Posted in: Disc Reviews by Archive Authors on February 15th, 2007
Certain aspects of Working Girl have not aged well, but the film remains a quality production that showcases Melanie Griffith in her best role, with Harrison Ford and Sigourney Weaver as superb, lightly humorous supporting characters.
Tess McGill (Griffith) is a secretary struggling to rise in the New York business world. After a series of bad experiences with chauvinistic managers, she's transferred to a new secretary role, this time under a female boss (Weaver). At first relieved to be working for someone who understands the female struggle, Tess is hurt when she learns that her new boss is a backstabbing cutthroat who only listens to her to steal ideas. When her boss is hospitalized after a vacation accident, Tess takes action - by taking control of her boss' office, title and even her wardrobe. In her new guise, Tess gets right to work on brokering a deal with an investment banker, Jack Trainer (Ford), risking her career on one hail-Mary play.
Posted in: Disc Reviews by Archive Authors on February 2nd, 2007
It’s a shame that there aren’t many stand-up comedians around anymore. And the ones that are still around (Chris Rock, Dane Cook) usually only use the medium as a launching pad into a flawed movie or television career that never equals the laugh factor and energy that exists in their stand-up comedy shows.
So along comes Damon Wayans’ Last Stand.
Posted in: Disc Reviews by Archive Authors on January 30th, 2007
Penelope Cruz and Salma Hayek are buddies in real life, so it makes sense for the two of them to show up in a film together. I was a little surprised to find this disc on my doorstep, however, having totally missed its existence during its theatrical release. It is a good reminder of how much a movie's success is driven by marketing. Clearly, this is one of those films that the studio wasn't happy with, so they cut their losses and quietly put the film into select theaters underneath the radar.
It's a shame, ...oo, because this is really not a bad little film. Certainly better than Wild Wild West, Salma's last western pic, which the studio threw a ton of money at. This is a western buddy picture in the vein of Butch Cassidy and the Sundance Kid, except for the obvious difference of two beautiful women in the leading roles.
Posted in: Disc Reviews by Archive Authors on January 30th, 2007
I�m sure I�m not the only person wondering why on Earth a studio like Universal, with so many classics in their vault, would release Half Baked so quickly onto HD DVD. One can presumably assume that the only reason they chose to release it at this particular time is to bank on the recent popularity of David Chappelle. The only unfortunate part here is that Chappelle�s performance, while sometimes funny, shows that his talent was best used elsewhere.
Thurgood Jenkins (Chappelle), Scarface (Guillermo Diaz), Kenny (Harlan Ellison), and Brian (Jim Breuer) are life-long friends who live together, talk together and obviously smoke together. Each holds a pretty decent life (Thurgood�s a janitor, Kenny is a school teacher, Scarface works at a fast-food joint and Brian works at a record store), but after a particularly good set of hits with their favorite choice of narcotic, Kenny is chosen to run out to grab some munchies. On the way out of the store, Kenny runs into a police officer�s horse. Kenny proceeds to feed the officer�s horse (not knowing it�s a diabetic) until it keels over and dies. Kenny is soon arrested with bail set at $100,000. Luckily for our buddies, Thurgood finds out that his company tests marijuana. Their ingenious plan is to steal some and sell it. Unfortunately, a local drug lord isn�t too happy when he hears of this. Add in the standard female attraction and you have a film that ultimately has a few laughs, but fails overall.
Posted in: Disc Reviews by Archive Authors on January 28th, 2007
The only thing I knew about Extras as of a couple of weeks ago was that Ricky Gervais and Stephen Merchant were behind the show, the follow-up to their cult hit The Office, which has been adapted into a Steve Carell vehicle to showcase his talent. Seeing very little on The Office and not being familiar with Gervais' work, I downloaded the first episode of the second season of Extras from iTunes (Season Two recently resumed airing on HBO), and I found it one of the funnier things I've seen in recent memory, and not just because it didn't cost me anything.
Gervais plays Andy, a background artist who has appeared in numerous films through the years, and with the company of his friend Maggie (Ashley Jensen, Ugly Betty) and his truly unprofessional agent (played by Merchant), who seems to always stay out of touch with Andy and gives his roles to other people.
Posted in: Disc Reviews by Archive Authors on January 23rd, 2007
It�s hard to believe, but after six years and three movies, this fourth film proves the Scary Movie franchise is still good for a cheap laugh.
For those of you that have lived under a rock and aren�t familiar with the Scary Movie series, I will enlighten you. Some of the horror movies coming out these days are just begging to be parodied, and the comic brains of the Wayans brothers did so in 2000 with first instalment simply titled Scary Movie. This movie poked fun of then-recent movie... like I Know What You Did Last Summer and Scream, and as the movies went on they continued to make jokes of both new and old horrors alike. Scary Movie 4 doesn�t seem to add anything new to the mix in comparison to the previous three titles, but that�s just part of its charm � senseless humour poking fun at other movies. Finally, I must add that apart from re-rolling previous characters, none of the Wayans brothers had anything to do with the screenplay for Scary Movie 4, which ultimately left me unsure going into this movie.
Posted in: Disc Reviews by Archive Authors on January 16th, 2007
10 years ago, Clerks was released, appealing to the ever-growing population of the subculture of slackers. For a generation of grunge-music-listening, going-nowhere, fast-food-working young adults, Clerks became a cult favourite. With the release of Clerks II, I�m sure the very same people are attracted to this title, whether they have grown up and want to revisit that nostalgic feeling, or are still flipping burgers and living the slacker lifestyle. Whether you live in your parents� basement or ...ou�re an upstanding citizen, Clerks II appears to be a slapstick movie that everyone can enjoy.
Clerks II picks up just where the original left off. Randall (Brian Anderson) and Dante (Brain O�Halloran) are still working their dead-end jobs at the Quickie Mart. Their days consist of one sarcastic quip after another, and of course the barrage of insults for every customer that walks through the door. But one day their world is turned upside down when a fire demolishes the Quickie Mart, forcing them to find employment with Mooby�s, the local fast food joint. Life here continues much as it did back at their other job, with the exception of the new boss, Becky (Rosario Dawson), with whom Randall appears to be infatuated. Aside from documenting the daily tribulations of a burger flipper, Clerks II actually has a plot; Randall finally has a chance to grow up and make something of himself, as he is engaged and ready to move to Florida. Of course, this doesn�t sit well with best friend and man-child Dante, but more importantly Randall is ultimately unsure if it�s what he wants as well. As the movie plays out, some hilarious dialogue as well as some dismal humour is thrown our way. Our two protagonists have to make some important life decisions, such as, are they ready to turn their backs on their slacker lifestyles?
Posted in: Disc Reviews by Archive Authors on January 15th, 2007
Jaleel White continues to flounder about aimlessly looking for a post-Family Matters career in Who Made the Potatoe Salad?, a mindless 90-minute excursion into the offensively cliched family comedy. Looking for laughs in all the wrong places, this effort from writer-director Damon "Coke" Daniels tries to cash in on every dirty race-driven joke it can think of without once pausing for a breath of originality. White plays, of all things, a police officer, who decides the time is right to move his relati...nship forward with the gorgeously awful Jennia Fredrique. That's where the film takes a turn from the familiar to the overdone. Of course, her family disapproves right away, led by her former Black Panther daddy, who believes all cops are pigs. Lucky for White, he picked the right profession to set Daddy Dearest up with every "been there, done that" joke in the book.
As for White's performance, I suppose he is a capable actor, but there are portions of this film where he disappears for what feels like an eternity, so the less than stellar cast can result to every outrageous gangland quip and situation to push the film along to its well-deserved R-rating they can think of. Of course, the real fault lies with Daniels' humorless script and direction. Family comedies, both dirty and clean, should connect with viewers on the grounds we can see our own lives reflected in the situations and character play that arise. All of this film seems as staged as a suspicious crime scene, where the characters react based on the needs of the script - and that, ladies and gentleman, is an ass-backwards way to write any work of fiction.
Posted in: Disc Reviews by Archive Authors on January 9th, 2007
Four years after Jackass: The Movie took the popular MTV franchise to the big screen, Johnny Knoxville and his gang returned to theatres with Jackass - Number Two. The sequel is bigger, bolder and much more disgusting. But is it better?
In my humble opinion, the sequel equates to more of the same. If you loved the original, you'll eat this up. If you hated it - and we both know those are the only two options - you can happily make indignant remarks to any friends or family in the "love it" camp.
Posted in: Disc Reviews by Archive Authors on January 7th, 2007
Truth be told ladies and gentlemen, before receiving The Breakfast Club in for review, I couldn�t even begin to fathom the fan base this film has had since its 1985 release. After all how interesting does a film where 5 students are put in detention sound? After seeing the film, I believe the interest lies not necessarily in the basic premise of the film, but the overall impact the five students have on themselves and, more importantly, the viewer.
Crammed inside their school library, 5 different students all of different social status, intelligence and build must spend their Saturday serving detention. We have the Jock (Emilio Estevez), the Brian (Anthony Michael Hall), the Criminal (Judd Nelson), the Princess (Molly Ringwald) and the Kook (Ally Sheedy), most of who have never spoken a word or even glanced at one another. Even though these 5 different students never got along with each other before this day, by the end of the film they all develop a bond none of them figured they ever would. Each open themselves up revealing sides about themselves never heard before. As the tagline tells us, to the outside world these 5 students were the Jock, the Brian, the Criminal, the Princess and the Kook, but to each other they will always be The Breakfast Club.
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