Posted in: Disc Reviews by Archive Authors on January 17th, 2006
The Gospel is the first mainstream film to come out in quite sometime that deals with the role of the African-American church. Reading the title of the film, one must think The Gospel is an overly heavy religious filled film right? Well, I am very happy to say that the film is not particularly a religious film, but what a film that has the type of characters that can make a viewer become a believer. Not necessarily the type of believer of the church, but the type of believer in the music that is sung in...
Posted in: Disc Reviews by Archive Authors on January 17th, 2006
Jodie Foster stars in this film as a propulsion engineer named Kyle Pratt who decides to take her six year old daughter Julia on a transatlantic flight aboard a brand new jumbo jet (which she helped design). Aboard the plane, her daughter goes missing. Naturally she has no clue what is going on as the captain (Sean Bean), nor the sky marshal (Peter Sarsgaard) are of any assistance. Foster calmly looks around the plane for her daughter wondering what has happened to her. We learn more and more facts about the daughte...
Posted in: Disc Reviews by Archive Authors on January 14th, 2006
Synopsis
The unfortunate part for me is that movies like this, and before that, Sling Blade, were only in arthouse theaters that are in downtown Washington, DC, and I really have a problem with driving 25-30 miles to pay $10 for 2 hours of joy, and possibly that same amount of time spent in traffic trying to get in and out of DC. If you want to call it laziness, I'll admit to that also, but I think my first excuse holds a lot more weight. It's gotten better lately, but there's still some work to be d...
Posted in: Disc Reviews by Archive Authors on January 14th, 2006
Synopsis
I was amazed that a film starring three Academy Award winners (Robert De Niro (Raging Bull), Kathy Bates (Misery), F. Murray Abraham (Amadeus) would be so ignored and passed over by the movie going public. Based on a novel by Thornton Wilder and adapted for the screen and directed by relative unknown Mary McGuckian, the film recounts a tragic incident where several people fell to their death from a bridge collapse. A monk by the name of Brother Juniper (Gabriel Byrne, The Us...
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Tessa Quayle (Rachel Weisz) is not your standard activist. She won’t be satisfied by simply standing on protest lines – she must be where the action is, and for her it’s in disease infested Kenya. When a pharmaceutical company sets up shop there to distribute a prototypical drug to the people, Tessa becomes involved in a conspiracy that will eventually costs her her life.
After Tessa turns up dead – and this is no spoiler – her death is featured in the opening scenes of the film, husband Justin (Ralph Fien...
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Synopsis
For fans of comedy, the influence that the original “Not Ready For Prime Time” players on Saturday Night Live was indelible, but did not deter from enjoyable sketch comedy after the group left in 1980. Sketch comedy was being done at an equally accomplished level with the Second City players, some of whom Lorne Michaels recruited for the initial cast of SNL. Those that remained provided some hysterical moments and quality comedy.
Shout! Has done a commendable job in bringing this c...
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Synopsis
I’ve long held the somewhat chauvinistic belief that female stand up comedians are simply not funny. I’ve given people like Ellen DeGeneres, Paula Poundstone and Margaret Cho as much unbiased time as I can give, and I just don’t laugh at them. Their sense of humor is softer than any comparable male comedians, and is far more subtle. Does that make me a cro-magnon male with a large forehead? Probably.
To her credit, Whoopi Goldberg is the closest thing there is to an exception to the rule,...
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
The Academy Awards ceremony continues to devalue itself by giving honors to films, which are mediocre at best, or films that try desperately to force a political agenda down the American people’s throats, while gems such as 2004’s Downfall linger in relative obscurity, and certainly do not receive the recognition they deserve. Director Oliver Hirschbiegel’s study of Hitler’s final days transcends the triviality of being considered a film and instead functions as a window into the past. And for a little more th...
Posted in: Disc Reviews by Archive Authors on January 9th, 2006
I think that the studio knew they had a problem with Godsend before it was released in theaters. Sometimes a film can look like a great idea on paper, but the final product is just a mess. The thing is, after the studio has invested millions in a bad property, they have to try to recoup the money somehow. In the case of Godsend, the strategy was to put a well made trailer for the property on every Lions Gate DVD product for months and months. In this way, the studio hoped to build up enough word-of-mouth through minimal promotion to have a big opening weekend; big enough to make back some of the film's budget before the word got out about how bad the thing was.
Posted in: Disc Reviews by Archive Authors on January 9th, 2006
Synopsis
Tae-suk is a young man who breaks into people's home while they are away. He lives there in their absence, but doesn't steal anything, and fixes odds and ends while he's there. During one such break-in, it turns out that owner's wife is there, and a love affair begins between the two. When the abusive husband returns, Tae-suk winds up killing him with the title instrument, and the lovers flee.
Director Kim Ki-duk (Spring, Summer, Fall, Winter... And Spring) is a storyteller ...
