Posted in: Disc Reviews by David Annandale on August 1st, 2007
Edward G. Robinson is the war crimes investigator on the relentless hunt for the fugitive Nazi who masterminded the Final Solution. He arranges for the one man who knows his face to escape imprisonment, and follows him to a small Connecticut town. There he loses his quarry, but evidence soon points to Orson Welles, who, under the identity of Charles Rankin, is now a college professor and new husband to Loretta Young. Welles stops at nothing, including murder, to protect his secret, but little by little Young is forced to realize who her husband really is.
Welles’ third film as a director is far more conventional than Citizen Kane or The Magnificent Ambersons, and it isn’t quite up to its predecessors. Robinson is terrific as a detective who must become almost as cold-blooded as his prey, but Welles’ performance is too big: his character might as well be wearing a “NOT A NAZI WAR CRIMINAL†name tag. That said, the suspense is powerful, and the cinematography pure, gorgeous noir.
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
Tyler Perry, best known for Madea's Family Reunion, is responsible for yet another film in Lionsgate's line of movies about nice black people. In Daddy's Little Girls, the writer-director explores the conflict between the ghetto-class African Americans we've seen so much of in films and the black middle- and upper-class we haven't. While this aspect of the conflict is relatively fresh in cinema, what the premise really boils down to is an age-old tale of love between princess and pauper.
When his mother-in-law passes away, Monty (Idris Elba, The Gospel) is forced to take care of his three daughters full-time. While he loves them and has been supporting them faithfully their whole lives, Monty is also struggling financially and the burden may prove too much. The mother of his kids, Jennifer (Tasha Smith, The Whole Ten Yards), has been absent for years, preferring to live it up with her drug-dealer boyfriend, Joe (Gary Sturgis, Pride).
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
I am a big fan of Kung Fu on film, whether it be Bruce Lee’s Enter The Dragon or Jackie Chan’s Drunken Master I can't get enough. More specifically I love Asian Kung Fu cinema, the Sammo Hung's and the Sonny Chiba's. So I think it goes without saying that this isn’t the first time I’ve seen Kung Fu Hustle, and it certainty won’t be the last.
It’s the 1930’s in Shanghai and various gangs compete for territory, the most powerful being the deadly Axe Gang. The police are powerless and it seems the only people that can live without fears are the poor ones, who the gangs have no interest in. That is until things get shaken up by Sing (Stephen Chow, Shaolin Soccer) and his sidekick Bone (Lam Chi Chung, Shaolin Soccer). The two pose as Axe members in the tenement Pig Sty Alley, where they attract the attention of real gang members. Catastrophe is merely averted when three local tradesman the coolie, tailor, and baker showcase their kung fu talents and thwart an Axe gang attack.
Posted in: Disc Reviews by Archive Authors on July 31st, 2007
Disturbia looks to potentially be a classic thriller; it has the elements of a classic Hitchcock film, and a noteworthy cast. Although I’m not and never will be a fan of Shia LaBeouf I will admit he has sold me with his performances several times before, but does he have the talent to carry this movie? Regardless there are some other semi-reputable names cast in Disturbia including Carrie-Anne Moss and David Morse, so here’s to hoping that this flick isn’t a waste of time.
In the opening moments of the movie Kale (Shia LeBeouf, Transformers) and his father are in an accident which results in the death of Kale’s father. Sometime goes by since the accident when Kale’s teacher makes a comment about his father, sparking Kale to crack him in the jaw. This results in a three month house arrest sentence for Kale, who in a fit of boredom starts spying on his neighbors with a set of binoculars. Mostly he spies on the girl next door Ashley (Sarah Roemer, The Grudge 2) but after befriending her, his attention turns to Robert Turner (David Morse, 16 Blocks). He drives a blue Mustang just as a suspected serial killer does, but this isn’t enough to sell anyone but Kale. But things become even more convincing when it appears that Turner kills a female visitor. Kale and his friends decide to take this matter into their own hands.
Posted in: Disc Reviews by David Annandale on July 31st, 2007
Left alone when his family leaves town to visit relatives, professor Edward G. Robinson hangs out at his club with his two cronies, one of whom is DA Raymond Massey. He is fascinated by a striking portrait of a young woman, and one night, leaving the club late and alone, he runs into the portrait’s model (Joan Bennett). Though he knows better, he accompanies her back to her apartment. A jealous lover bursts in and attacks Robinson, who murders him in self-defense. Panicked by the situation, Bennett and Robinson cover up the event, but both the authorities and a blackmailer circle closer and closer.
Robinson is magnificent as a basically decent man whose one lapse in judgment leads him to catastrophe. His eyes radiate a desperate desire to turn back the clock, and the audience squirms along with him. Bennett’s character is interesting as the unintentional femme fatale: she never has any desire to cause trouble for Robinson. Director Fritz Lang holds the audience in a lethal grasp, which never loosens in the slightest until the unfortunate cop-out ending.
Posted in: Disc Reviews by Archive Authors on July 31st, 2007
In an old-groundbreaking television event likely orchestrated by classic TV aficionado George Clooney, Fail Safe was presented live on CBS in 2000. Seven years later, it hits DVD with little fanfare, but it should grab the attention of fans of any or all of the following: classic TV, live theatre, all-star casts and military dramas.
I haven’t seen the original film version based on the 1962 novel, Fail Safe, by Eugene Burdick and Harvey Wheeler, or read the book, so I approached this live teleplay with an open mind. What stuck out most for me was the sheer depth of talent at work in this production.
Posted in: Disc Reviews by Gino Sassani on July 31st, 2007
There are 8 simple rules for having a successful sit-com on television today.
1. Strong leading actor: John Ritter never really had much of a chance in his early career to show just how good his acting chops could be. Let’s face it. While Three’s Company had quite a loyal following, it was never mistaken for anything more than a parody. Ritter was never asked to stretch himself here, and the role likely cost him better opportunities over the years. Fortunately, while 8 Simple Rules wasn’t a great show either, it did offer quality enough work to allow Ritter to thrive. Unfortunately he would not live long enough to reap the rewards he was earning for himself.
2. Solid supporting cast: Who knew Katey Segal wasn’t a one trick pony riding on the coattails of Peg Bundy? Who also knew you could find teenage girls who could act and satisfy the “other†attributes often necessary from female actors on television these days. The casting on this show is well above average.
Posted in: Disc Reviews by Archive Authors on July 31st, 2007
Throw reason out with the trash, and sit down to a feel-good movie that tries just a little too hard to be quirky. That’s your best approach to The Astronaut Farmer, which pits Billy Bob Thornton against all odds to reach outer space by way of his farm-built rocket.
Everyone likes an inspirational story now and then, so I’m sure this film will find an appreciative audience. For me, there are better choices – say, October Sky, for example. Here, instead of a boy who loves rockets, we have Charlie Farmer (Billy Bob, Sling Blade), a former astronaut who never made it to space. Now he’s trying to get there by himself, having built a rocket from spare parts, a project which has brought him this close to foreclosure on his house, his farm and his family. Though they’re supportive, even Farmer’s wife and kids have to reach beyond the stars to find the guts and lack of reason to commit to helping their father reach his goal – or bust.
Posted in: Disc Reviews by Archive Authors on July 30th, 2007
Director David Fincher (Se7en) has returned to serial killer territory in a very different way. Zodiac is an effective period piece that enwraps the viewer in a real-life mystery that remains unsolved because it happened before the age of computers and minute C.S.I. technology.
In 1969, a serial killer who eventually became known as the Zodiac struck for what is believed to be the first time. While the Zodiac continued to kill and take credit for murders for more than two decades, the killer eluded police, reporters and hobbyist investigators who tried to nail him down.
Posted in: Disc Reviews by Archive Authors on July 30th, 2007
I have to admit that I have never heard of this film prior to receiving it for review, so I went into this one completely blind without any expectations. My only guess was that this would be some sort of fantasy/horror film, and it turns out I was right. Perfect Creature is a different sort of take on a vampire film which makes it rather unique, but how’s it going to end up?
Set in a fictitious New Zealand referred to as Nuovo Zelandia, Perfect Creature takes place in an alternate world not unlike our own. There is, of course, one major difference, which is the acceptance of vampires as the next level of evolution in human beings, referred to as The Brotherhood. Members of The Brotherhood and humans have a pact in which they live amongst each other in harmony, humans donating blood at the churches to quench the thirst of the vampires. That is, at least, until the renegade vampire Edgar begins attacking and killing human beings. Lilly, the local hard-knock cop, who has lost her entire family to a sweeping influenza epidemic, teams up with Edgar’s brother Silus who wants to protect the rights of The Brotherhood and stop Edgar’s madness. Eventually, the two succeed and even share a few almost romantic moments, but before long Edgar escapes the confines of The Brotherhood once again, and he carries with him a dark secret powerful enough to change the society forever.