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Up to now we have not cared how you solved your petty squabbles. But if you threaten to extend your violence, this Earth of yours will be reduced to a burned out cinder. Your choice is simple. Join us and live in peace. Or pursue your present course and face obliteration. We will await your decision.

Larry Bishop’s Hell Ride plays like a childhood fantasy I might have had in the third grade had I known more about boobies and the joy they bring to my basest male desires. As a film, however, it’s terrible. It’s like Bishop set out to honor the bad movie genre by laying a turd so rancid the qualities of those other films shine brightly alongside it. Sitting down to watch Hell Ride a second time after having seen it in theaters and not really knowing what to think about it then, the benefit of time has taught me how awful this debut truly is.

 

“Klaatu Berada Nikto…”

As a fan of Sam Raimi’s Army of Darkness, I just had to do that. But Raimi’s masterpiece is not the subject of this article; rather a concerned alien visitor in the classic science fiction film The Day the Earth Stood Still, now available on 2-disc special edition DVD from Twentieth Century Fox. No doubt the spawn of a marketing machine looking to cash in on the remake starring Keanu Reeves, this release should still be a welcome addition to the shelf of any classic cinema fan.

The worst thing about The Chronicles of Narnia: the Lion, the Witch and the Wardrobe is that it followed the most successful fantasy film trilogy of all time. Just two years after Return of the King blew us away in theatres and swept the Oscars, and only one year after the flagship Extended Edition release set a new standard for DVD excellence, ‘Wardrobe promised the return of high fantasy to theatres near us. Unfortunately, it proved to be nowhere near adequate for any Lord of the Rings comparison. It was sweet, non-threatening and even a little campy, where Peter Jackson’s films had been majestic, serious and polished – one fluffy, the other dramatic.

When The Chronicles of Narnia: Prince Caspian hit theatres in late 2007, I hoped it would offer a more mature Narnia, but I wasn’t too optimistic (these are supposed to be child-friendly, after all). Imagine my pleasant surprise early on when Trumpkin uttered this to the four child heroes: ”You may find Narnia a more savage place than you remember.”

Most women would consider Matthew McConaughey a hot guy. Hubba, hubba, the whole nine yards. Typically when he stars in a new motion picture, women flock to see the show for him to walk around for ninety minutes preferably with his shirt taken off and speaking romantic to some leading lady. For those ninety minutes, those women wish that they were in his arms, they were in his touch. But what if Matthew was portraying an out of work treasure hunter, broken down on his luck and owing some guy named Bigg Bunny a whole lot of money? I think this will all depend on whether his shirt is coming off or not.

On July 24th, 1715 in celebration of the marriage of King Phillip of Spain, the largest treasure fleet in maritime history set sail from Havana, Cuba. The 500 million dollars worth of gold, silver and jewels came to be known as the Queen's Dowry. Unfortunately, in his eagerness to consummate the marriage, King Philip ordered the fleet to sail at the worst time of the year. And so, the great galleons, heavy with their sparkling cargo, sailed straight into a massive hurricane and were never seen again.

Frank Cannon was unlike any detective we’d ever seen on television before, or since. He was known as a high priced PI with a taste for the finer things in life, particularly fine food. His appearance was counter to all of the rules about rock-jawed handsome detectives who ran around shooting it out and beating up the bad guys. Cannon was a big man and wasn’t about to do much running and fighting. He wasn’t totally different, however. Cannon had a lead foot and could run a car chase with the best of them. He was smart and often a bit flashy in his technique if not in his appearance. It was also rare for a series to have a lone regular to carry the … um… weight. Conrad was up to the task and made the show and the character a permanent part of our pop culture.

 

This is another one of Paramount’s half season releases. I’m told the decision is driven by retailers wanting lower price point product, but I don’t find the argument credible. There are plenty of full season releases, and consumer surveys consistently show that’s how the public wants their television shows. Retailers will carry these shows in full seasons just like they do all of the others. When Paramount released the various Star Trek shows on DVD, there was obviously no consideration to price point, as these shows hit the shelves often double or more what other comparable shows have listed for. It’s greed, pure and simple.

High art it isn’t, but one thing’s for sure: Dynasty is ass-in-seat television. Launched in 1981, the John Forsythe-Linda Evans-Joan Collins starring vehicle crossed lines and took chances few of its contemporaries were willing to take. For several years Dynasty defied conservative conventions with sordid tales of extramarital affairs, catfights, and the hot-button issue of homosexual parenting. It’s this last issue that is featured so prominently in Dynasty – The Third Season, Volume Two.

Those of you who are uninitiated to the Dynasty saga have nothing to fear, as each script is weighted heavily with expository dialogue sure to catch you up in no time. (“If Blake loves you, Krystle, then why did he humiliate you by castigating you that day we fought in the lily pond” – Alexis Colby) Of course, the show’s quality suffers as a result, offering ridiculous conversations involving participants who should damn well know exactly what just happened to them, especially considering the weight of their experiences, without the need of another character explaining things. In fact, about 40-50% of every conversation is retread from a previous episode. Incidentally, the acting is terrible, but one must wonder if the actors could have done any better with the material they were given. While exposition can certainly be a necessity, especially in an hour-long ongoing series, the convention is best used in very small doses at the beginning of a story, not throughout every segment between the commercial breaks.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr. Burr had a commanding presence on our screens and enjoyed a well deserved 11 year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason. If you haven’t checked this show out, this is your chance. See where it all began.

There seems to be some confusion over the title of this 2008 direct to video release. The release is simply called The Nutty Professor, like the original Jerry Lewis vehicle from 1963. It appears the working title of the film was The Nutty Professor 2: Facing The Fear. It is still listed under that title in the IMDB. Whatever the title, you should know that this isn’t your father’s Nutty Professor. This version is a CG animation feature, but don’t expect Shrek or Pixar quality work here. It’s a considerably lower budget affair, and that shows pretty clearly in the final product.