Disc Audio

(Supplemental material portions of this review are culled from Gino Sassani's review of said film in the Blu-ray format, so enjoy or read elsewhere.)

I've always enjoyed Hitchcock's Rear Window, and I've gotta say I was more than a little disgusted when I saw that it was going to be remade and modernized, with no less than Shia fricken' LaBeouf in the main role. Oddly enough, LaBeouf carries the role pretty well.

(You’re going to have to forgive me, I’m pulling ample portions of this review from my earlier Divimax review of Dawn, with some exceptions of course.)

Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy put out a copy of this film now before overloading us we on the remake, done in grainy, handheld 28 Days Later style by director Zack Snyder of 300 lore. A stopgap one disc version was released, followed by this huge-arse four disc version that we’re viewing now.

In hellish vision of a near future (?) LA, Marty Malt (Judd Nelson) is an incompetent garbage man who moonlights as an even worse comedian (his jokes aren’t funny, and he is half-crippled by stage fright). His only friend is the manipulative Gus (Bill Paxton). When Marty starts to grow a third arm out of his back, he loses his girlfriend (Lara Flynn Boyle) but attracts the attention of sleazy showbiz types Wayne Newton and Rob Lowe.

Sometimes when you sit down to review a dvd, you are treated to a fantasy. However, sometimes that fantasy isn't all it seems and leaves you with a blank expression and curious feelings of being unfulfilled (kinda like that marriage I had). Anyhow, I took the dubious task of reviewing Lesbian Sex & Sexuality, a television show that is on the here! network who also bring you such fine shows such as Dante's Cove. (okay; so I gave Season 2 a 2 out of 5, who's counting?) The show is very simple and has a very provocative premise. That premise is to take a mostly uncensored (I'll explain later) look at the secret and rarely explained world of lesbian sex. All kinds of subjects would be explored from fantasies to erotic dancers to the ever popular porn films. No stone and no position would be left untouched. No girl either. Men, well...anyhow the show is broken down into six half-hour episodes across two discs.

I don’t care what anyone thinks, A Night at the Roxbury is awesome. Back when Will Ferrell and Chris Kattan would do the skits on Saturday Night Live I loved it, and when the movie came out I pumped. This was back when I was barley a teenager and for me, this one has still got it. The hard part is explaining why this movie is so funny to me and its cult following. It has no real story, character development, etc. But still it manages to keep me laughing, time and time again. I’ll get more into that later, for those of you who haven’t seen A Night at the Roxbury I’ll play it out for you.

Ted Crawford (Anthony Hopkins, The Silence of the Lambs) is a successful engineer who recently discovers his wife’s infidelity. He becomes aware that she has been sleeping with a police detective, which pushes Ted to the point of shooting his wife. Initially he confesses to the crime, and it looks to be an easy win for rising star district attorney Willy Beachum (Ryan Gosling, The Notebook). This is of course until Ted redacts his confession and engages in a battle of wits with Beachum.

1998 marked an interesting time for the career of Robin Williams. The previous year he stared in his Oscar Winning Role via Gus Van Sant’s Good Will Hunting, which was a somewhat rare role for Williams as it showcased his dramatic side. Obviously hoping for similar success, Williams followed that excellent role with another role that, at some points, finds itself just as good as his performance in Hunting.

Maybe you're wondering why there's a movie starring Zach Braff (Scrubs) and Jason Bateman (Arrested Development) that you never heard about. That's what I was doing when I first received this disc. I'm a big fan of Braff, and a moderate fan of Bateman, so why was I not in the know on The Ex?

I'll tell you why. The Ex had only a limited North American release in late 2006, and under a different title: Fast Track. It bombed. Then it disappeared for all but a handful of foreign markets, before washing ashore in DVD-land.

This HBO comedy series throws down a huge gauntlet, then flails its limbs around maniacally in a futile attempt to live up to the challenge. Bad Boys of Comedy is billed as an evolution of black comedy that builds on the revolution led by the likes of Redd Foxx, Richard Pryor and Eddie Murphy. P. Diddy, executive producer and host, promises young, edgy and unique comics, untapped virtuosos who will push the boundaries of humor and entertainment. What a crock.

Lets face it, at one point or another we’ve all watched The Simpsons, and I’m sure at points we’ve all loved it. But I don’t think it’s a matter of debate that as the years went on the show seemed to have lost its touch, its uniqueness. With shows like Family Guy and American Dad pushing the envelope it’s hard to enjoy The Simpsons as much as we get older. But nonetheless there are millions of you who still love this show. For me its hard to pinpoint when The Simpsons took it’s turn for the worse, does Season 10 get classic status, or is it on the downside of the slope?