Action

Road House is macaroni and cheese for a lot of movie goers that are over 27 years of age. Released in 1989, the movie chronicles the life of James Dalton (Patrick Swayze, Ghost), a “cooler” at a local bar, who is offered a huge sum of money to help a bar owner named Frank Tilghman (Kevin Tighe, Mumford) get his place called the “Double Deuce” back on its feet. A cooler for lack of a better explanation is a bouncer who helps diffuse situations before they blow up into brawls.

When Dalton gets to the bar, he sees the type of environment he’ll have to deal with. Even though his old friend (and house band singer) is there, he’s got drug dealing waitresses, statutory raping bouncers and money stealing bartenders. And apparently the few legitimate operating businesses in town appear to be owned by Brad Wesley (Ben Gazzara, The Big Lebowski). Brad doesn’t hesitate to break the rules whenever necessary, even if it means that Dalton has to call in his mentor Wade Garrett (Sam Elliott, We Were Soldiers), while he continues romancing Dr. Elizabeth Clay (Kelly Lynch, Charlie’s Angels), who just happened to be Wesley’s woman for a little while.

It goes without saying that the James Bond franchise is the crown jewel of the MGM and Sony vault. And in preparation for Daniel Craig’s turn as the man who likes his martinis shaken and not stirred in Casino Royale, it was decided to let them run with some things in order to double-dip Joe Q. DVD Buyer. And in the UK, where Bond reigns supreme, these new “Ultimate Editions” of all the James Bond movies have just been released (don’t worry US fans, these are on their way in November).

The UK version ...f this collector’s set is somewhat snazzy, as there’s a locking metal attaché case that houses all of the films (20 in total), and each film gets a 2 disc edition to boot. So the bottom line is that if you’re a fan of Connery, Moore, Brosnan, Dalton and Lazenby, get that fridge by the TV installed and get a case of diapers ready, because you’re getting married to that furniture for the short and intermediate term with 40 discs of James Bond cinematic joy. I did some skimming of the titles, and decided to get this party started by watching Octopussy. I think the reason I might have gone with this is that I think this may have been the first Bond film I saw in the theater, and I remember it being a really cool thing to see as a tyke growing up as the son of a British mother.

Well, there’s nothing quite like your first, and when producers Albert Broccoli and Harry Saltzman decided to bring about a barely 30 year old Scotsman named Sean Connery, whose most recent work was as a British soldier in The Longest Day, into the film version of Ian Fleming’s James Bond novels, who had any idea that Dr. No would become a culture landmark, let alone a movie franchise?

Now, one of the first things that comes to mind when you watch Dr. No, if you haven’t watched it in aw...ile (or at all) is that Michael Myers seems to liberally steal from this film when it comes to the Austin Powers trilogy. Connery (as Bond) goes to Jamaica to discover the reasons behind a disappearance of a colleague. There he meets his American CIA contact Felix Leiter (holy crap, that’s Jack Lord from Hawaii Five-O!) and with the help of some of the locals, they meet a mad scientist named Dr. No (Joseph Wiseman, Viva Zapata!), and he captures Bond and a female companion named Honey Ryder (Ursula Andress, Clash of the Titans), feeds them a lavish dinner while telling them about a plan to destroy the world for money, and James and Honey get out of the trap to eliminate them while James saves the world while telling Michael York about it (wait, stumbled into the wrong film there).

Synopsis

Jon Voight is a rogue director in the National Security Agency. When politician Jason Robards stands in the way of dangerous bill that would give the NSA almost unlimited powers, Voight has him killed. The murder is captured on tape, and a disc containing the incriminating evidence winds up in the hands of attorney Will Smith. The next thing he knows, his life is turned upside down as Voight sends high-tech minions after him. He seeks the help of retired surveillance whiz Gene Hackman.

Synopsis

There are a lot of surprising things that I was not aware of about when it came to Tales From the Crypt. Not only is this the fourth season that I’m reviewing, but there were a couple more seasons on top of everything else. Now granted, the show’s executive producers have a bit of a good pedigree. There’s Richard Donner (16 Blocks), Walter Hill (Aliens), Robert Zemeckis (Back to the Future), Joel Silver (The Matrix) and David Giler (Myra Breckenridge).

Synopsis

Will Patton is the owner of the Black Pelican, a road house where he will tolerate no nonsense, and particularly no drug dealing. This doesn’t please local slimeball Jake Busey, and when Patton refuses to sell, Busey (through dirty fighting, of course) beats Patton to within an inch of his life. Patton’s nephew is Johnathon Schaech, undercover DEA agent, and he arrives in the boondocks to take over the bar and set things straight.

Keanu Reeves really really wants to break out of his pigeonholed role as the charismatic good guy in an action film, but sometimes he just can't help himself, and takes the easy paycheck (Chain Reaction may be a good indication of that). But in the action roles he's noted for, both as Neo in The Matrix trilogy and as John Constantine in Constantine, he's got the "protagonist with an internal conflict" down pat, that's for sure.

Written by Kevin Brodbin (who came up with the initial story) and directed by Francis Lawrence, who was previously well-reputed as a music video director (think Tarsem or David Fincher maybe), Reeves plays Constantine as a man with a conflict. While others may think that he has a gift in exorcising and deporting demons, he sees it as a burden, a duty he thinks he should get into heaven for. With the help of a grizzled priest (Pruitt Taylor Vince, Nobody's Fool) and an aspiring apprentice (Shia LaBeouf, IMDB), he plods along through the days and nights, doing his duty while battling an aggressive form of lung cancer which he doesn't make any better by chain-smoking.

The thing that makes the death of Bruce Lee an even larger tragedy is that he virtually set back the kung-fu/karate genre from gaining mainstream recognition by a couple of decades. Set back may not even be the proper word for it, as he would have become a larger than life action star whose dreams were bigger than most anyone had anticipated.

In the case of Enter the Dragon, the film was designed to be Lee's crossover attempt into American films, and it's one worthy of his abilities. Bruce (or in this case, Lee) lives at a temple and is invited to a private island for a martial arts tournament where a man named Han (Kien Shih, Once Upon a Time in China) runs the tournament and possibly some illegal operations. His henchman is Oharra (Chuck Norris protégé Robert Wall, Game of Death), who might have been responsible for the death of his sister. Some of the more colorful characters in the tournament are Roper (John Saxon, From Dusk Till Dawn) and Williams (Jim Kelly, Black Belt Jones), friends from America that are also looking to gain the top prize. Lee isn't there to win the tournament, but to try to expose Han's dealings.

Tyrone Power has been plying his trade as a pirate in the waters near Jamaica. When his former captain becomes the governor of Jamaica, Power goes straight. He has his eye on Maureen O'Hara, who is engaged to a duplicitous aristocrat who is feeding information to unreformed pirate George Sanders (utterly unrecognizable in shaggy red hair and beard). There will be many complications before Power can claim the resisting O'Hara as his own.Compared to the Errol Flynn pirate movies Captain Blood and The Sea Hawk, this one is a bit light on the action, really only getting down to the buckling of swashes in the final act. The romance between Power and O'Hara is a bit difficult to take in this day and age as well, especially in the first part of the film as it dances into rape fantasy territory. But be that as it may, this is still a first-class adventure.

Audio

God bless producer Irwin Allen for aiming high in just about everything he did. He would make large scale productions, some focused on disasters (like his next film after this, The Towering Inferno), but he also produced Lost in Space for TV and made other contributions like Voyage to the Bottom of the Sea and an incarnation of The Lost World. He may not have had a DeMille-like grip on his project because the studios had so much control still in the early '70s, but he sure dreamt big, which is always a good thing.

In The Poseidon Adventure, based on the novel from Paul Gallico, the S.S. Poseidon has set sail and its cast and crew will be celebrating New Year's Eve on the water. When captain Leslie Nielsen (Airplane!) receives a notice about a tidal wave from an earthquake, he prepares for the worst. The wave hits the ship and turns it over, and it leaves a handful of passengers left to try and reach the water's surface before the ship sinks. Among those are Reverend Frank Scott (Gene Hackman, fresh off The French Connection), Mike and Linda Rongo (Ernest Borgnine (From Here to Eternity) and Stella Stevens (The Ballad of Cable Hogue), respectively), Belle and Manny Rosen (Shelly Winters, (Lolita) and Jack Albertson (Willy Wonka and the Chocolate Factory), respectively, Acres (Roddy MacDowall, Planet of the Apes) James Martin (Red Buttons, The Longest Day) and Susan Shelby (Pamela Sue Martin, Dynasty).