Comedy

It’s back, yet again, and looking for more brains. Dan O’Bannon’s lively zombie comedy tells the tale of a toxic spill reanimating corpses who, not content with wanting to eat your brains, are going to give you lip about it at the same time. Notable for its mix of horror, punk rock, gore, humour and nudity (this is the film that established Linnea Quigley as a horror starlet), the film has since been bested in terms of wit and gore by both Dead/Alive and Shaun of the Dead, but it was there first, and remains great fun. Never having caught the film in the theatres, I haven’t noticed anything amiss with the soundtrack, but the chatter out there among the film’s fans lets it be known that some of the songs have been truncated, so be warned on that front. Otherwise, have a blast.

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Looking for romance? This three-movie collection from MGM likes long walks on the beach, candle-light dinners and formulaic plots. The films have been around a while, but a fresh new look makes this set an attractive option.

As is usually the case for common-theme boxed sets, Romance 101 includes one stinker, one hit and one older gem you probably forgot about years ago. The movies aren't the greatest examples of the genre, but the studio sweetens the deal, offering you three films for the price of one new-release DVD. Hit the jump for a rundown of these three discs.

Notting Hill is a bit of a spin on a Cinderella type story, only Cinderella is William Thacker (Hugh Grant, About A Boy) the owner of a break even book store. Nothing seems to be going his way until fate would have it that Anna Scott (Julia Roberts, Oceans Eleven) the worlds most respected and loved actress enters his store. William having a hard time coping with his recent divorce can’t believe the glimmer of hope placed before him. The two seem to get along quite nicely, and days later run into each other again. This time William accidentally spills his orange juice all over her, later inviting her to clean up in his house. The two share an intimate moment and the seeds for the relationship have been planted. Days later William comes home to find out his eccentric Welsh roommate Spike (Rhys Ifans, Formula 51) has taken down a broken message, some American girl called a few days ago. Of course William tracks her down and it’s obvious he’s falling for her, but things get really complicated when her American boyfriend shows up. Of course from here the two go through a rough patch, but it doesn’t take a genius to guess how this one ends.I wasn’t exactly knocked off my feet with Notting Hill but it was better than I originally anticipated. There were quite a few comedic moments mainly at the expense of Rhys Ifans, but Hugh Grant had his moments as well. Julia Roberts as usual does her thing and gives the movie a little extra something. Take this movie for what it is, a sappy romantic comedy with a bit of a twist to make it more enjoyable.

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The film that arguably more than any other put director Alfonso Cuarón and actor Gael García Bernal on the map, Y Tu Mamá También is a smart, funny, extremely erotic tale of two young friends travelling across Mexico in the company of an older, sexually experienced woman. It’s a great film. But this isn’t the DVD you should watch to appreciate it. In this day and age of a veritable deluge of discs boasting unrated versions of their theatrical release, what, pray tell, is the point of an R rated DVD butchering of a unrated theatrical release? Fully six minutes are missing. The 100 that remain are, of course, excellent, but what is here is not the director’s vision. There is terrible irony in box boasting a blurb that exults in how “unafraid of sexuality” the movie is, when the DVD is clearly terrified. As punishment, I’m cutting the film’s star rating in half, not to reflect on Cuarón’s work, but on what has been done to it. The unrated version is out there, released at the same time as this. Track it down instead.

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Writer note: Apologies to Brendan who did the fine HD-DVD review for this flic. Some hack had to pick up the slack for the regular DVD and present a slightly alternate view. (and a different interpretation of english grammar)

Ever see Shaun of the Dead? No? Don't worry, not too many people did either. This fine film directed by Edgar Wright was a parody and homeage to the George Romero Dead films. Full of comedy and nods to the genre, it was a very good but mostly forgotten flic. Fast forward to 2007 and Edgar Wright along with Simon Pegg (who would also play the character of Nicholas Angel) decide to write the homeage to action movies: Hot Fuzz.

At long last, we've received the two greatest films of the 80's on DVD. Finally. Ok, maybe not the greatest films - they're ok at best - but this is the first time they've been released on DVD. Wait, that's not true either. Desperately Seeking Susan, Madonna's sixth best movie, hit the streets on DVD in 2000. And Something Wild, one of the answers to "what was Johnathan Demme doing before Silence of the Lambs?" has been available since 2001.

So what's special about this Totally Awesome 80s Double Feature? Shelf space. You can fit two films in one spot, thanks to MGM's efficient packaging.

Written by Evan Braun

Unfortunately, one of the best things you could say about the first season of ’Til Death is that it’s consistently inconsistent. It’s sometimes boring, it’s sometimes sentimental. Occasionally it’s angry. From time to time, it’s even funny. That said, I have a hard time believing the back cover’s assertion that this sitcom is a “top rated comedy.”

There are those of us who love Will Ferrell and just about everything he’s done lately, and there are those of you who can’t stand the guy. Read that last sentence carefully and you’ll be able to determine which one I am, but I’m sure you won’t have to read much past this sentence to figure it out anyways. Starting back with A Night at the Roxbury and ranging to Old School and Anchorman, comedically I can’t get enough of these nonsense full movies. Surprisingly I didn’t check this one out in the theatres, but I eagerly welcome the opportunity now.

Chazz Michael Michaels (Will Ferrell, Talladega Nights: The Ballad of Ricky Bobby) and Jimmy MacElroy (Jon Heder, School For Scoundrels) are rival world class figure skaters. During the 2002 WinterSport games the two tie for a Gold medal which leads to a scuffle, ultimately banning the two from the sport. Three years go by and the two are working dead end skate related jobs, Chazz is a drunken ice show performer, and Jimmy sells skates at a local sports store. Jimmy then learns from an obsessed fan (Nick Swardson, The Benchwarmers) that through a loophole he is only banned from singles figure skating, not pairs. Of course one thing leads to another and after a hilarious fist fight, Jimmy teams up with Chazz against both their volition. What ensues is some pretty funny stuff as the two try to get ready in time for the WinterSport games in Montreal.

When I first heard the title I was thinking, documentary on celebrities impact on making the planet go green. But now having seen Everyone’s Gone Green I can assure you that’s not the case. Instead this is a low budget Canadian movie about a slacker, which doesn’t leave me with much more expectations than when I thought it was a documentary on global warming. As a Canadian I can admit that besides producing some great actors and actresses and supplying some great filming locations, Canadian cinema is about as entertaining as watching the wind blowing around a plastic bag. This movie doesn't prove to be any different.

This movie has a very simple plot, and centers around a problem that seems to phase every single human being, wanting more than we have, and things we don’t necessarily need. The main character Ryan played by Canadian actor Paulo Costanzo who you might recognize from Joey, Road Trip, or even 40 Days and 40 Nights. Ryan is a slacker who wants more out of life so begins to contemplate scamming money while working for a lottery magazine.

Do you as the viewer ever watch that movie that you feel due to overwhelming popular opinion you should like? Unfortunately, I run into this all too often. Most of the time I'm able to push that aside, and give an honest review. Sometimes it is harder. Private Fears in Public Places directed by Alain Resnais is one of those movies. Set in Paris (with language to match); this puts six lonely characters in search of love during the harsh winter season. However, what they find isn't what they were searching for. Naturally these characters' stories intertwine and we get a whole lot of snow effects which encapsulate the end of each scene (and each part of this review).

The movie starts out with Thierry (played by André Dussollier), a realtor who is showing Nicole (played by Laura Morante) various flats in attempting to find one that will suit her and her fiancée. Her fiancée; Dan (played by Lambert Wilson) drinks his life away at a local hotel bar since he is between jobs. He is served by Lionel (played by Pierre Arditi), a bartender who must consistently get new caretakers to care for his elderly father. Thierry's assistant is Charlotte (played by Sabine Azéma) who also doubles as the nighttime caretaker to Lionel's father. Her story is entertaining as being a devout Christian but with a secret side. Finally, Thierry's sister; Gaëlle (played by Isabelle Carré) spends her nights searching for love by going out on blind dates. (*snow effect*).
The acting is pretty decent throughout the movie especially in nod to the two male lead characters: Dussollier and Wilson. There is no weak areas I can really find but the movie is just several shades of depressing. Sure there is some excitement and things do look up at certain events through the movie but by the end it comes to a crashing halt and you wonder what's the point. They do everything short of having the entire crew getting run over by a bus to give us any hope at this thing we call love. I'm a very strong believer in true love and watching this turned me momentarily into something less than that. I watch movies to escape not to re-live every failed courtship or bad relationship I've ever had. (*snow effect*).