of her mansion - with two shots in his back and one in his stomach. Nobody important, really. Just a movie writer with a couple of 'B' pictures to his credit. The poor dope! He always wanted a pool. Well, in the end, he got himself a pool - only the price turned out to be a little high. Let's go back about six months and find the day when it all started."
The term "classic" is misused these days. I know many fellow critics who fall in love with too many films and rate them high with the idea they are going to be "classics". More times than not, in five years, let alone 50 or 75 years, no one has even heard of or remembered the movie. The truth is that kind of high-end designation can't be made for at least 20 years. I don't give out very many 5-disc ratings. Far less than anyone else on the site, and with literally thousands of more reviews to count. Sunset Blvd. is one of those films. If you're still quoting a film 75 years later? That's the very definition of a true classic, and Billy Wilder's film passes anyone's grade for that distinction. I know that IMDB presents the film as Sunset Boulevard, as do some of the film's posters. On screen and in the copyright filings for the movie it is Sunset Blvd., and that's how I will refer to it here.
Posted in: Disc Reviews by Gino Sassani on March 27th, 2025
"What my associate is trying say is our new brake pads are really cool. You're not even gonna believe it. Like, let's say you're driving along the road with your family. You're drivin' along, la-de-da, woo. All of a sudden there's a truck tire in the middle of the road. And you hit the brakes. Eeee. Whoa, that was close. Ha-ha. Now let's see what happens when you're driving with the "other guy's" brake pads. You're drivin' along, the kids start shouting from the back seat, "I gotta go to the bathroom, Daddy!" "Not now, damn it!" Truck tire. I can't stop! There's a cliff. Aaahh! And your family's screaming, oh my God, we're burning alive!" "No! I can't feel my legs!" Here comes the meat wagon. And the medic gets out and says, "Oh my God." New guy's around the corner puking his guts out. All because you want to save a couple extra pennies."
There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997. It's now the 30th anniversary for the film, and Paramount has released a nice steelbook UHD Blu-ray (4K) version of the film to celebrate.
Posted in: Disc Reviews by Gino Sassani on July 26th, 2024
“You got everything money can buy, except what it can’t. It’s pride. Pride is what got you here. Losing is what brung you back. But people like you, they need to be tested. They need a challenge.”
There have been a ton of boxing films. They’ve been popular going back to the silent era. Most of them have many of the same themes. But there was always something about Rocky that stood out above all of the rest. That “something” can’t really be described or defined. As the Supreme Court once said about the definition of obscenity: “I can’t define it, but I know it when I see it.” That’s all you can say about Rocky. Some might call it heart. That’s about as good a word for it as anything else. Rocky himself would call it “stuff in the basement”. It almost demeans it to put a word on it at all. Whatever you call it, you don’t necessarily see it in Rocky … you feel it.
Posted in: Disc Reviews by Brent Lorentson on July 9th, 2024
When you look back at 2004, it’s a little hard to imagine just how big an impact Anchorman: The Legend of Ron Burgundy would have on the film industry. I’m not trying to say the film invented anything new with this fun, satiric comedy, but what it did do was launch the careers of many and really helped make comedy fun and raunchy for a while, and more importantly, profitable at the box office. I mean, this film is stacked with stars. Sure, there’s Will Ferrell front and center, but this is had a pre-40 Year-Old Virgin Steve Carell, Paul Rudd, Christina Applegate, Kathryn Hahn, Seth Rogan, David Koechner, Fred Willard, and numerous others who are in the background or just make cameos. Seriously, this might be the best comedic cast put together of all time, and when you dive into the extras, you get a glimpse at just how talented everyone is. The film may be 20 years old, but it holds up. I’ve seen the film at least a dozen times, and it still makes me laugh. So what makes this film so special?
The film is about Ron Burgundy (Ferrell), who is San Diego’s top news anchor in the 1970’s. He’s a mixed bag of charming and is full of bravado and simply believes every woman would be honored to have him take them to bed. To Will Ferrell’s credit, if anyone else was playing this role, I feel the character would be despised, but Ferrell manages to make him seem more like a loveable buffoon. Surrounding Burgundy are his Channel 4 news team, Brian Fantana (Paul Rudd) as the suave man-on-the-street reporter, Champ Kind (David Koechner) as the sports reporter, and Brick Tamland (Steve Carell) as the weather reporter. The chemistry these four have is something special, and they play so well off one another. Seriously, I don’t know how they got through some of these scenes without constantly breaking character. The team though is in for a rude awakening when their news director, Ed Harken, wants to inject some diversity to the team and so enters Veronica Corningstone (Christina Applegate), a transfer to their news station who is vying for a reporter job. Corningstone wants to be the first female lead anchor, and, well, let's just say the rest of the news team doesn’t feel a woman belongs behind the news desk.
Posted in: Disc Reviews by Gino Sassani on June 4th, 2024
"I, Bass Reeves, do solemnly swear that I will execute all lawful precepts directed to the Marshall of The United States for the Western District of Arkansas without malice or partiality, perform the duties of Deputy Marshall and take only my lawful fees. So help me God."
He was the inspiration for the Lone Ranger. Bass Reeves is one of the biggest icons of the old west and perhaps one of the least remembered. He served for 35 years and managed to bring in over 4000 wanted men for their day in court and likely the noose. It's a huge story, and the filmmakers of Lawmen: Bass Reeves have taken on the enormous task with just 8 episodes of this limited series with no follow-up planned or on the books. Were they able to meet such a challenge? That's going to require some explanation. The series was based on the first two of a series of books written by Sidney Thompson, who serves as a consultant on the series.
Posted in: Disc Reviews by Gino Sassani on November 14th, 2023
"Streaming services make everything suck."
South Park still hasn't completely recovered from the COVID-era issues. There still has not been a complete 10-episode season, and the slack is still being taken up by specials. Not sure if that's a good thing or not, but at least it's kept us in Cartman and the gang even as other shows have closed down. The longer form also gives Parker and Stone a chance to really let an idea play out. I think they have tended to run out of gas somewhere in the back half of the second part. When you think about it, you're really looking at four episodes in length, and Parker and Stone have a pretty spotty record when they've tried to run an idea for that long. The Streaming Wars Specials suffer from just that affliction, but that doesn't mean there's not a ton of clever South Park to be had here.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2023
"We watched as the bombs shattered the second comet into a million pieces of ice and rock that burned harmlessly in our atmosphere and lit up the sky for an hour. Still, we were left with the devastation of the first. The waters reached as far inland as the Ohio and Tennessee Valleys. It washed away farms and towns, forests and skyscrapers. But the waters receded. The wave hit Europe and Africa too. Millions were lost, and countless more left homeless. But the waters receded. Cities fall, but they are rebuilt. And heroes die, but they are remembered. We honor them with every brick we lay, with every field we sow, with every child we comfort, and then teach to rejoice in what we have been re-given. Our planet. Our home. So now, let us begin."
It all started when Steven King wanted to remake the sci-fi cult classic When Worlds Collide. These films must have been favorites to him, as he would indeed go on to remake George Pal's better known film War Of The Worlds and the Robert Wise classic The Day The Earth Stood Still. But it just never really happened for When Worlds Collide, at least not directly. At the same time Spielberg had optioned The Hammer Of God by Arthur C Clarke of 2001 fame. That book dealt with the deflection of an asteroid on a collision course with Earth using thermonuclear rockets. Somewhere in that time he decided to put the plots together, and the result was Deep Impact, with an "original" screenplay by Michael Tolkin and Bruce Joel Rubin. By then Spielberg wasn't interesting in directing the feature, but acted as one of the film's producers with Mimi Leder in the director's chair. She was somewhat of a risk. Leder had never directed a big-budget film before. In fact, all but one of her previous credits were for television, directing shows like China Beach and L.A. Law. The risk paid off, and she did quite a good job with the film for the most part. There are certainly some pacing issues, but the film was well received as it raced to beat another film with pretty much the same plot to the box office. That other film was Bruce Willis's Armageddon, and Deep Impact beat it by two months.
Posted in: Disc Reviews by Gino Sassani on September 9th, 2022
"Nothing had prepared me, no books, no teachers, not even my parents. I heard a thousand stories, but none could describe this place, it must be witnessed, to be understood, and yet I've seen it and understand it even less than before I first cast eyes on this place. Some call it the American dessert, others The Great Plains, but those phrases were invented by professors at universities surrounded by the illusion of order and the fantasy of right and wrong. To know it you must walk it, Bleed into its dirt, drown in its rivers, then its name becomes clear, it is hell, and there are demons everywhere. But if this is hell and I'm in it, then I must be a Demon too and I'm already dead.."
We're a visual people, and so most of you will recognize Taylor Sheridan from his role as a chief of police in Sons of Anarchy when the controlled puppet regime had finally left the scene. It's not a remarkable role, and it's not a complete surprise that Sheridan found his calling more recently behind the camera. As a writer his first script hit it out of the park. Sicario is an awesome film populated with compelling and interesting characters who thrived on a broken system. That theme appears to have stuck with him, because Yellowstone appears to take us back in time to the days of open frontiers and cattle barons who struggled to keep their land amid lawless communities and raiding parties of American Indians who were portrayed as savage beasts who kill women and children in the middle of the night to become to shadows of nightmares and the stories told to keep children in line. These themes were all there, but it takes place in a modern setting that does indeed make for an interesting new twist on an old idea. This is the dawning of the modern western where lands still stretch for miles and are still owned by a single family. It's Bonanza in the 21st century, and Kevin Costner thought enough of the idea to star in this television drama series for The Paramount Network.
