Posted in: Disc Reviews by Archive Authors on December 2nd, 2004
Rob (Benjamin Ratner) and Melanie (Angela Vint) are a couple that think they’ve found the key to solving all relationship problems - simply break up after 19 months. By then, all the romance, lust, and excitement of a relationship has worn off and both people involved are ready to test the dating waters. So, they agree to do just that, only they’ll remain friends with benefits until they each find someone else. To prove that their theory is correct, Rob and Melanie even allow a film crew to follow them around and ma...e a documentary about their last few weeks together. While Melanie instantly finds another man, Rob either A) tries to get Melanie back (including a hilarious scene where he steals all of Amy’s paintings) or B) tries to score with less attractive women.
19 Months does score, and the result is a surprisingly funny and endearing look into the life of the common couple. Although the documentary style of the film ultimately wears thin, and the movie would have perhaps been better off being straight forward, some good moments arise out of what is expected to be a bland low-budget romantic comedy. All the actors involved are more than competent, especially Ratner’s neurotic Rob and Vint’s mature and charming Melanie. In an age where the romantic comedy usually relies heavily on slapstick, the film-makers actually create well-rounded characters and supply them with good lines.
Posted in: Disc Reviews by Archive Authors on November 30th, 2004
Peep Show is a 9 minute award winning short film. It’s about a private “peeping booth” for females. But the women don’t see anything sexual. The male performers say exactly what a woman wants to hear. Well…what we think they want to hear, “I want to commit, can I wash your hair, etc”. It’s an amusing sketch and just the right length. Since we’re told what the “joke” is fairly early on, and since there’s no surprise or twist, the film ends before things get stale. The performances are on target.
...p>Audio
Posted in: Disc Reviews by David Annandale on November 24th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on November 23rd, 2004
Synopsis
Many years ago, a mystical peach holding the secret of eternal life was stolen. Now, aftertraining since childhood at the Shur-Li Temple (get it?) under the tutelage of Master Card and thelike, a hero arises to recover the peach: Art Chew. He arrives in Vancouver (played by SanFrancisco, in one of the film’s cleverer conceits), and is joined on his quest by such friends asRoy Lee, who has seen a great many kung-fu movies, but is completely incompetenthimself.
Posted in: Disc Reviews by David Annandale on November 21st, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on November 19th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on November 19th, 2004
Just in time for Christmas, and starring the Governator himself, we have Jingle All the Way with Arnold Swartzenegger. The story follows Arnold’s relentless pursuit to get a Turbo Man action figure for his son. This obsessive quest brings a lot of complications for our hero, from kidnapping, to stealing another kid’s toy, to a manic riot for numbered balls. Arnold even assumes the persona of Turbo Man at a parade and rockets around the city on a real turbo pack (Turbo rocket packs are real?). This all sound... like crazy fun and, for the most part, it is.
The cast is rounded out by Sinbad, as Arnie’s mailman nemesis in this quest, and Phil Hartman, as a sensitive dude putting the moves on Arnie’s wife (played by Rita Wilson). Swartzenegger gives his usual mugging comic performance. The movie climaxes with a lot of action, so it’s entertaining from that respect. But the message about the materialism of the holidays gets a little lost. Who needs a toy when you have your dad, right? But only if he dresses up as Turbo Man.
Posted in: Disc Reviews by David Annandale on November 18th, 2004
One Christmas Eve, an infant crawls into Santa’s sack while the big man is visiting an orphanage, and isn’t discovered until Santa (Ed Asner) is back at the North Pole. Adopted by the Papa Elf (Bob Newhart), the baby grows into Buddy (Will Ferrell). Though Buddy does his best, he is enormously clumsy by elf standards. He decided to head off to New York City to meet his birth father (James Caan), the Scrooge-like editor of a children’s book publisher. Buddy descends on the big city with infectious naivete, and has no end of misadventures while he tries to inculcate the Christmas spirit back into his father.
This was a delightful surprise, infinitely better than the uninspiring trailers had led me to believe. Ferrell is the very incarnation of bouncing, wide-eyed, über-innocence, and his collisions with NYC realities are frequently side-splittingly funny. There are numerous extremely quotable lines, and the syrupy sentimentality that plagues most self-consciously Christmas-oriented movies is largely kept to a minimum. The forced perspective in the North Pole scenes is howlingly obvious, but the fanciful production design makes up for that flaw. The case has been made (convincingly, I think), that there have been no legitimate Christmas classics made since1983's A Christmas Story. It is, of course, far too early to tell how Elf will stand the test of time, but its mix of sharp wit and child-like whimsy makes it a serious contender. It is also entirely fitting that Peter Billingsley, the star of A Christmas Story makes a cameo here as the head elf.
Posted in: Disc Reviews by Archive Authors on November 16th, 2004
Released approximately at the same time as Mean Girls, Sleepover is an attempt to make an impact on the teen demographic. But after watching this movie, there’s really no impact. In fact, it barely makes a dent. Four best friends go on a crazy all night scavenger hunt against the “popular” girls. The winner of the hunt gets to sit at the “popular” lunch hang out. The loser…well…gets to hang out with the losers. Pretty trite stuff, eh?
Sleepover is supposedly a throwback to those...zany teen, staying up all night adventure comedies. The characters get themselves into some pretty weird situations. One of these “situations” includes Julie, the main character (she’s 14), sneaking into a bar because the scavenger hunt requires her to get a photo of herself being treated to a drink by a grown-up (???). Weird. The grown-up happens to be her teacher (???). Double weird. But if you’re looking for incisive commentary about teen life, this is not the movie. It plays more like an extended Lizzie McGuire episode. At least the Lizzie show was only half an hour.
Posted in: Disc Reviews by Archive Authors on November 12th, 2004
Slow Ride…take it easy…ah yes. Foghat. Dazed and Confused is Richard Linklater’s love letter to teenage nostalgia. And it shows up on DVD in a “flashback edition”. The film is also a love letter to the 70’s and contains a bitchin’ soundtrack. In the same vein, Dazed is like Fast Times and Ridgemont High, American Graffiti, and Almost Famous. Linklater’s approach is different. Like his previous film Slacker, Linklater is interested in the composite effect. There’s no ON... character to follow (maybe Mitch). It’s a collective work where the pieces add up to a whole. And it’s a wonderful whole.
The structure of the film is loose, and we follow the events of one day and night “in the life” of various characters. The end of school party climaxes the film. Some soon to be movie stars pop up too. Ben Affleck plays the paddle wielding baddie O’Bannion, Matthew McConaughey plays Wooderson (with his famous speech about high school girls), and Parker Posey shows her genuine talents as the “air raid” obsessed Darla Marks. But the other actors in film are just as authentic in their roles. Not a false note is heard throughout the movie.
