Posted in: Disc Reviews by Archive Authors on July 5th, 2007
Disaster films are nothing new in Hollywood. While most disaster films tend to focus too much on destroying random objects, there’re are a film good disaster films that come around every so often that actual try to explain the film instead of giving us two hours of random explosions. One such film is 1997’s Dante’s Peak.
Harry Dalton (Pierce Brosnan) works for the US Geology Survey Team. Four years after experiencing a volcano eruption, Harry and a few other scientists are called to a town named Da...te’s Peak to research into the town’s dormant volcano. Harry immediately piques the interest of Mayor Wando (Linda Hamilton), quite possible for his looks not for his scientific merit. Most of the town and its members aren’t concerned about the volcano, simply because nothing has occurred for many years now. Obviously this doesn’t sit well with Harry. When two dead teenagers are discovered near the top of the mountain in a hot spring, Harry begins to think that this mountain is ready to explode. However, as per the typical natural disaster film, no one believes Harry (including his boss), despite numerous instances of proof (acidity levels increasing, dying animals, etc). Now Harry must race against time to prove this volcano is a ticking time bomb.
Posted in: Disc Reviews by Archive Authors on July 5th, 2007
Adam Sandler plays Archie Moses, a man who works for drug lord Frank Colton (James Caan). Rock Keats (Damon Wayans) is Archie’s best friend and, secretly I might add, an undercover cop who’s trying to infiltrate Colton’s business. Archie, as per the typical earlier Sandler role, is completely oblivious to anything going on around him and doesn’t suspect Rock. Keats is ready to infiltrate Colton, but is mistakenly shot in the head by Archie. Keats, after learning to walk again, realizes Archie must testify against Col...on. Will this two meet up and work together or will fate finally come around and destroy both of them?
Ask anyone around me and they’ll tell you that I’m not the biggest fan of Sandler’s earlier work. While most seem to love his early comedic work like Billy Madison and Happy Gilmore, I find these films to be his worst. They aren’t funny and simply lack any real charm. In all honesty, I had never seen Bulletproof before this viewing. Well, the end result was kind of mixed. I found the film had a few funny, charming moments (mostly from Caan and a few from Sandler/Wayans), but too much of the film tried to be serious in a comedic tone, which rarely works.
Posted in: Disc Reviews by Gino Sassani on July 3rd, 2007
Be afraid. Be very afraid, if you are even thinking about picking up this rather lame title. There is absolutely nothing redeeming about this film. The only way that Kill House has any chance of giving you nightmares is by putting you to sleep. If only I had been so lucky. Beth Dewey was the “mastermind” behind the whole thing. She wrote, directed, and acted as the killer in this piece of crap. Dewey ought to be arrested for grand larceny if even one person paid any real money for this picture. I would tell you som...thing about the plot, but there isn’t one. If anyone can tell me what in the heck this film was about, please let me know. Near as I can figure Sunny (Dewey) is some sociopath realtor. There is no rythme or reason for anything that happens anywhere in the film. It almost looks like they were pretty much making it up as they went along. I give Dewey an F as a director, an F as a writer, and an F- as an actress. At least Dewey appears to understand the low budget concept of: if you have nothing of value to say with your film, show lots of boobs and someone will watch it.
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Posted in: Disc Reviews by Archive Authors on July 2nd, 2007
I wrote a few weeks back that it’s an odd feeling when you finally see that film that everyone and their brother has been exclaiming about for years. That is the exact feeling I felt after seeing The Big Lebowski. I knew for years that this film would be great, especially after seeing Fargo before. Boy was I right as The Big Lebowski was a huge humor trip.
Jeffrey Lebowski a.k.a. “The Dude” (Jeff Bridges) is your run of the mill slacker. He doesn’t really do much with his life besides ...et constantly stoned with his buddies at the local bowling alley. Donny (Steve Buscemi), Walter (John Goodman), and Jesus (John Turturro) are his buddies. One night Jeff comes home to find a pair of thugs sitting in his home. Turns out these thugs think Jeff is some type of ultra millionaire. They soon threaten his life, demanding he pay the debt he owes. Obviously Jeff is completely lost by this situation. After consulting his buddies, Jeff and his buddies soon find themselves wrapped up in a big kidnapping plot. The rest of the film sees our main characters bumble around in a manner that was consistently entertaining and amusing.
Posted in: Disc Reviews by Archive Authors on July 1st, 2007
Synopsis
Timothy Dalton might have endured a bit of grief for his short tenure as James Bond, enduring comments equating him to Connery and Moore plagued his two film run, with this one being the last. However, this one was quite the doozy, and almost in the area of “forgotten gem” status.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2007
As you might imagine, I am often asked for my opinion on the films I see. Inevitably I’m called upon to compare the film with some other work, which is at best quite unfair and at worst simply impossible to do. But I’ve gotten good at the game. So let us play it now. We’ll call Neverwas One Flew Over The Cuckoo’s Nest meets Alice In Wonderland. Unfair, some might say, for they are actually the very same story. When you look at it carefully enough, they really are, although important differences do exist. My point i... all of this nonsense is this: There really is a razor fine line between insanity and fantasy. Neverwas blurs this distinction to an almost indefinable difference.
When Dr. Zack Riley (Eckhart) arrived at Millford Mental Health Institute, which once housed his father, he had no idea that his journey would take him full circle to a childhood he had been running from. Zack’s father (Nolte) was the author of a famous children’s story titled Neverwas. Zack has been running from Neverwas ever since. He changed his name and refused his inheritance of the book’s royalties. Here at Millford, Zack discovers a rather remarkable patient. Gabriel (McKellen) is not only intimately familiar with Neverwas and Zack himself, but claims to be her King. Zack finds himself confronted by a place he always believed came from his father’s imagination. It’s a wonderful story with an almost magical potential. Unfortunately this film takes too long to develop and never quite hits its stride. The film travels a trail of breadcrumbs laid out in such painstakingly slow motion that it is our patience and not our imagination that is finally put to the test. Writer/directors often commit the fatal sin of overcomplicating what often plays best in simpler terms. Joshua Michael Stern is guilty of it here. The film becomes too muddled, trying to show too much history and never trusting its audience enough to find their own way. You should know this IS NOT a children’s film.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2007
Eddie Murphy has a ton of films under his belt. If you’re like most folks, his antics have long ago become tired and worn out. Come with me now to a time when Murphy was young and full of energy. Trading Places was really only Murphy’s second film after 48 hours. In Trading Places, we get vintage Eddie Murphy. You can tell he was still hungry. Today he simply calls too many performances in. Dan Aykroyd was also at a turning point in his own career. It hadn’t been too long since he lost his longtime partner Jim Belu...hi to a drug overdose. He was just learning to stand on his own. Put these two guys together today, and there’s not much chance you’d get the solid gold that was possible in 1983. Fortunately for us there is this DVD release of Trading Places, when both actors still felt they had something to prove. The cast was brilliant all the way around. Jamie Lee Curtis displayed her obvious assets for the first time in a film. Known mostly as a scream queen at that time, Curtis was a choice the studio was not at all happy with. The Wolf Man’s own Ralph Bellamy, along with fellow veteran actor Don Amechi, played the Duke brothers to perfection. Finally, Denholm Eliott added his own understated brilliance as Coleman, the butler.
Trading Places was originally written as a vehicle for Gene Wilder and Richard Pryor. That team had had great success with a few films already, and it was felt they were the only ones capable of pulling off this kind of a film. I’m not sure how that might have worked. Certainly it still might have been a funny outing, but somehow I think everything worked out for the best. Trading places broke many conventions of the time. The black and white stereotypes were a concern, as were other elements. Having a hooker play such a pivotal role was questioned. The studio even expressed some problems with the fate of Mr. Beaks. A little gorilla love went a long way toward the poetic justice these kinds of villians often require. John Landis stood his ground the entire time, refusing to budge. Remove any of these elements, and who knows what we might have ended up with.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2007
I’ll admit it. I was taken in by The Life and Hard Times of Guy Terrifico, for about five minutes. I’m not a follower of the country music scene, so it didn’t really bother me that I had never heard of Guy Terrifico before. The box art explained he came and went in the early 70’s, when I was just a kid myself, so none of this was the least bit suspicious to me at all. The film opens believably enough with Kris Kristofferson on stage dedicating his next song to this Guy Terrifico. When we get to that first interview... however, I was getting mighty suspicious. Now I might not be no Jim Rockford, but I am as Italian as Columbo, so I started to sense that something was not quite right here. I instantly paused the film and began to research Guy Terrifico. You know what I came up with? You guessed it. There never was a Guy Terrifico. I was watching This Is Spinal Tap country style. I guess that just got me off on the wrong start with this film. And I’ll freely admit now I might have enjoyed this a whole lot more if I had known going in what I was watching. That’s why I loved Spinal Tap but have a bit of a cold feeling for Guy. You might consider I just wrecked the film for you, but trust me, I might just have saved you some frustration.
The story of Guy Terrifico is too bizarre to be true, which of course it isn’t. It seems that good ol’ guy was an outlaw and heavy drug addict for most of his short life. His big break came when he hit the Canadian lotto for $8 million Canadian (That’s about $2.36 in American). As his widow tells us: “It took care of our drug problem. Getting drugs just wasn’t any problem at all after that”. Through interviews and “archive” footage we are given the ridicules story of Guy all the way to his mysterious death. But did Guy actually die that night on stage? The film leads us to believe not. Most of the folks being interviewed look like they’re making this stuff up as they go along. Where Spinal Tap looked real enough to work, Guy Terrifico always appears to be just one step beyond the realm of reality. Even such stars as Kristofferson and Merle Haggard couldn’t carry the weight of this farce. While the jokes are long on telling and short on laughs, the film actually does sport a few really good musical performances.
Posted in: Disc Reviews by David Annandale on June 28th, 2007
Synopsis
This is an eclectic mix of SpongeBob shorts, with no real common theme. So there’s a humorous safety bit about boating with SpongeBob wreaking havoc on the streets, SpongeBob and Patrick trying to find the nerve to ride a terrifying roller coaster (this is a highlight), Squidward undergoing a personality shift, and so on. All good fun, but not as many hysterical home runs as on some other collections. There are seven pieces altogether, totalling 83 minutes.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2007
Mission Impossible didn’t really enter into its by now famous format until this, the second season. The IMF team was run by Daniel Briggs, played by Steven Hill. Hill was never really happy and left after the first season, citing a refusal to work on the Sabbath as his reason for leaving. While Hill was never bad in the role, his departure was our gain. Peter Graves immediately stepped up as the iconic Mr. Phelps, and Mission Impossible as we know it was born. I should add a word of caution and say this is really ...othing like the films which have become big budget vehicles for Tom Cruise over the last decade or so. This was not an explosive f/x or stunt driven show. The team managed their impossible missions with cunning and guile. The team was necessarily eclectic in nature. It featured Martin Landau in his signature role of Rollin Hand. Hand was very much akin to Martin Ross and his role in The Wild Wild West. He was a master of disguise. He could imitate almost anyone in very short order. Barney Collier was the gadget man, played by Greg Morris. Cinnamon Carter was the model and the team’s chief seductress and was played by Landau’s real life wife Barbara Bain. Finally, the muscle was supplied by Willy Armitage, played by brute Peter Lupus. Together they took on missions that the government could not be officially a part of. They were always admonished that should they be caught “the secretary would disavow any knowledge” of them. Usually they were sent somewhere to put some evil mastermind out of business. Their tactics ranged from scams to outright theft. Sometimes they were a rescue team while other times they would infiltrate a group of bad guys. There were certainly cold war elements to the whole thing.The openning segment of each episode was television history. A hidden tape recorder would give Phelps his assignment with the warning that the recording would self-destruct in 5 seconds. The tape and usually the recorder as well went up in a puff of smoke leading to the famous fuse and theme. Before we knew it we were off to save the world one week at a time.
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