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"At the top of the world, there's a job only a few would dare. The Ice Road Truckers are back. Last year they chased their fortune over the frozen gauntlet of the Daulton. But this season, Alaska's most fearsome road is just the beginning...."

It was the peak of the 1970's, and CW McCall was teaching ordinary people like us about Cabover Petes with reefers on and getting by those Smokeys.

"Earth: a unique planet. Restless and dynamic. Continents shift and clash. Volcanoes erupt. Glaciers grow and recede. Titanic forces that are constantly at work, leaving a trail of geological mysteries behind."

I saw a bumper sticker recently that read; "Geologists dig classic rock". I should have taken it as an omen that I would be spending some quality time with a few geologists over these last couple of weeks.

"A vile bag of garbage named I Spit On Your Grave is playing in Chicago theaters this week. It is a movie so sick, reprehensible and contemptible that I can hardly believe it's playing in respectable theaters..."

Seldom has a film been so proud of a bad review like the one Roger Ebert delivered when he saw the film in 1980 during its limited Chicago area run that year. The rest of the review continues its rant against the violence and despicable nature of the film. But Ebert doesn't stop there.

You know you're in a lot of trouble when a movie opens up with the wedding of two dogs. Hi, I'm Baby. I'm the German Shepherd who runs security here at Upcomingdiscs. If you work for either UPS or Fed Ex, no introductions are necessary, and that spells R U N. I want to know why it is that you humans think that dogs want to look and act like people. We don't need no stinkin' sweaters. We don't want to walk on our hind legs. And we don't want to get married.

Character studies. They might be the most misunderstood movies in the business. Those who do understand them love them when they're done right. When the perfect balance of performance and direction create dynamic moments through character and to a lesser extent the story, we get pretty excited. I watched Stone recently, and I got pretty excited. But that's not the experience a lot of folks had. Perhaps because the film had a limited release in just over 100 theaters nationwide, the idea that it was an art-house or festival film might have put the mainstream folks off a bit.

Leon Bronstein (Jay Baruchel, in a knockout performance) is convinced that he is the reincarnation of Leon Trotsky, and is determined to live out his life in the same way, right down to getting himself assassinated (“hopefully somewhere warm” his note appends). He also has only three years left to find Lenin, but in the meantime, his attempts to kick-start the revolution are meeting with little success. His struggle to unionize his father's factory manages only to embarrass and anger his father, who retaliates by removing him from private school and packing him off to a public one run by the tyrannical Colm Feore.

Roger Greenberg (Ben Stiller) once was a musician, but now he is a carpenter and an inveterate writer of letters of complaint (to pet taxis, for instance, for not having a soft carpet for the paws of their passengers). After a stay at a mental institution, he arrives in LA to look after his brother's house and dog while the family is away in Vietnam. He reconnects with an old friend from his band days (Rhys Ifans, a long way from his manic energy in Notting Hill), and circles around a stop-start romance with personal aid and professional doormat Florence (Greta Gerwig).

Charlie Babbitt (Tom Cruise) is a self-centered dealer in exotic cars. He imports high-end sports cars into the states and sells them to the highest bidder. Within the first 10 minutes, we learn that he is not above bribing the EP for the cars to pass emissions, that he treats his girlfriend poorly, and that his father has just passed away. As he goes to the reading of the will, hoping for a big payday, his father leaves him only a car.

One of the most underappreciated films in my opinion in the last ten years is Undercover Brother. Stop looking at me strangely! Seriously, it was a very funny movie. It was because of one man and I don’t mean Neil Patrick Harris (though he was hilarious). That man would be Eddie Griffin

In this satire of modern life, Zach Galifianakis plays a man named George Washington Winsterhammerman who has a beautiful wife, a large house, a stable job in the world's most successful corporation, and even a boat. Despite all of this he fears he is showing symptoms (which include dreams) that he might be about to literally explode, a mysterious and unexplained epidemic that is sweeping the country.