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In many ways Cougar Town appears to be Friends 20 or more years later. It's not just the fact that the former Friends star Courtney Cox heads the call sheet on the new situation comedy. There are a ton of other elements that appear to tie the shows together. Like the old NBC show, the core of this show is a tight group of friends. They have a lot of the same kinds of adventures and conversations as the old gang used to have. The big difference here is that the adventures and the talk come from an older, if not more mature,

"It's a question we all ask ourselves. Do I trust the people who live next door? Will that couple across the street be there when I need them? Can I count on the woman who lives down the block? Yes, good neighbors are people we can rely on. But if we discover our neighbor can't be trusted, then it may be time to move."

What you can count on from the neighbors of Wisteria Lane is another season of secrets, betrayals, and fashionable housewives.

"This is a picture of Walter Black, a hopelessly depressed individual who becomes The Beaver, who becomes a phenomenon."

When I first heard about this film, it was hard to keep the Mel Gibson story out of my mind. It almost seemed as if his casting was related to his off-screen situation. After all, this is a story of redemption, and there isn't anyone in Hollywood searching for that more than Mel Gibson.

Baby here again, and I'm not exactly a happy German Shepherd/Chow mix puppy right now. Do you wanna know what's put the growl in my scowl this time? The other day I heard Gino say that somebody was in the doghouse. That sure sounded like fun, but it turns out the dude got fired and that being in the doghouse turns out to be not such a good thing. Now I understand if they said that UPS was in this dog's house. That would be bad for the UPS guy. And that spells O U C H.

“We deal in lead, friend.”

In the fall of 1956, Anthony Quinn watched a special screening of Akira Kurosawa’s The Seven Samurai and had an epiphany; this Japanese masterpiece, inspired by the great American westerns of John Ford, would, itself, make a great American western. Quinn acquired the rights and contacted his then close friend Yul Brynner and pitched the idea of him playing the bad guy and Brynner the good guy.

"He is the unique high-seas hero. A man of unshakable courage, unwavering principles, and extraordinary skill. Joining the Royal Navy at the outset of the bloody Napoleonic Wars, Horatio Hornblower rises quickly from new recruit to seasoned sailor, and his exploits become the stuff of legends."

When Gene Roddenberry was preparing his "Wagon Train to the Stars" that would become Star Trek, he turned to the historic hero from the books of C.S. Forester.

"You cannot run from a vampire."

We've all seen the young girls out there swooning over the Twilight films and books as if the whole vampire idea had just been invented. It shouldn't come as too much of a surprise that the television networks and cable channels would be taking notice. No, it's not the swooning teenagers, it's the green being transferred from their pockets to their coffers. But vampires on television are not new either. Dracula itself was a series. In the 1960's and 70's there was Dark Shadows and the vampire Barnabas Collins.

The American Film Company is a new venture that intends to tell historical dramas. There are several stories on the way. They are particularly interested in the lesser known elements of historical events that are, in themselves, rather huge and universally known. One is left with the kind of film that we saw last year in The King's Speech. While we all know about the global events of that time, few knew the story of the struggle over public speaking that the King had during that fateful moment in world history. I think you can say the same for the material in The Conspirator.

“The windows around here are not big enough for you?”

Writer/Director Keith Bearden’s debut film, Meet Monica Velour, seduces you like raunchy 70s porn star, but finishes you off with a happy ending like a cheap masseuse in a roadside massage parlor.  Not that this is a sex comedy, nor are the stars particularly sexy (except for Jamie Tisdale who plays young Monica Velour who is very, very hot), but the theme is about sexual illusions.

Dexter Morgan (Hall) is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan (Remar), a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good.