Disc Audio

I must admit that season 5 of South Park was not one of my favorites. I didn’t mind the more permanent death of Kenny. OK, I did mind losing Kenny, but that wasn’t what really brought the series down. It appears that the crudeness found in season 5 has no other purpose than for shock value which in itself is lost on South Park fans. You just can’t shock us anymore.

An episode with a running counter for how often SHIT appears is a perfect indication of how run down things had gotten. Don’t get me wrong. The...e’s still some real funny... well... Shit in this season. Butters annoys me. I think he’s intended to, but he really annoys me. I think the only reason I laughed at all this season is because I can’t help laughing every time Cartman says or does anything. I think one of the reasons for South Park’s drop comes from the domination of Trey Parker.

It’s hard to imagine that just 10 years ago Steven Bochco stirred up a hornet’s nest with the introduction of NYPD Blue. I say hard to imagine because after just three seasons The Shield has taken commercial TV to heights unimagined by anyone 10 years ago. Vic Mackey doesn’t just rough up suspects. He controls the streets he patrols. He’s not even above killing another cop to keep his thumb on crime in the Barrio district of L.A. Michael Chiklis, once known as the fatherly kind cop on The Commish, has t...tally sold us on this almost irredeemable renegade.

While F/X is a cable network, it still relies on the same advertising spots that the other networks depend on as their lifeblood. Unlike HBO or Showtime, F/X must also comply with stricter guidelines for decency. The Shield pushes that envelope to the very edge. Cinematography is gritty and often documentary in style. The music is harsh. The stories are extremely tight. Not a minute is wasted on superfluous trivia. This show grabs you in the first minute and reluctantly lets you go in the closing credits, only to lie in wait with another compelling episode to begin the cycle again.

I don’t remember hearing anything about Heat when it was coming out, but once I saw who was in it, I was hooked. With Al Pacino’s 8 Oscar nominations (with 1 award) and Robert DeNiro’s 6 nominations (and 2 awards), the two have had quintessential acting performances over the past 30 years, and the impact they have had on cinema speaks for itself.

The names of the characters are hardly consequential, as they are used to further storylines more than develop character. But Pacino plays a cop who is tr...cking a group of robbers, among them Val Kilmer (Wonderland) and Tom Sizemore (Saving Private Ryan), a group headed by DeNiro. The group receives offers for work from Jon Voight (Runaway Train), and they rob anything from gold, to coins to bearer bonds. They are all ex-cons, and know all the ropes. They are a highly professional crew, which you see in the opening moments of the movie, despite the addition of a new man to the crew. What also helps to differentiate this from a usual cops and robbers movie are the secondary plotlines of the families involved. Pacino’s is clearly distant and breaking (played by Diane Venora and Natalie Portman), while DeNiro doesn’t have one to speak of, despite an emerging romance with Edy (Amy Brenneman, Judging Amy). At 3 hours, there are some unnecessary scenes involving a banker (played by William Fichtner), but the underlying message is that almost all of the actions in the movie do not involve just the primary characters, but also friends and loved ones of those characters. Kilmer’s wife in the film, played by Ashley Judd, desperately wants to get him out of his line of work, as she wants to start a new life for her family. An ex-con (Dennis Haysbert, 24) is stumbled upon working in a greasy spoon, and offered a chance to work by DeNiro. Haysbert’s character wants to be right, but runs into so many obstacles from it that he takes the job, only to wind up perishing in what results in a massive gunfight in the heart of Los Angeles while a bank robbery is being pulled.

Alice Through the Looking Glass is a 1998 television version of the Lewis Carroll classic. Now this is NOT Alice's Adventures in Wonderland. Looking Glassis Carroll's lesser known follow up. There's no mad hatter or chasing white rabbits. But there are white queens, talking insects, and discussions of the Jabberwocky. This is a fairly faithful adaptation.

The story is simple. Alice, through her magic mirror, enters Carroll's world of dream logic and nonsense. Kate Beckinsale (re...ently seen in The Aviator) makes a wonderful Alice. Obviously, Beckinsale is considerably older than Carroll's literary heroine, but she pulls off the role handily with a mix of charm and curiousity. There are also notable supporting performances, Ian Holm is great in anything. The story is told almost entirely through dialogue, and the surreal, nonsensical language might make for a tough sitting with kids. However, sooner or later, every child must come into contact with Lewis Carroll's classic story. This DVD might be a good introduction, but the Walt Disney Alicemight be more of a sure bet.