Posted in: Disc Reviews by Gino Sassani on February 5th, 2003
Synopsis
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2003
Synopsis
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2003
Synopsis
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on February 2nd, 2003
Film
“In the criminal justice system the people are represented by two separate, yet equally important groups: the police who investigate crime and the District Attorneys who prosecute the offenders …” Law and Order is an example of a bygone day in network television. In the 1990-1991 season this first year program ranked 62nd of all television programs. In addition to its poor performance, NBC lost revenue from countless sponsors pulling their advertisements because of the controversial nature of t...e subject matter. (AIDS, abortion…) The pilot, filmed in 16mm for a gritty documentary style, was deemed not up to broadcast standards. Today any one of these black marks would doom a fledgling program before even one season was finished. NBC showed rare patience and renewed Law and Order. Now there are 3 hours of Law and Order programming each week. It is the longest running drama currently on prime-time. Law and Order has captured one of the largest Emmy collections in TV history. Recently NBC renewed the show for an additional record 5 years.
Posted in: Disc Reviews by Archive Authors on January 29th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on January 29th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on January 28th, 2003
Well, the era of mass market “indie” films is upon us. In spite of its manufactured artfulness, "One Hour Photo" does have appeal: Robin Williams portrays a stereotypical damaged post-modernist psychopath with a flourish of reality that does him credit as an actor, and writer/director Mark Romanek is a fresh face on the Hollywood scene. Supporting cast Paul Kim and David Moreland step out of Wal-Mart and onto the screen – spectacular characterizations. Connie Neilsen and Michael Vartan, however, give at best stilted ...erformances as the objects of Robin William’s obsession. Which brings us to a synopsis…
Robin Williams plays “Sy the photo guy,” who is a “SavMart” employee that’s developed an unhealthy obsession with a particular family whose film he develops. Without spoiling the film, Sy ends up seeking to exact justice on the father, attempts to befriend the child, and generally goes nuts as I’ve always expected someone at a big box discount retailer to eventually do. The upshot is that a creative premise (the photo guy doing arm’s length stalking) is bludgeoned to death by a screen play that leaves little to the imagination, and plot twists that are so “done” and clichéd as to completely erase any credibility the movie had. The film is worth seeing for Robin William’s work – he is fantastic at humanizing Sy in sad and pitiful ways, and its one of the film’s greatest ironies that damaged Sy is the must “human” thing among the sterile ranks of SavMart.