Posted in: Disc Reviews by Archive Authors on July 24th, 2006
Synopsis
Will Rogers was once the biggest star in Hollywood. Think of any other big name from the late 20's and early 30's, and he outpaced them all. Today, he is little more than a name, and there are plenty of film guides out there that don’t even list his films. Quite the sobering lesson on the evanescent nature of fame. The films in this collection were all made in 1935, the last year of Rogers’ life, before he was killed in a plane crash. These comedies have definitely dated, but Rogers’ charm i...
Posted in: Disc Reviews by Archive Authors on July 16th, 2006
I really enjoy stand-up DVDs, but they're pretty formulaic. The show starts, there is usually a short un-funny skit, and then the stand-up portion starts. The comic does his show, the credits roll, and that's it.
This is really something unique and innovative, however. This film is something of a musical comedy, skit, music video stand-up film. It's a lot to squeeze into a 72-minute film, but is is done surprisingly well. The transitions work out well, and it really shakes up the standard notions of what a co...
Posted in: Disc Reviews by Archive Authors on July 15th, 2006
Lately, I've been wondering out loud about what will happen to these over-produced teen pop stars who are thrown all this media exposure by their parents (to the point of exploitation). When are we going to start seeing some Playboy or Maxim photo shoots? When are we going to see someone on Cinemax After Dark, or even Night Calls? I mean, it's obvious at this point that Ashley Simpson can't sing, and she's starting to look more and more like her sister in an attempt to become her, without the appeal. And since there's a rumor floating around that she turned down a multimillion dollar Playboy photo shoot (after the proverbial "great deal of thought"), it seems to be the next logical step.
Posted in: Disc Reviews by Archive Authors on July 15th, 2006
Frank (Peter Mullan, Braveheart) has been designing and building ships in a British shipyard for 36 years. Suddenly and very cruelly, Frank is let go without any pension or prospects, and is left wondering what to do. An attempt at job searching finds him virtually at the feet of his sister-in-law, so he is basically left to walk around this nameless London suburb stunned and unsure of what to do with himself.
Posted in: Disc Reviews by Archive Authors on July 10th, 2006
A lot has been said about Roger Ebert and Russ Meyer. Ebert has been called the most famous film critic this side of Pauline Kael (he certainly is the most informative one since I've started becoming a wee critic myself), and Meyer certainly found a niche audience directing and producing films with large-breasted women. So when Fox got the two of them together and had them come up with a script that would be a pseudo-followup to The Valley of the Dolls, one would be interested to see what became of it.
Posted in: Disc Reviews by Archive Authors on July 10th, 2006
Synopsis
Tony Curtis and Jack Lemmon are two down-on-their-luck jazz musicians in Prohibition-era Chicago. They witness a gangland massacre, and in order to hide from the hoodlums, dress up in drag and join an all-female jazz band that is off to play an extended gig in Florida. The vocalist of the band is none other than Marilyn Monroe, and though it is Lemmon who first casts designs for her, it is Curtis who engages in the wooing. Lemmon, meanwhile, has his hands full when billionaire Joe E. Brown f...
Posted in: Disc Reviews by Archive Authors on July 10th, 2006
On paper, The Ringer must sound like the most un-PC movie in the history of cinema. After all, Johnny Knoxville from MTV’s Jackass plays a character in need of some cash, so he pretends to be “Jeffy” -- a mentally challenged athlete -- in order to fix the Special Olympics.
However, this movie is produced by the Farrelly Brothers, and as they have done in their past films (There’s Something About Mary, Shallow Hal), the Farrellys treat mentally and physically challenged people with resp...
Posted in: Disc Reviews by Gino Sassani on June 28th, 2006
Hosted by Boston comic Fran Solomita, When Stand Up Stood Out is a detailed retrospective of the historic comedy boom that took the city by storm from the late 70’s to the early 80’s. You get the impression it was a fun crowd to be with most of the time. From the famous Ding Ho to the Comedy Connection, some of the nation’s biggest names worked out their routines to the local audiences.
The documentary tells its story very simply. With the use of extensive narrative, vintage clips, and countless interviews, you get a rather complete history of the phenomenon.
Posted in: Disc Reviews by Archive Authors on June 28th, 2006
Synopsis
The ironically named Julian Noble (Pierce Brosnan) is a hitman whose lifestyle of promiscuous sex, exotic locales and contract killings is catching up with him. As he approaches meltdown, he runs into Danny Wright (Greg Kinnear), a businessman who has had a long run of bad luck. The two strike up a friendship in Mexico city, and toward the end of their stay there, something happens. Six months later, Noble, on the verge of a nervous breakdown, turns uup on Wright’s doorstep.
If Bro...
Posted in: Disc Reviews by Archive Authors on June 26th, 2006
Once in awhile, a film comes along that really catches you by surprise. Little Manhattan is one of those films. At first glance, it appears to be an updated take on a coming of age film that warms the cockles of your heart and leaves you smiling, but it's actually a bit of a romantic comedy that is timeless and memorable.
Written by Jennifer Flackett and directed by Mark Levin, who are a married writing team whose most notable work was Wimbledon, the focus of Little Manhattan is Gabe (Josh Hutcherson, Kicking and Screaming), who also narrates the film.
