Disc Audio

"Ever since I was a young boy, I played the silver ball, From Soho down to Brighton, I must have played them all, But I ain't seen nothin' like him, In any amusement hall, That deaf, dumb and blind kid, Sure plays a mean pinball." 

I was first introduced to The Who through the original Tommy album. It was one of my mother's favorites when I was young, and she had actually written out by hand her interpretation of the story the rock opera appeared to tell. I can't remember those scribblings, and I'm not even sure if they're still tucked away in that Decca album I have around here somewhere. But the music always stayed with me. Now, I didn't ever become a huge fan of the band. I always liked them and collected a couple of their albums over the years. I did play a lot of pinball, however. I fell more in with the likes of Elton John. So you can imagine how excited I was in the summer of 1975 when my favorite musician was cast to play the Pinball Wizard in a movie from the music that had been stuck in my head for years. And while the soundtrack version has been the version I've often found stuck in my head, the original album was never far away either. Apparently that's also the case with Pete Townsend and Roger Daltrey. They would reunite and perform the rock opera live celebrating the release's 50th anniversary. Now the film is also celebrating 50 years. I sure feel old. But watching Tommy again sure brought a childhood of memories flooding back in. Shout Factory delivered.

"We work 364 days a year because on that one day we deliver presents to several billion individual domiciles across 37 time zones without ever being detected by a single human being. We prep, we rehearse every moment, every stop down to the last chimney. So yeah, it's a lot of work."

At first glance, it would appear that the crew for Red One is made up of folks who have had long associations with Dwayne Johnson, from Director Jack Kasdan, who also directed two of the Jumanji films, to writer Chris Morgan, who wrote many of The Fast And Furious films including the Johnson-led spinoff Hobbs And Shaw. He also wrote the last Shazam film, which led to Johnson's spinoff black hole Black Adam. It's a working environment friendly to the actor. But the rumors from this set are loaded with tales of Johnson blowing off work and/or showing up late and unprepared. It's honestly not his usual vibe, and consider his divorce from Fast And The Furious's Vin Diesel revolved around Johnson throwing the same kind of shade on that actor's behavior. I was curious if the on-set issues and also word of a ballooning budget would show up on the finished product. I'm happy to report there doesn't appear to be any disrupted chemistry on the film, and it became easy to dismiss all of that with just a few minutes on the Red One ride. Every year a film or two vies for that potential future classic position that I don't honestly think has been achieved since the 1980's and A Christmas Story. I'd say the next most recent might be the Dickens romp The Man Who Invented Christmas. In any case, I won't be adjusting my traditional holiday viewing to accommodate Red One. That doesn't mean there isn't some fun to be had.

"So a psychopath walks into a bar and sees this famous clown sitting there all alone. Totally drunk;, it's pathetic. "I can't believe you're here," he says. "What a disappointment. I used to watch you on TV. What can I get you?" And this clown turns and says "Well, if you're buying you can get me anything." "Perfect," the psychopath says. "How about I get you what you f'in deserve?"

Folie a Deux. French for madness of two. From the moment that title was an announced, it was presumed that Harley Quinn would be making an appearance, and I applaud Lady Gaga’s selection as Joaquin Phoenix counterpart. However, I suspect that the reason for her selection was twofold given the decision to make the film a musical. Perhaps not an official musical, but in my humble opinion, I don’t think it could have been any more official. Unfortunately, this was among my issues with the film. It was too long, and there were too many songs. The film felt like it was movie promoting the soundtrack rather than vice versa. I’ve never been one for musicals, and this sequel did not move me off that mark, as the film essentially fell apart towards the end with a bittersweet ending. I think I preferred the ending to the first film.

I saw this film as an opportunity to gauge whether a movie could hold my two-year-old son’s attention. This is something I am particularly interested in, because it would demonstrate that my baby boy is finally ready for a theatrical experience. Unfortunately, he is not quite there yet. He watched for a bit, but then he eventually wandered off. Ironically, I didn’t notice his absence at first, as I was too focused on the movie. Based on the New York Times bestselling novel of the same name, The Wild Robot stars Lupita Nyong’o as Roz, a ROZZUM unit 7134 robot that becomes shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. Joining Nyong’o is Pedro Pascal in his animated movie debut, Bill Nighy, Stephanie Hsu, Ving Rhames, and Catherine O’Hara as the wildlife that Roz finds herself surrounded by. With How to Train Your Dragon’s Chris Sanders at the helm, The Wild Robot is a very entertaining tale that somehow, I ended up more interested in than my kids.

“The Wild Robot is a story that is not afraid to pull on your heartstrings.” 

"Not everybody can become United States Marines. We want the best and we settled for nothing but the best, because there is nothing prouder, nothing finer, nothing standing as straight as a United States Marine. Now they got the Air Force, they got the Navy, they got the Army, they got the Coast Guard - and if you want to join them, go ahead. They got plenty of room. But if you want a challenge, if you want to try something difficult, try to achieve the impossible - try 13 weeks of hell at Parris Island, South Carolina, and find out if you got what it takes, find out if you really are a man, then the Marines might be what you are looking for. Tarawa ... Iwo Jima ... Belleau Wood ... the frozen Chosin Reservoir. First to fight, we have never lost a war. We have always come when our country has called."

Born On The Fourth Of July has been both a controversial film as well as one of Tom Cruise's first breakout roles. Over time the film has become appreciated more as feelings on the Vietnam War have pretty much come full circle in the American political mind. Now it can be viewed for the remarkable performance Tom Cruise delivers and the rather stark reality check Ron Kovic's autobiography provided in 1976 to a nation that might not have been ready to hear it. Times have changed, and I think they're well reflected in Oliver Stone's film Born On The Fourth Of July, which Shout Factory has now made available in 4K for the first time.

"You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, the feds or whatever heard that he's gonna be here today, so they set up a trap for him. This whole concert? It's a trap. They're watching all the exits, checking everyone that leaves. There's no way to get out of here. It's kinda dope, right?"

The idea is actually based on a true story, with a lot of differences. In 1985 the FBI managed to round up over 100 high-profile criminals with a ruse that involved tickets to an NFL game. There have been plenty of other scams where promises of prizes have attracted otherwise cautious wanted people. I was at a promo for some home improvement club store, and while there, a couple of folks were nervous that it was a sting because they had outstanding warrants. It wasn't, but these things can and do indeed happen. The way it's done here leaves one to stretch credibility a bit more than I'm usually willing to go.

"The machines rose from the ashes of a nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here in our present ... tonight."

The idea for The Terminator came to James Cameron in a feverish dream as he was struggling and about to get fired from Piranha II: The Spawning. He was overworked and stressed and ended up in bed. He immediately wrote a treatment with then-wife Gale Ann Hurd, and they approached Arnold Schwarzenegger quickly to make sure they retained control over the property. Eventually he lost it anyway, and that's why so many franchise films that were out of his control.

“The juice is loose.”

Michael Keaton is on quite the reunion tour of reprising his old roles, and for most actors, stepping back into the role isn’t always easy. However, for Keaton, it is as if no time has passed whatsoever. Over thirty years since portraying this iconic role, Keaton returns as Beetlejuice, the trickster spirit who attempted to manipulate a marriage to Winona Ryder’s Lydia Deetz in order to gain a permanent foothold in the living world. Keaton isn’t the only one who returns in this well-done addition to the ongoing trend of continuation series; Ryder returns as Lydia Deetz, Catherine O’Hara is back as Delia Deetz, Lydia’s stepmom, and most notably Tim Burton is back in the director’s seat for the sequel. Burton’s return is most pivotal addition in my opinion, as the first film was full of his unique style that would be impossible for another director to emulate. Also joining the franchise are Justin Theroux, Monica Bellucci, Danny DeVito, albeit too briefly, and most appreciatively, Jenna Ortega, who previously and actively collaborates with Burton on the Netflix Series Wednesday, whose upcoming season I am anxiously awaiting.

"Nuns, guns and gasoline." 

Mike Mendez released his first film in 1997. Killers was also just released on Blu-ray from Synapse films. The better of this Synapse double release is The Convent. For me this was the peak of Mendez's low-budget horror films. Synapse must agree with that assessment, because they decided to give The Convent a UHD Blu-ray release in 4K, and that ended up being somewhat of a trick-or-treat combination, with The Convent absolutely being the treat here. Made in 2000, the film took a long time to make it to anyone's screens. There was a distribution deal in place, and it fell through at the last minute. It's the kind of luck Mendez has dealt with his entire career. His friend and co-writer on Killers lost his house when it was mortgaged to pay for that ' creation. He debuted the film at Sundance, and he had hoped for a wider release, at least on home video, but it took 2 years to finally happen.

" I think their whole family's like some weird medical experiment. I think they're, like, circus people."

Be honest, who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for 31 Nights of Terror as well as the release of the animated version comes the of The Addams Family: Family Values on UHD (4K), featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family: an odd, wealthy, aristocratic clan who delight in the macabre and are seemingly unaware, or do not care, that other people find them bizarre or frightening. For me, these movies were my introduction to this family, as the TV series was bit before my time, but a gothic family unaware of their difference from other people.