Animated

It has been a very long time since I have done a film or television review thanks to a wonderful thing known as life.  Life often gets in the way of even the most basic hobbies but is often rewarding, or at least pretends to be.  So, surely the first review I have had in such a long time will be a wondrous one full of majestic characters and a stirring plot worthy of rousing ambition to the sounds of chaotic beats.  *Looks across at package*  Hazbin Hotel Season One on Blu-ray.  *Googles the synopsis*  *Sighs deeply*  I mean, if my editor wanted me to stay in quasi-retirement, he should have said so.  At least the chaotic beats part seems to be accurate.  Let's take a look.

Are we familiar with the story of the angel Lucifer and Lilith, the first woman?  No?  Well then, let's go over it.  Lilith was the first woman with Adam, and she left that man because he was controlling (mmmm hmmm).  She then shacked up with the angel Lucifer instead.  Then they gave Eve, the second woman, free will through the famous apple.  This created Hell, and then those two, Lucifer and Lilith, were sent there as punishment.

I saw this film as an opportunity to gauge whether a movie could hold my two-year-old son’s attention. This is something I am particularly interested in, because it would demonstrate that my baby boy is finally ready for a theatrical experience. Unfortunately, he is not quite there yet. He watched for a bit, but then he eventually wandered off. Ironically, I didn’t notice his absence at first, as I was too focused on the movie. Based on the New York Times bestselling novel of the same name, The Wild Robot stars Lupita Nyong’o as Roz, a ROZZUM unit 7134 robot that becomes shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. Joining Nyong’o is Pedro Pascal in his animated movie debut, Bill Nighy, Stephanie Hsu, Ving Rhames, and Catherine O’Hara as the wildlife that Roz finds herself surrounded by. With How to Train Your Dragon’s Chris Sanders at the helm, The Wild Robot is a very entertaining tale that somehow, I ended up more interested in than my kids.

“The Wild Robot is a story that is not afraid to pull on your heartstrings.” 

"Let's get this party started, people!"

So, I somewhat missed the boat on the Despicable Me franchise but let me see if I got the gist. So Gru, played by Steve Carrell, is a reformed clumsy master villain, (though from what I can see he maintains the clumsy part) who now works for the Anti-Villian League; essentially now helping catch villains instead of being one. Interesting premises and after watching Despicable Me 4, I can see why the studios have deemed to keep the series going. Returning to the franchise with Carrell is Kristen Wiig as Lucy, another member of the Anti-Villian League that originally hunted captured Gru before falling in love and becoming his wife and mother to his son, as well as Miranda Cosgrove, who voices Margo, Gru and Lucy's oldest adopted daughter, and Dana Gaier as Edith, Gru and Lucy's middle adopted daughter. New additions to the cast include Will Ferrell as the film’s primary antagonist and old nemesis of Gru’s, Sofia Vergara as a femme fatale and secondary antagonist, and most notably and possible my favorite character of the film, Joey King as Poppy Prescott, an aspiring super villainess who has admired Gru for a long time.

As many of you know, there isn't a type of media that I don't enjoy reviewing.  Sure, my film reviews are most numerous, but I have also dabbled in books, video games, and music when it comes to critiquing.  Music is really fun, because I'm one of the few people I know that will literally dissect every song whether it is a hit or a throwaway.  Needless to say, I almost never hold back.  So imagine my excitement when I come upon a new anime that blends an interesting story with the amazing style of jazz music.  I honestly don't even listen to jazz, but the chance to expand my musical repertoire is something I crave to do.  Let's take a look at Blue Giant.

A cold wind is blowing, and somewhere a saxophone is playing.  A car whooshes by; Dai Miyamoto (voiced by Yuki Yamada) tries to play, but the weather is so frigid that he is having a lot of trouble.  He keeps trying, because one day he will be a famous musician.  A black cat slinks by and rests beside him.  Dai gasps after playing a difficult note, and the pain is too much to bear, so he takes time out to have a chat with the feline.  However, the cat soon leaves him, and he goes back to his playing.

As is sometimes the case when you write a review, one does not have the fortune of doing everything in its exact order.  I was extremely excited when I found out I was reviewing the second part of Justice League: Crisis on Infinite Earth.  4K steelbooks are pretty hard to come by for review copies, and I was quite elated.  One little problem: I had not been able to watch the first part of this planned trilogy.  As I racked my brain and started to flip through some streaming channels, I was very fortunate to come upon HBO Max, which had placed the first part on their service only a few days ago.  Sometimes, it pays to be lucky more so than good.  Let's take a look at the second part and see if it can start to answer the questions left behind from the first.

Note: Since I found myself in the predicament of scrounging around to watch the first part of this trilogy (due to the short time between releases), there is the off chance that a few people who have not watched the first part might want to read the review of the second.  Therefore, I will focus solely on the second part.  Some minor spoilers will probably find their way into the review, but they will be far less numerous than in typical multi-part stories.  

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

Since the film does not provide a quick recap from the original, I'll go ahead and provide this.  Ernest and Celestine had each won their freedom from their respective imprisonment.  Their only wish was to live together as best friends and have exciting adventures ... after Ernest gets some sleep.

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

Since the film does not provide a quick recap from the original, I'll go ahead and provide this.  Ernest and Celestine had each won their freedom from their respective imprisonment.  Their only wish was to live together as best friends and have exciting adventures ... after Ernest gets some sleep.

"Oh, what are people afraid of? That AI is gonna replace real writers? That Hollywood is gonna become just a bland recycling of old ideas? It already is!"

I suspect that when we are all dead and gone there will be two things we can count on continuing beyond the end of human civilization. The cockroaches will inherit the world, and they will all be watching South Park, the only television show still running. It's already been 22 years, and doesn't it feel like 50? I don't mean that in a mean way. I love South Park, but I'm starting to find it hard to remember what life was like without it. I'm convinced it will survive us all, and AI versions of Parker and Stone will be producing it until the planet is finally vaporized ... and I'm not sure even that will stop this show.

"Streaming services make everything suck."

South Park still hasn't completely recovered from the COVID-era issues. There still has not been a complete 10-episode season, and the slack is still being taken up by specials. Not sure if that's a good thing or not, but at least it's kept us in Cartman and the gang even as other shows have closed down. The longer form also gives Parker and Stone a chance to really let an idea play out. I think they have tended to run out of gas somewhere in the back half of the second part. When you think about it, you're really looking at four episodes in length, and Parker and Stone have a pretty spotty record when they've tried to run an idea for that long. The Streaming Wars Specials suffer from just that affliction, but that doesn't mean there's not a ton of clever South Park to be had here.

Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series.  I honestly haven't been this vested in a two part series since Batman's Long Halloween.  That one had the added sting that we had to wait a full year until we got the complete 4K version.  At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go.  However, as I alluded to in the first review, there was certainly room for improvement.  We shall see if the creators can correct those issues now that the series shifts into the Justice League's world.  Let's take a look.

Last time on Justice League X RWBY, the Justice League and RWBY teams had fought off Kilg%re and his army of superhuman Grimm.  It was actually revealed that Remnant was nothing more than a simulation to eradicate the two teams, and it nearly succeeded on that front.  A portal was then opened up, which returned Justice League back to Earth and RWBY back to the real Remnant.  However, just because both teams are returning back to their home doesn't mean that everything is fixed the way it should be.