Posted in: Disc Reviews by Michael Durr on May 1st, 2011
Sometimes you walk into a movie simply knowing that you are about to watch a train wreck. I am not talking about Unstoppable or Under Siege 2 (though the latter was arguably a train wreck in its own right) either. It is the kind of movie where you hope there is enough action and some mindless t&a to get you through the ninety minutes. Then maybe at the end of it all, one can forget about it and move on. Let us move on to the dinner course this evening, Blood Out.
It is just another day in Anytown, USA (this movie was filmed in Baton Rouge, Louisiana but you would never know it). Drugs are all over the streets and the sides break down between those who deal the dope and those who try to deal the justice. On a bust, Sergeant Michael Savion (played by Luke Goss) chases after a drug dealer and lays him out with two bullets to the back. But unfortunately before he falls dead, the thug shoots a little girl beside him, killing her instantly. Michael blames himself as he goes back to the station.
Posted in: Disc Reviews by Michael Durr on April 23rd, 2011
There are usually two schools of thought when it comes to judging sequels. One tends to be very harsh on the proceedings expecting it to surpass the original (which it hardly ever does) in all aspects of film-making. The other still expects a good film but realizes that this sort of thing is usually financially driven and just hopes for something that can favorable stand against the original. I happen to be in the later crowd. But, I certainly found myself inching towards the former when I received the blu-ray package to review Ip Man 2, Legend of the Grandmaster. Let's go inside, shall we?
Ip Man (played Donnie Yen)has escaped from Foshan and has made way with his family to the Hong Kong of the 1950's. His wife, Cheung Wing-Sing (played by Lynn Hung) is pregnant with her second child. However, the family is barely making ends meet. Cheung can't work much and Ip Man's martial arts school isn't going as well as planned. They can hardly cover rent and school fees for their son, Ip Chun (played by Li Chak).
Posted in: Disc Reviews by David Annandale on April 11th, 2011
Roger Corman has never let an exploitable opportunity slip by. A case in point is what we have here. In the wake of the first two Godfather films came this rise-and-fall tale. And because the Godfather movies were handsome, expensive and classy, then this Corman-produced effort is also a nice-looking piece of cinema, even if the budget-conscious element shows through with the use of leftover footage from The St. Valentine's Day Massacre.
Ben Gazzara plays Al Capone, moving up from street-smart hood to mob kingpin through cunning and violence. His mentor is Johnn Torrio (Harry Guardino), who works to unite the various ethnic Chicago gangs, but lacks the bloodthirstiness necessary to impose his will. Capone has the right ruthlessness, and betrays Torrio, taking his place. But Capone has his own right-hand man with high ambitions: Frank Nitti (Sylvester Stallone).
Posted in: Disc Reviews by Archive Authors on March 30th, 2011
Phoenix is having a rough night. Her scumbag ex boyfriend has just shown up in her apartment with a gunshot wound and a sack of stolen cocaine and her psychotic HIV positive prostitute sister has also shown up, having just shot a john in the face. Plus there are gangsters after the cocaine who will stop at nothing to get it back. Plus there’s her lesbian friend downstairs whose brother is involved on multiple levels and wants to drag her into a plot to steal and sell the cocaine. Plus it’s her birthday.
Phoenix is the central character in A Kiss of Chaos, the unfortunately titled offering from Maya Entertainment. She is played with sullen competence by Judy Marte and surrounded by a cast of “where do I know that dude from?” Latino actors in a basic drug/gangster/crime movie that is clearly aspiring to be more. For one, the character of Phoenix is supposed to be an artist of some kind. We know this because there are a couple of flashes of her on a stage in some kind of coffee shop, apparently reading entries from her diary, which, as her lesbian friend tells her, “sound like poems”. We must, however, take this on faith, since the only tidbit we hear is the enticing entry, “November seventh; I’m in love with the wind”. I’m serious.
Posted in: Disc Reviews by Archive Authors on March 9th, 2011
I must admit, I came at The Storm Warriors with very little knowledge of its creators, the Pang brothers, but as someone who appreciates Asian cinema, I felt that I had the sensibilities to enjoy the film. The movie deals with a Japanese invasion of China by a dread warlord named Lord Godless. As the film opens, we learn from an almost impossible to follow title sequence, he has captured China’s mightiest heroes and is preparing to execute them. Being invincible, Lord Godless is almost assured of victory, unless two of the aforementioned Chinese heroes, Wind and Cloud, can combine their power to defeat him and his army.
We learn all this and much more in the first two minutes of the movie.
Posted in: Disc Reviews by Gino Sassani on March 8th, 2011
"Detroit ain't so bad, in fact it's kind of charming."
Director Benny Boom decided to move the S.W.A.T. franchise away from L.A. and bring it to Detroit. But he's not going to be winning any accolades from the Detroit Chamber of Commerce anytime soon. He openly admits that he picked the city because he was attempting to create an environment with a lot of decay. He jokes that by filming in Detroit there was no need to create those conditions because they were free for the taking in the city. The main character begins the film by insulting the city. It'll be interesting to see if Boom is invited back for a future project.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2011
Dwayne "The Rock" Johnson has made a career out of redefining himself. Of course, we all know that he started as a rather flamboyant wrestling personality. He had a pretty good run, but it was never going to be enough to really satisfy Johnson's own drive to perform. He made the natural transition into movies, faring far better than most of his fellow wrestlers have been able to do. He naturally gravitated toward the action films where his bulk and toughness more than made up for his inexperience. Then he decided to try something a bit different. He began to make family films, often surrounded by cute kids in various situations. The role suited him better than expected, and it looked like he was also having a lot of fun. He even began to drop "The Rock" from his name. It was a good run, and one I hope isn't completely over. But Johnson has found his way back to the kind of movie that gave him his start. Johnson's back in the action game once more. He's bulked up again and eating up scenery in a Clint Eastwood posture for Faster.
The story is a three-ring circus. There are three separate stories going on that play out simultaneously.
Posted in: Disc Reviews by David Annandale on February 25th, 2011
While the warden is away, the inmates of the isolation block break out out of their cells and seize a group of guards and administrators as hostages. Caught, by pure chance, in the wrong place at the wrong time, is Jim Brown, whose sentence is short enough that he wouldn't choose to become involved. However, before he knows it, he is, along with Gene Hackman, leading the riot. The ruckus is, in fact, a cover for an escape attempt: the inmates are digging a tunnel while, as a stalling tactic, Hackman presents a list of grievances to the authorities. But even as Brown becomes more and more enmeshed in the running of the operation, Hackman becomes more and more engaged with the protest, forgetting that it is supposed to be a charade.
Nice, gritty jailhouse piece, shot entirely at the Arizona State Penitentiary, and featuring not only plenty of real inmates, but the actual warden playing the warden of fictional prison. As one would expect of a film starring both Brown and Hackman, the characters are a tough lot, and the action is brutal. Characterizations are strong, with even the minor figures clearly defined. The only false note is sounded by the clumsy pseudo-Johnny Cash prison song that thuds against the ears several times over the course of the film. Otherwise, this is a bone-crunching good time, and is another example (along with Rosemary's Baby) of how different films merely produced by William Castle were from the films he actually directed himself.
Posted in: Disc Reviews by Michael Durr on February 3rd, 2011
My teenage years were set firmly in the 80’s and early 90’s. As a result, I watched my fair share of cheesy television shows and loved every minute of it. Shows like Sledge Hammer, Silk Stalkings, and Alf. But alas, some shows even escaped my cheese-dar until well into my adult years. One such show is Zorro, yes that Duncan Regehr vehicle where he wore a mask and carved Z into various objects while wooing the ladies. How could I ever miss that one?
Since, I’m dealing with a box set that covers a ton of episodes, I will do my best to break this down season by season with major changes between them. To be honest, from what I’ve seen, the show’s story is the same from start to finish. Even though some of the actors do change, it’s still Duncan Regehr running around in a mask with a sword. Too frank you say? Ha, ha (in best evil guy’s laughing voice)!
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2011
"This used to be a gentleman's game."
I must confess that I had not even heard of the comic book titles created by Warren Ellis and Cully Hamner. I think that might have been one of the best things that could have happened to me as I sat down to watch the film Red. With a cast this strong, there was little doubt that they would provide a powerful stamp on these characters. No insult intended toward the graphic novels, but I can't imagine these characters any other way now.