Posted in: Disc Reviews by Archive Authors on March 30th, 2007
The first question I ask about any new version of a film is the obvious - is it better than the original? Same goes for Payback - Straight Up: The Director's Cut. Sometimes, the difference between versions is so minor that the answer is straightforward. In the case of this Special Collector's Edition DVD, however, we're talking about a very different film.
What's changed? I've seen the original a couple of times, but I'm definitely working from memory here. The director's cut is shorter, by about 10 minutes, and darker in tone. There's a new opening that doesn't explain what Porter is after, and his voice-over is gone This results in Porter being a meaner S.O.B. than in the original, as he does plenty of bad stuff before we learn what he's up to, and why his actions might be justifiable. Also absent are a lot of the jokes, which didn't sit well for me in the theatrical cut. Finally, the last third of the film is completely changed to something less complicated and less happy, with an extra shot of ambiguity.
Posted in: Disc Reviews by Archive Authors on March 27th, 2007
Ask anyone on the street about children and odds are they will respond that children are our hope and are the obvious future of the world. We strive to improve our lives and fight for every available right so our children can live the best possible life. Imagine a world where children have become such an absent feature of daily life that everyone gathers around the TV when one dies. Visionary master Alfonso Cuaron invites us to sit back and imagine a future that is drab, dull and lacking the brightness of a world we expect for our children.
The year is 2027 and the surrounding world seems to be down for the count with no real sign of getting up. Cities and countries around the world burn from fires and explosions. Infertility has resulted in no child being born in nearly 18 years, and Britain is controlled by such a repressive police force that it seems like an Orwellian world has resurfaced. Police forces round up illegal immigrants called Fugees throwing them inside cages for immediate deportation (some later sequences seem like concentration camps). We soon meet Theo Faron (Clive Owen), a man who isn�t really the ideal type of hero that we would think of. He tends to drink, smoke and curse quite a lot almost feeling as if life doesn�t have a point. His old girlfriend Julian (Julianne Moore) approaches him, causing Theo to be immediately thrown into a world he never thought possible for himself. What we, and Theo quickly learn, is that Theo must protect the first pregnant woman in over 18 years. In the blink of an eye Theo, the seemingly disillusioned character, has now become Theo, the last hope of the human race.
Posted in: Disc Reviews by Archive Authors on March 23rd, 2007
By the time of the fifth James Bond film, producers Harry Saltzman and Albert Broccoli decided to shake things up a bit creatively. Star Sean Connery was probably getting a little antsy inhabiting the suits and drinking the martinis and feared getting pigeonholed (sorry Sean) and announced he was stepping away from the role. However, he still had one more in him, and with You Only Live Twice there was a definite change in style. It may have been based on Ian Fleming's novel, but it was adapted for the screen by Roald Dahl, of Charlie and the Chocolate Factory fame. Lewis Gilbert began the first of his three Bond adventures as director of the Bond films, and in a surprise, Freddie Young took the cinematographer reins, quite a change of pace for the collaborator of such David Lean classics as Lawrence of Arabia.
Moreover, I think You Only Live Twice is probably one o the first Bond films I can recall seeing, growing up back in the day. It's probably because the pre-opening sequence where the spacewalking astronaut gets swallowed by the satellite always stuck with me, who knew? However, the bigger surprise should probably be that there was a pretty good story along with that stunt. In this installment of the film (out of order from the original intent of the producers, who wanted to shoot On Her Majesty's Secret Service), James goes to Japan to continue to thwart the attempts of SPECTRE and Blofeld (Donald Pleasance, Halloween). And because James is in Japan and is as obvious as any tall Englishman can be in Japan, there are some subtle things to make him blend more with the people and the culture.
Posted in: Disc Reviews by Archive Authors on March 15th, 2007
I�ve been anticipating the release of Harsh Times for quite a while now, never being able to catch it in the theatre, I finally got the chance to check it out. Christian Bale is by now known for his versatility and wide range of playable characters; Harsh Times offers another committed and deep portrayal to his resume. Bale plays ex-ranger Jim Davis who is back in Los Angeles after a 6-year tour. He is trying to land a job with the LAPD so he can marry his Mexican sweetheart and have her live in America. Only things don�t go as planned and the LAPD turn him down sending Jim into an uncontrollable rage and has him craving all things illegal. Riding shotgun for the whole adventure is his best friend Mike Alonzo (Freddy Rodriguez), a nearly completely reformed ex-con. Dealing with problems of his own, particularly his girlfriend Sylvia (Eva Longoria), Mike sets out daily to find work but instead finds himself running the streets with Jim. Before things get worse there is hope yet as The Department of Homeland Security calls up Jim where he hopes to land a job. Soon the two aspects of his life have to find balance as things start spinning out of control for the two best friends, will it end with everyone back on the right track, or in blood?
Simply put Harsh Times is a great movie, some great performances and a story I�ve never seen done before. Bale�s character was so conflicted it was hard to predict his next move and what he was really capable of, then to counter that was the equally impressive performance of Freddy Rodriguez as the mellow cool headed one of the group. This movie takes turns down places you wouldn�t expect which left me interesting throughout its entire duration. At times this film had me laughing, at the edge of my seat, and mesmerized with what was going to happen next. If you were a fan of Training Day you should check this movie out, although there are a few similarities, Harsh Times provides a deeper story with more realistic characters, proving to be a must see.
Posted in: Disc Reviews by Archive Authors on March 4th, 2007
If you want another reason to hate George Lucas, it's that James Bond film producer Albert Broccoli decided to fast track the production of Moonraker ahead of For Your Eyes Only to capitalize on the proverbial Star Wars effect that was occurring through box offices worldwide. However in this one, written by Christopher Wood, who wrote the epic film Remo Williams: The Adventure Begins and directed by Lewis Gilbert (who had just done The Spy Who Loved Me), Roger Moore rides a shuttle into space and takes the dynamic of the film with it.
In this Bond film, Moore's 4th and the franchise's 11th, James tries to find out who is terrorizing the planet using a soon to be astronaut vehicle called the space shuttle and a space station to do it. So James gets a chance to test out the means of NASA, but not before going through the spacious locales of Rio de Janiero and France, eluding the harm and capture of Jaws (Richard Kiel, Billy Madison), who reprised his role from The Spy Who Loved Me due to popular demand. The villain in this film is Hugo Drax (Michael Lonsdale, Munich), who may be soft-spoken, but his plans to mass murder the population are far from rational.
Posted in: Disc Reviews by Archive Authors on March 4th, 2007
Poor Roger Moore. He does get a bit of a bum rap when it comes to James Bond movies, but I think that in terms of the character, he actually fits the jacket, Walther PPK and shaken martinis fairly well, but the problem for his work was that it faced a lot of new technology, and thus was subjected to a lot of ridicule as a result. New things like walking in space and the computer revolution were given a tongue in cheek look, and in between this and the visual effects simply not catching up to the imaginations, then sure, some of the films look and feel a bit silly.
Take the case of A View to a Kill. The film was Moore's seventh (and last) as Bond, and he already had one foot out the door when he made Octopussy. But in this one, Moore may have stuck around a little too long. By my math, he was approaching 60 at the time the film was released to theaters, and seeing him with a Bond girl like Stacey Sutton (Tanya Roberts, Sheena) really wasn't all that believable anymore. The story itself surrounded a microchip that was purchased by a fanatic named Max Zorin (Christopher Walken, The Deer Hunter), who apparently was genetically enhanced somehow or was a descendant of a elite German during World War II.
Posted in: Disc Reviews by Archive Authors on March 2nd, 2007
As a relatively topical fan of the James Bond franchise (though not so topical that I'd buy all of the films on DVD), I had a cursory knowledge of the actors who played Bond and the times that they had been cast. Little did I know however that by the time Roger Moore had signed onto the role in Live and Let Die that this was the third attempt to bring him aboard, and that maybe producers Harry Saltzman and Albert Broccoli were hoping that the third attempt brought the proverbial charm. Moore had been approached for the role as early as the Dr. No days, but was in the midst of doing The Saint television show, and Connery was chosen. Connery left and the opportunity came to Moore again, however he was not available and George Lazenby came on to do On Her Majesty's Secret Service. He left, Connery did one more and then finally, Moore was available to take the reigns.
And he came aboard to a Bond film that is probably his best and one of the best Bond films in the franchise. In Live and Let Die, James has to go to America (and subsequently, the Caribbean) to research the deaths of several British agents. He goes into Harlem to try and find out the whereabouts and criminal motivations of a mysterious boss named Mr. Big, and eventually makes his way to a fictional island called San Monique, where a United Nations delegate named Kananga (Yaphet Kotto, Homicide: Life on the Street) is waiting for his arrival, and using the results from a tarot card reader named Solitaire (a very young Jane Seymour, Dr. Quinn, Medicine Woman), he plans for the demise of Bond.
Posted in: Disc Reviews by David Annandale on February 27th, 2007
A small town is being terrorized by a gang of thugs who use extortion and violence to buy up all the businesses. The only person who tries to stand up to the gang is the sheriff, but then he meets a violent end. His son (Kevin Sorbo), who, one gathers from vague references, has military training, shucks his apathy, dons his father’s badge, and sets out to clean up the town.
The cover art is hilariously misleading, in that it shows what appears to be Sorbo leading his posse for the titular payback. But those folks behind him are actually the villains. Whatever. At any rate, this follow-up to the remake starring The Rock is mildly entertaining, but no more. Sorbo has little of Dwayne Johnson’s screen presence or sense of humour, and the storyline is utterly by-the-numbers. So routine is it, that the lack of action set-pieces really makes itself felt. On the upside, AJ Buckley is so completely unpleasant as the primary villain that he kicks the film to a semblance of life.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2007
For the sake of full disclosure, I wrote this review while I was sitting in a meeting. For the sake of having a challenge, I wanted to start every sentence in this review with the name of the movie, for no discernible reason whatsoever. Feel free to call shenanigans on me at any time, as it helped me get through my meeting and to a larger extent, the film.
Crossover is a film that at least as of this writing, has no positive reviews on Rotten Tomatoes for some sort of reason, and I think that's because of the razor sharp casting that was employed. Crossover includes Anthony Mackie, who was more recently seen as the drug dealing Frank in the Ryan Gosling Oscar-nominated film Half Nelson, but that's the only praiseworthy casting decision in the film. Crossover includes a supporting performance by Wayne Brady (Whose Line is it Anyway?) who is supposed to be a greedy sports agent who is running an underground street basketball league involving several teams, however in playing a bad guy, he makes his appearance in Chappelle's Show look really smart, because he's simply not believable. Crossover has a female role played by Eva Pigford, who was more recently seen in America's Next Top Model, so I guess if you can impress the scrutinizing eye of Tyra Banks, there's nowhere to go but up. Crossover also features a few real life "streetballers", including one whose name is "hot sauce". Crossover doesn't explain why this nickname was given, but I think it's the second dumbest athletic nickname I've heard, save for those whose nickname is the first letter of their first name and the first three letters of the last, like A-Rod, T-Mac.
Posted in: Disc Reviews by Archive Authors on February 20th, 2007
We all know that Daniel Craig helped effectively reboot the James Bond movie franchise in 2006 with the amazing Casino Royale. But let's not forget that Pierce Brosnan was at the helm of the first Bond "rebirth" in Goldeneye. Brosnan was the darling of Bond producer Albert Broccoli in the mid '80s, but was unable to take the role because of his then-current commitment to the television show Remington Steele. Assuming he could have gotten the job back then, he would have followed Roger Moore after A View to a Kill. But alas, Timothy Dalton had to come aboard and appeared in The Living Daylights and Licence to Kill. When Brosnan finally was available, the decision was made to quickly snap him up.
Goldeneye was the first of Brosnan's four movies as the guy who likes his martinis shaken and not stirred. It covers Bond in a new way, now that the Cold War is over and Russia isn't what it used to be. He is forced to flee a Russian stronghold from the grasp of a Russian general who executed a friend and fellow agent Alec Trevelyan (Sean Bean, Ronin). Fast forward several years later, Bond is dispatched to find a Russian device called Goldeneye, which is a electromagnetic pulse that wipes out any electronic device.
