Posted in: Disc Reviews by Archive Authors on May 3rd, 2004
In today’s age of manufactured talent less pop stars you have to hand it to the artists that still write and actually perform their own original material. Versus the one’s who simply head into the studio with a team of writers and producers and who don’t even have the talent to actually sign live but instead just lip sync. Jewel whether you like her music or not is an artist, she writes her own material and even co-produced her last album. At times she is incredibly engaging at other times slightly annoying but, her ...yrics are richly textured and captivate the imagination.
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Posted in: Disc Reviews by David Annandale on May 3rd, 2004
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Posted in: Disc Reviews by Gino Sassani on May 3rd, 2004
The Monsters of Universal Studios during the 1930’s to the 1950’s truly are a legacy. This collection, while including many films already released, is an important set. Bela Lugosi’s Dracula, Boris Karloff’s Frankenstein Monster, and Lon Chaney’s tortured Larry Talbot/The Wolfman have inspired generations of filmmakers, writers, and f/x engineers. The influence on our culture is impossible to deny. When asked about Frankenstein, most of us conjure the classic Karloff image long before we think of Mary Shelley or any ...ther incarnation. These images are burned into our collective imaginations. They are signposts of fear that have been passed down from father to son and even mother to daughter. They are in essence our inheritance from an era long gone but somehow never forgotten. It is true that these films are tame by today’s standards. They have long ago lost the ability to terrify. That says more for the sadness of our own age than any blemish to these masterpiece classics. We are a hard people to frighten today, but no one ever did it better than these Universal classics.
The Monster Legacy Collection is made up of three individual monster collections which you can purchase separately…
Posted in: Disc Reviews by David Annandale on May 2nd, 2004
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Posted in: Disc Reviews by David Annandale on May 2nd, 2004
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Posted in: Disc Reviews by Archive Authors on May 2nd, 2004
Quite possibly my favorite part of this job is checking the post on the day that my new box of DVD screeners are scheduled to come in. Sometimes, I know what is coming to me, and the new box means that it is time to get down to business. Other times, however, there is a surprise inside, much like the new box of cereal that made its way home with the groceries when I was a child. Upon reviewing the parcel’s contents, I will either be greatly pleased with my employer, or I will be filled with immediate dread, knowing t...at many nights of misery lie in my future.
This is one of those titles that, unfortunately, falls into the latter category. Now, I’m not anti-musical, and I am most certainly not anti-classic film. I am very much unlike most men on that point. Having said that, I do like a little plot in my three-hour films. This is a picture that has so many stage-performed musical numbers, it actually opens to an overture. I am a fan of the theater, but I am of the opinion that a film should be a film, and the theater, the theater. I don’t want to watch a play captured on film any more that I wish to go to a play and watch a movie.
Posted in: Disc Reviews by David Annandale on May 1st, 2004
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Posted in: Disc Reviews by David Annandale on April 30th, 2004
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Posted in: Disc Reviews by David Annandale on April 29th, 2004
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Posted in: Disc Reviews by Archive Authors on April 28th, 2004
When I first glanced over the cast of this film, I was certain that it was shot in the 80’s. These days, names such as Deborah Harry, Ally Sheedy, Ralph Macchio and Robin Givens just don’t show up together on a movie poster. Of course, this is no ordinary gangster film, either. In fact, for a director trying to make a name for himself, this casting strategy is pretty brilliant. If Quentin Tarrantino has taught us anything, he has taught us that old actors don’t lose their chops, they just become less fashionable. If ...ou can get a name with skill at a bargain rate, then by all means, do so.
From the opening title sequence, I was hooked on the visuals of this film. It is clear that Singer has fun as a director, and that enthusiasm bleeds over into the feel of the film. In fact, the whole piece is cut like a feature-length trailer, with lots of action going on behind the camera, and respectable acting in front of it.
