Posted in: Disc Reviews by Gino Sassani on April 23rd, 2009
I’m not a wrestling fan. There is very little about that world that holds any charm for me. I find the grandiose posturing to be rather dull. The characters aren’t all that interesting to me, and I don’t find myself compelled to spend 100 bucks on a “free for all” pay per view event. With that said, this film did bring back a flood of memories for me. When I was a kid, perhaps 11 or 12, I looked at wrestling a little differently. I had an uncle who would watch it from time to time, but the television version never held much for me even then. I grew up in a relatively middle sized town in eastern Pennsylvania. If you play Monopoly, you’ve heard of the Reading Railroad.
Posted in: Disc Reviews by Gino Sassani on April 23rd, 2009
Sin City arrives in high definition with some pretty high expectations. You get both versions of the movie here, and I have to say that I’m very pleased to see that. By now fans of the movie have seen the recut version of Sin City and likely have your own opinions as to what you thought of it. The fan base appears to be somewhat divided on the effort. For me it’s never been a case of better or worse. It’s merely a case of different. The two versions are very different experiences. Watching the recut version is not really like watching a movie at all. Frank Miller presents them more akin to the original graphic novel experience.
Posted in: Disc Reviews by Gino Sassani on April 14th, 2009
In 1951 Robert Wise made the Earth stand still. The United States, in fact the entire planet, was in the middle of a frightening cold war. If you believed the media at the time, we were standing just moments from nuclear annihilation. We were given images of a crazy man’s itching trigger-finger poised over a button. School kids were led in air raid drills that promised protection from this powerful menace by the wooden tops of your desks. The government and private sectors were engaged in witch hunts to smoke out “commie” sympathizers. The fear touched every aspect of our lives. Hollywood was no exception.
Posted in: Disc Reviews by Gino Sassani on April 10th, 2009
Doubt is a case of art imitating art imitating life. John Patrick Shanley based the character of Sister James on a real sister that he knew as a child. He grew up attending Catholic school, and Sister James was one of the nuns he knew during that experience. While the character was based on something real, the events were not. He took this familiar character and developed the fictional story of Doubt around her. This story became a play. W hen it came to adapting the successful play into a movie, John Patrick Shanley took on the job nearly singlehandedly.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2009
“Some of the old time sheriffs never even wore a gun. Most folks find that hard to believe. Jim Scarborough never carried one, that’s the younger Jim. Gaston Boykins wouldn’t wear one up in Comanche County. I always liked to hear about the old timers. Never missed a chance to do so. You can’t help but compare yourself against old timers. Can’t help but wonder how they would have operated in these times.”
I know I’m getting old myself when a film set in the 1980’s is now considered a period piece. And No Country For Old Men is about as much of a period piece as anything else.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2009
It’s official. I’ve just totally given up on Adam Sandler. Honestly, I haven’t laughed at anything he’s done since the music video for The Lonesome Kicker. How many times can the same absurdity and Romper Room antics work on a film audience? Even in a Walt Disney film that required Sandler to clean up his act a bit, the same sophomoric humor was showing through the threadbare shtick. You just knew there were times he wanted to let loose with some off color remark or obscene gesture. While I was pleased that he gave it the effort, it’s like asking a mute man to talk after you just tied up his hands.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2009
“The Black Freighter, the Hell bound ship’s black sails against the yellow Indies sky. I know again the stench of powder and men’s brains and war…more blood”
Zack Snyder had a big problem. He was trying to make a film out of a graphic novel that many acclaim as the best graphic novel ever written. Many directors before him have declared the project unfilmable. Alan Moore, the writing part of the book’s creation team, was dead set against a film version of the book and refused to have his name associated with the film.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2009
Slumdog Millionaire has become the latest “must see” Best Picture award winner. While I actually liked the film better than I imagined I would, it’s precisely because the movie is not what it appears, or at times claims to be. If I just took the buzz and advertisement campaign to heart, I would expect a Bollywood picture to the extreme. If you’re not really sure what that term means, I can tell you that this movie will not really clarify anything for you. The traditional Bollywood, Indian made films, feature intense tragedy and love stories. They are usually swimming in song and dance numbers.
Posted in: Disc Reviews by Gino Sassani on March 26th, 2009
His name is Craig, Daniel Craig. Love him or hate him, we have to accept the fact that this blue-eyed rather rugged sculpture of a man is the face of James Bond, now and for the foreseeable future. I’ll admit to being more of a nostalgic Bond fan, and have the image of Sean Connery forever etched into my brain as the quintessential 007. But, it’s not only the drastic change in appearance and demeanor that makes this a hard film for me to embrace. For the first time in the franchise’s 22 film and 35 year history we have a Bond movie that is a direct sequel of the previous one.
Posted in: Disc Reviews by Gino Sassani on March 3rd, 2009
“Did you pick your feet in Poughkeepsie?... Have you ever been to Poughkeepsie?... When you were in Poughkeepsie, you sat on the edge of the bed, didn’t you? You put your fingers between your toes and you picked your feet…. If I can’t bust you on this other thing I’m going to bust you for picking your feet in Poughkeepsie.”
There can be no argument on this point. The 1970’s was a golden age for the cinema. When you think about the iconic characters and films the decade produced, it’s hard to contradict the point.
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