Genre

"War and me took to each other real well. It felt like it had meaning. The feeling of doing what you thought was right. But it wasn't. Folks can believe what they like, but eventually a man's gotta decide if he's gonna do what's right. That choice cost me more than I bargained for..."

It was the summer of 1987. Horror movies had just gone through a recent splatter craze, and it seemed as though the genre might be dead, at least for a while. Then Joel Schumacher delivered his little low-budget vampire film The Lost Boys. While the movie didn't exactly tear things up at the box office, the film developed quite a strong cult following and had earned pretty high praise from the folks within the horror community. The movie was fresh and was just the kick in the pants that the sequel-weary crowd was looking for. The movie was dark but managed to provide a camp atmosphere at times that worked as a wonderful counterbalance to the blood and guts that was a necessary ingredient, particularly at that time. It was a breakout role for the young Kiefer Sutherland, who was moving out of the shadows of his iconic father and into his own. With this film and the critically acclaimed Stand By Me just a year before, Sutherland was able to arrive on the scene without riding his father's coattails. The two very different roles also allowed him to stretch those thespian muscles quite a bit. The Lost Boys captured teenage angst in a far more thrilling and realistic manner and combined it with vampires and humor. And while it dealt with very similar themes, this was no Twilight.

Among the most memorable performances to come out of that original film were those of Corey Haim and Corey Feldman. Haim would play the innocent kid just moving to a small town that happened to be infested with vampires. Feldman played Edgar Frog, a local comic-and-horror-lore geek who was aware of the vampire problem and saw himself as a modern-day Van Helsing, fighting the bloodsuckers whenever he encountered them. The two Coreys, as they would go on to be known, had wonderful chemistry and stole the film right out from under the adult cast and the evil doings of the teenaged vampire clan led by Sutherland. The two ended up doing several films together before having a somewhat public falling out.

Written by Diane Tillis

Hush Little Baby is a direct-to-DVD film presented by the Lifetime television network. Already you can make assumptions as to the quality of the film and the heightened drama that is associated with all Lifetime films. Hush Little Baby is parallel to any horror film about a possessed child who torments his/her parents, minus any suspense or gore.

This 1972 concert film has been seldom seen since its first release (which was in 1974) and is only now experiencing its first official release onto DVD and Blu Ray (never having been previously released on home video either). Promoting their just released Exile on Main St. album, the setlist is a high energy service to their love of Chuck Berry inspired rock n roll and complete worship of American blues music.

Some bands have become so popular that they have been mythologized in the public eye. The Rolling Stones are no exception, though much of said mythology is less like the mysticism that follows acts like The Beatles, and more lies in the infamous debauchery of its members...be it the drug consumption, partying with Canada's first lady and/or their various (other?) sexual conquests (David Bowie too?). Never the less, it is concert films like this were it is a relief to see such larger than life celebrities churning out some sloppy rock n roll on stage with loads of youthful energy. Granted, they aren't kids at this point, but don't tell that to the stage persona of Mick Jagger as he trollops about in various sparkling, skinny jumpsuits.

"The flamingo is said to be the inspiration for the crimson-winged Phoenix, the ancient symbol of transformation and rebirth. At the end of its life, the Phoenix is consumed by fire. It is then reborn from the ashes."

In one of the more specific full-length documentary features that I've seen in a long time comes Disney Nature's The Crimson Wing. Here the focus is on one species of bird. This is your all-flamingos all-the-time station. Have you ever thought to yourself, "You know, I just can't get enough flamingos"? Look no farther.

"A boy comes running up, and he asks: 'what exactly is the ocean?' 'What is the sea?' You could hit him with a lot of statistics and Latin names. But the answer isn't something you'll find in a book. To really know what the ocean is, you have to see it for yourself. You have to hear it. And taste it. You have to feel its power. To really know the ocean, you have to live it."

And live it you will with Disney Nature's latest entry into their award-winning series of natural documentaries. Walt Disney Studios is no stranger to the world of nature. While the brand is more quickly identified for its animation and other family fare, the tradition of nature specials goes back to the very roots of the company itself. For decades Disney provided some of the most exotic television documentaries on its many outlets that included The Wonderful World Of Disney. The studio was one of the first to take experienced camera crews and equipment out into some of the most remote places on Earth. And, while Disney had appeared to fall behind in the field for some decades, that all turned around with their groundbreaking Earth series. Suddenly Disney Nature was back in the forefront of frontier footage. The tradition is honored here with one of the latest entries in the family: Oceans.

Written by Diane Tillis

I will admit, the moment I saw the cover of the DVD I was already convinced this was going to be one of the worst films I have ever seen or a close second. The cover has a dark figure cloaked in a blue throw blanket and is holding a leaf blower as a weapon… a leaf blower?! Four Boxes turned out to be one of those independent thriller films that should have been left on the cutting room floor.

A&E and History have combined for some of the best educational as well as entertaining programs over the years. Many of those shows have taken close looks at the various civilizations and empires throughout world history. Most of these shows take a look at these civilizations from the inside outward. We're not talking the litany of facts and accomplishments that we've seen on hundreds of documentaries as well as our old high school textbooks. These programs look at the day-to-day life of these cultures and peoples. The accomplishments here are the ones that affected everyday life within these empires. These are the kinds of things we tend to take for granted in our modern lives. Things like sanitation, architecture, and basic metro services didn't just appear out of nowhere. These shows give us a rare look into the evolution of the things that have identified human evolution over the millennia. It's said that we are separated from animals by our ability to shape and change our environment. With this massive 14 disc set, you can explore the ways that we have shaped our planet in our quest for civilization.

The disc includes the following series and episodes:

Sometimes when you have two reviewers in the family, you have to save your better half from a movie they simply don't understand. I found myself in that situation when my wife took on the daunting task of trying to review The Haunting from the Fright Fest collection. She couldn't put together the various religion themes into a compelling review, so I decided to help her out since she's done the same for me many times over. So did I understand the goings on? Well kinda.

In the first scene, we are treated to news from No-Do, people who bring us the truth in Spanish government and holy news. The movie moves to Blanca (played by Maria Alfonsa Rosso )who has woken up after 60 years of sleeping. She is the last patient of her kind and is left to fend for herself since the hospital is closing down. Miguel (played by Hector Colome)asks her if she has anywhere to go and Blanca nods her head. She confuses the priest with the late Bishop who apparently passed away a month ago.

Former pirate radio DJ Mike Raven plays Victor Clare (a case where the actor has a scarier name than the character he plays), reclusive artist who, one strongly suspects, has the unpleasant House-of-Wax-y propensity to pour molten metal on his models in order to bronze them. A group of characters with varying agendas gather at his Cornwall abode: his senile wife; his sexually ambivalent model; his weak, alcoholic son (Ronald Lacey, a long way from the menacing Nazi he would later play in Raiders of the Lost Ark) and impatient daughter-in-law; a neophyte art dealer and his girlfriend, Millie (Mary Maude). Victor becomes obsessed with Millie, determined make her his artistic muse. Meanwhile, the cast is being gruesomely bumped off one after the other.

Raven comes across very much as a poor man's Christopher Lee. He has the height (more or less), he has a deep voice, and he even looks not unlike Lee. But he has none of the master's screen presence, and isn't as frightening as he clearly should be. Most of the film is a rather dull plod, with characters wandering about, flirting or sniping at each other, and repeating conversations ad nauseum. The murders come along every so often to spice things up, but given Victor's obvious villainy, one might well wonder why the film is being so coy about the killings, and refusing to show us the killer.