Posted in: Disc Reviews by Archive Authors on June 9th, 2006
Director Jonathan Mostow is an interesting director to say the least. He directed Kurt Russell is the great Breakdown where a man must fight to save his wife. He director Arnold Schwarzenegger in the third Terminator film where a machine must fight another machine to help save the human race; but before he made Terminator 3, he directed Matthew McConaughey and Bill Paxton in a film where men must fight against their wits to save themselves. Two of the three films are great and are a joy to watch,...while one is enjoyable to watch, but that is about it.
In U-571, Lt. Tyler (Matthew McConaughey) stars as a young man who wants nothing better than to jump into the command line. His commander, Lt. Commander Dahlgren (Bill Paxton) doesn’t see this though. Tyler isn’t experienced enough and isn’t ready to sacrifice the lives of his men for the lives of others or, more importantly, the safety of the mission at hand. This creates some heat between the two, but all that is quickly put aside when they’re called back to the boat. We soon learn that a German U-boat has become disabled in the middle of the Atlantic. On board this U-boat is a secret Enigma machine, which can be used to cipher messages. This exact Enigma machine was used by the Nazi’s to control all of their shipping lanes.
Posted in: Disc Reviews by Archive Authors on June 4th, 2006
In Wayne Kramer's latest film, Paul Walker stars as Joey Gazelle, a man who seems to be a part of the mob and has a ten year old son named Nick. The film then zooms back to 18 hrs earlier where Joey and his Perello boys are ambushed and are nearly killed. Turns out these men who they just killed are big time cops. Joey is told to get rid of the murder weapons, which seems to be his main goal in this mob group. Instead, as we soon learn, Joey never does this instead he hides the weapons. Unfortunately for Joey, Nick a...d his friend Oleg see Joey put away one of the guns and, well, all hell breaks loose after this as Oleg steals the gun and uses it to shoot his abusive stepfather. Apparently. Oleg's stepfather was connected to the Russian mob. Convenient no?
Joey and his wife seem to be in a love-hate relationship where his wife seems to hate what he does for a living. All Joey wants to do is simply provide for his family which Director Wayne Kramer (The Cooler) shows us with a sly direction. Kramer presents Joey as a family type of man who, possibly, had a rough beginning to his life and only wants to provide the best he can for his son and wife. Joey must go on a non-stop chase searching for this gun otherwise Joey can kiss his life good bye as he so often tells us.
Posted in: Disc Reviews by Archive Authors on May 13th, 2006
When Ridley Scott’s latest epic Kingdom of Heaven was released for common viewing in May 2005 at 145 minutes, critics either really liked the film, or where really dissatisfied with the film. Audiences, it seemed, tended to agree with the latter critics as the film only grossed $47 Million Dollars, which was a dissapointment considering the film had a budget well over $100 Million. Rumors started to fly, as with any big epic, that Scott was forced to slash the film’s running time to not only make audiences ha...py, but more importantly make 20th Century Fox happy. Well, the rumors have been confirmed as we are now being treated to Kingdom of Heaven in Ridley Scott’s complete vision featuring a running time of 191 minutes. Similar to Scott’s other recently released Director’s Cut of his other epic film Gladiator much is added to the film’s story and characters. But just what was added and could this version make a non-believer of the film’s Theatrical 145 minute cut enjoy this new vision? Read on to find out.
Before diving into what was exactly added (if you want to jump just to that section, go down a few paragraphs), I’m going to dive into the actual film a bit. Balian (played by Orlando Bloom) is a village blacksmith in France. He discovers that he is the illegitimate son of Sir Godfrey (played by the always amazing Liam Neeson). Godfrey, you see, is a knight returning from the Middle East. Godfrey, as we learn, feels that Jerusalem is not necessarily a holy war, but a war filled with opportunity for young men. It holds numerous amounts of potential for those who are willing to reach out and grab it.
Posted in: Disc Reviews by Archive Authors on February 20th, 2006
Each year there are quality films that slip through the cracks for one reason or another. Lord of War is one of those movies. At first look, I would blame this film’s lack of financial success on the marketing department. It was hard to get a feel for the film through the trailers and commercials.
What was it about? A gun salesman? With Nicolas Cage and a bunch of spent bullet casings at the front and center of the ad campaigns, one might think that this was another Jerry Bruckheimer action-fest muc... like past Cage vehicles The Rock or Con-Air. But Lord of War could not be more different than those films. OK, so maybe it’s not the marketing department’s fault after all. Lord of War is a tough movie to pin down. And in today’s age of fast food cinema, it’s no surprise that Lord of War was pushed to the back of theaters upon its release.
Posted in: Disc Reviews by Archive Authors on February 15th, 2006
Synopsis
Inspired, rather than based, on the life of bounty hunter Domino Harvey, this exercise in monumentally brain-dead excess sees Keira Knightley in the title role. The daughter of Manchurian Candidate star Laurence Harvey, she rebels against the posh Beverly Hills life of her mother (Jacqueline Bisset) to become the bounty hunting partner of Mickey Rourke and Edgar Ramirez, working for Delroy Lindo. Christopher Walken is the TV producer who designs a reality show around the trio and two ...ormer Beverly Hills 90210 stars, and then everything gets insanely complicated when our heroes are sent to nab the wrong guys, who happen to be mob-connected.
Posted in: Disc Reviews by Archive Authors on January 18th, 2006
Disney continues to pull its disappearing acts on DVD with their limited time offers, this time using the new Toy Story 2 2-disc release as the proverbial carrot in front of the mule. While such marketing tactics may be a little annoying to those of us that don’t like to be told when we can or can’t see a movie, there should be no greater incentive to pick this up if you haven’t yet claimed a copy of the film. Toy Story 2 cemented Pixar’s name in quality animation and continued to prove the little studi... that could, could continue to knock one after the other out of the park.
In this outing, Woody’s the one in trouble. A yard-sale robbery has placed him in the hands of the villainous Al from Al’s Toy Barn. Al (voiced by Seinfeld’s Wayne Knight) needs Woody to complete his Woody’s Round-Up collection, and now that he has him, he plans on selling the entire display to a Japanese toy museum. That’s when all the lovable toys from Andy’s toy box come together for one of the greatest rescue missions in Disney animation history. Highlighted by moments of spot-on satire, kid-friendly humor, heart-felt poignancy (as in the teary-eyed memories of Jessie, the Yodeling Cowgirl), and an unforgettable airport finale (with its own share of twists, turns, and thrills), Toy Story 2 equals its predecessor and takes Pixar to the next level of superior entertainment.
Posted in: Disc Reviews by Archive Authors on November 19th, 2005
Ray Ferrier (Tom Cruise) is a middle-aged divorcee with a blue-collar job and a rundown home in the New Jersey suburbs. When his ex-wife unexpectedly drops his estranged kids—ten year old Rachel (Dakota Fanning) and sixteen year old Robbie (Justin Chatwin)—off for the weekend, Ray is less than pleased. He’s always struggled with his parental duties, but now finds it increasingly difficult to communicate with his children. However, events beyond his control are about to force Ray to come to terms with his responsibili...ies. Bizarre lighting storms herald the arrival of alien tripods, which explode from beneath the Earth’s surface and begin dispensing death and destruction on the surrounding countryside. Narrowly avoiding the first attack, Ray returns home, grabs his kids and embarks on a frantic journey across country to find their mother in Boston.
Tom Cruise is likeable in the lead role, and manages to pull off the everyman act fairly convincingly for someone as famous as he is. He’s definitely grown as an actor in recent years—starting with his turn in Paul Thomas Anderson’s Magnolia—and I am becoming increasingly interested in his work. Of the rest of the cast, only Dakota Fanning and Justin Chatwin have any real screen time. In this movie Fanning isn’t really required to do much beyond acting like a terrified ten year old girl, which she does with her usual brilliance. I’m constantly amazed by how self-assured and composed she remains in the presence of superstars such as Cruise and De Niro (not to mention a director like Spielberg). Chatwin also puts in a decent performance as Ray’s moody teenaged son, accurately portraying the kind of sullen resentment that many children of broken marriages harbor towards their ‘unfit’ parents.
Posted in: Disc Reviews by Archive Authors on November 13th, 2005
In the event you had to move under a rock in 1997 and just crawled out from under it last week, James Cameron’s TITANIC – winner of 11 Academy Awards - recounts the tragic sinking of the supposedly indestructible ship seen through the eyes of two young lovers on board. Though the romance is fictional, it serves as a guide that will walk us through one of the most memorable events of the twentieth century.
There isn’t much to be said about this film that hasn’t been said a thousand times over in the ...ast few years. If you’re looking for some master thespians, you won’t find them here although the supporting cast, with the likes of Frances Fisher, Bernard Hill, Jonathan Hyde, Victor Garber and more is quite rich. While Winslet was more than capable as Rose, a young, passionate woman betrothed to a rich asshole (Billy Zane), DiCaprio, in the main role of Jack Dawson, teetered on horrendous at times although in his defense, some of the dialogue he was given was cheese worthy of George Lucas’ best work. Both however, proved more than apt at giving us a fantastic point of view at the very real events depicted in the movie. That realism is precisely what propels Cameron’s film into the stratosphere of “historical epics”. Yes, there may be a few inaccuracies that were modified for dramatic purposes but heck, even documentaries have those. The realism was in the success Cameron had in bringing the ship and the people on it back to life for a few precious hours in order to put their story in perspective. The Kate and Leo show took up most of the screen time but in the end, it paled in comparison to what was happening to the ship itself.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2005
I will be honest and admit that Insurrection is one of my least favorite Trek films. I rank it down there with the first film due to its many flaws. While it has always been Star Trek’s style to engage in open social commentary, I don’t believe it usually needs to hit you over the head so blatantly. The social message here is too cut and dry. There is not the necessary moral middle-ground to create honest conflict. This is also Brent Spiner’s worst performance. The inside jokes are too cute and forced to appeal to any but the most dedicated fans, and I believe even they might feel insulted. The Picard/Data duet while two shuttles engage in a dogfight is just too much for my gag reflex to handle. Jonathan Frakes, after turning in such an impressive directorial display on First Contact, plays it safe for the entire film. I’ve heard fellow Trek fans say this would have been a better series episode. I disagree. This would have been a poor episode as well. Rich Berman puts one more bullet in the gun that killed Star Trek.
Synopsis
Posted in: Disc Reviews by David Annandale on May 4th, 2005
Synopsis
![U-571 [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/u-571-hd-dvd-large.jpg)
