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Shooter is closely based on Point of Impact, an excellent novel by thriller writer Stephen Hunter. I read the book in the late 90’s, and enjoyed it. A lot. When I began seeing trailers for this film last year, you can bet I was excited at the prospect of seeing Bob Lee Swagger come to life on the big screen, even if it had to be “Marky” Mark Wahlberg in the role.

The film updates Hunter’s story to present day, shifting Vietnam to Iraq and villains to mercenary pawns of thinly veiled Dubya coho...ts. Otherwise, it’s fairly true to the story structure in the novel, which is a good thing in my book, but obviously the movie has to play well on its own. I’d call this one entertaining overall, but uneven – some parts are terrific, others drag it down.

Synopsis

An overheated Cold War plot sees a scientist, crucial to American interests, felled by a blood clot. The only way of saving his life consists in shrinking a submarine and specialist crew to microscopic size and injecting them into the his body. They must make their way up the circulatory system to the brain and there destroy the clot. But on top of all the hazards they encounter in the body, there is also a saboteur aboard.

Marvel Comics has certainly enjoyed a renaissance of late. There can be no question that this entire run of comic heroes on screen began with Spider-Man. Even the recent DC reimaginings might not have gotten this second chance without everyone’s favorite web slinger, or at least the gobs of money that franchise has pulled in. While none of these recent comic films have come close to the success of Spider-Man, the studios are determined to keep the trend alive and well. That translates to great news for us. The most...recent development of this success is that lesser known comic heroes are starting to emerge on film. Ghost Rider is not quite as known around the world but is not without its loyal following. Nicholas Cage happens to be among the Ghost Rider faithful. We’re talking about a guy so into the comic scene that he named his son Jor-El (Superman). Cage, it appears, has wanted to do Ghost Rider for almost as long as he’s been acting. This unusually high level of passion for a character plays to the film’s advantage. He believes in the role and thus becomes Ghost Rider with an uncanny ease.

The Ghost Rider character has evolved more over the years than perhaps any other comic icon. The story and the character himself have gone through many significant changes. The film pays homage to a ton of this history by including elements of many of those comic runs. The writers combined some of the best elements from the whole to create a world and character that is unique, yet quite true to the spirit of the Ghost Rider. The basic story remains relatively faithful to some aspect of the story’s varied history while allowing the film to have its own distinct look and tale. Here a young Johnny Blaze discovers that his father is dying of lung cancer. Together father and son have a motorbike daredevil show. He is approached by an ominous stranger who offers to heal his father’s ailment in return for, you guessed it, his soul. I know what you’re thinking. “Boy have we seen that one a thousand times before. Believe it or not this story has a remarkable twist to the old story. Of course, the deal’s a rip-off and Johnny gets exactly what he wants but not really what he wants. It’s that old fine print stuff again. The twist is that our old devilish friend has a more complicated fate in store for Johnny. When called upon he must ride his bike as the flaming skulled Ghost Rider to do the Devil’s bid. In this film the spectral rider is called upon to collect a powerful contract , which is also goal of some rather nasty elemental bad guys. It’s a royal battle to control Hell, and Blaze is right in the middle of it.

Written by Evan Braun

Television today is littered with shows that burned bright but died quickly. In a time when networks are quick to cancel, it’s becoming more and more rare to see a show live out its full potential. Having just concluded its thirteenth season, with many more years on the horizon, ER has more than shown itself to be a proven commodity. It could very well be remembered as one of the most successful and longest-running series in the history of primetime television.

Watching the trailers for Black Snake Moan, I recall thinking it was going to drum up some outrageous controversy. I mean, the only thing we really knew about the film was that a big, scary black man chains up a half-dressed white girl in his home. Not exactly a wholesome image.

It’s a southern gothic parable, starring Samuel L. Jackson (Shaft) as Lazarus, a God-fearing man whose wife just left him for his own brother, and Christina Ricci (Sleepy Hollow) as Rae, a broken young woman wh...’s haunted by terrible sexual abuse at the hands of her stepfather. Other key players include Justin Timberlake (Alpha Dog) as Rae’s boyfriend, Ronnie, John Cothrane Jr. (Madagascar) as Lazarus’ reverend friend, and S. Epatha Merkerson (Law & Order) as a potential love interest for Lazarus.

I’m kicking myself. Martin Scorcese’s The Color of Money has long been a favourite of mine, but for some reason I never knew it was a sequel to The Hustler, a film 25 years older and three times better.

Starring a young Paul Newman (Road to Perdition) in a role that earned him his second Oscar nomination, The Hustler is about a cocky pool player hustling his way to the top. When “Fast Eddie” Felson (Newman) challenges undefeated straight-pool champ Minnesota Fats (Jackie Gleason,...Requiem for a Heavweight) to a high stakes game, the talented young hustler shows he has the skills to be the best, but self-destructs toward the end of the 25-hour marathon match. Left near-penniless and without the managing partner who helped him get started in the seedy world of pool hustling, Eddie faces an uphill struggle to regain his confidence. Shacking up with smart, attractive and similarly self-destructive Sarah (Piper Laurie, Carrie) proves to be a decent diversion while Eddie wallows in misery, but while he uses her as a crutch, he becomes the cause of her destruction when he agrees to play for Bert Gordon (George C. Scott, Patton), a ruthless, greedy manager, and brings her along when they hit the road.

Recently released on HD DVD, this film is the last of the films from the famous British comedy band Monty Python. Originally released in 1983, this is by far Python’s darkest film, filled with violence and dark humor, seemingly tailored to offend everyone. I did not care for the part in the restaurant with the extremely obese man, so there we are.

The film consists of a series of short sketches about various aspects of the “Meaning of Life” or at least an observation of the quirky aspects of life, such as ...he delightful part in which John Cleese plays a sex educator or a very “British” colonel during the 2nd Zulu War near the end of the 19th century. The film actually begins with a short prelude film entitled “The Crimson Permanent Assurance”. What little plot there is seems to involve a group of oppressed accountants rising up against their corporate masters and becoming pirates, using their building as a pirate vessel none the less. It is more amusing in execution than on paper, I especially liked later on when the accountant shouts: “It’s the Crimson Permanent Assurance!!” and then something rather unexpected happens to address the presence of the supporting feature involving itself in the feature presentation.

Bruce Nolan (Jim Carrey) is a TV news reporter at Eye Witness Channel 7 in New York who fails to get a job as an anchorman and, after a series of other bad luck incidents, complains to God that He is treating him unfairly and is doing a poor job as supreme deity. God (Morgan Freeman) contacts Bruce and offers him the chance of a lifetime. He offers to give Bruce all the powers he has. Bruce quickly abuses his new powers for personal gain (new car, pleasing his girlfriend), only to be reminded that he also has to take...care of other people's problems. Meanwhile, Bruce endangers his relationship with his girlfriend Grace Connelly (Jennifer Aniston) through his self-centered behavior. In the end, Bruce realizes that God’s powers are meant for only one being, that being is of course God.

When Bruce Almighty works, it works in the highest gear. The film is funny completely enjoyable. As Bruce continues to receive the worst in life, we can’t help but think of a time in our life. After all, haven’t we all had that series of bad moments were you thought, regardless of religious inklings that something or someone was working against you? Bruce fights and fights to understand this and seemingly can’t believe that God is actually answering his complaints. Simply imagine what would happen if the Almighty endowed us with his power?

Peter Jackson’s the Frighteners is a 1996 comedy/horror film starring Michael J. Fox. It follows the story of a physic investigator/ deactivate who is in league with the very sprits he is supposed to be exorcising. For the first half hour, the film is mostly comedy, with good work by Chi McBride as Cyrus, the ghost of a black man from the 70’s, complete with a huge afro. The other ghosts are less noteworthy and merely amusing, such as R. Lee Ermey as a ghostly version of his character from Full Metal Jacket. T...e movie becomes more of a thriller after Bannister spots a Reaper-like figure killing people that are marked with numbers on their foreheads. The rest of the movie involves Frank’s efforts to stop these mysterious murders.

The special effects by Richard Taylor and WETA are excellent; a clear sign of talent that definitely was a proving ground for Lord of the Rings. This film is no exception, with characters such as Wallpaperman or Portraitman. Rick Baker’s makeup work on the Judge was exceptional. Baker has won Oscars for makeup from the Nutty Professor, Harry and the Hendersons, and Men in Black. The Grim Reaper figure will definitely be recognizable to fans of Lords of the Rings as the inspiration for LOTR is clear and defined.

Fletcher Reed (Jim Carrey) is your typical lawyer in that he’s successful and seemingly loves his job. He openly lies each and every day to the judge just so his client can win the case. In fact Fletcher has gotten so accustom to lying so much that he doesn’t even realize that his son Max (Justin Reed) has pretty much became aware that his father is a liar (he means to say lawyer). When Fletcher doesn’t show up to Max’s birthday, Max wishes that for 24 hours his father couldn’t tell a lie. Enter the real humorous and...sometimes touching portion of the film as Fletcher slowly realizes that his son is trying to teach him something about his life.

The biggest positive about a film like Liar Liar is that the film has so many numerous sequences where the viewer can’t help but laugh or at least crack a smile. From the ‘scratched my car’ joke to the ‘do you know why I pulled you over’ joke, the laughs are consistent. But the most important thing here is that the laughs are actually funny and not gross out. Liar Liar represents a time when Hollywood brought out films that contained genuine humor that might occur in real-life instead of completely disgusting humor that you don’t laugh at, but rather humor that you cringe at.