Genre

Charlie Sheen is an unlikely actor to star in a television sit-com. Even after watching the show, I’m not sure how anyone came up with the idea in the first place. He has little to no comedic timing, and he’s about as funny as a funeral. The thing that works here, however, is that he really doesn’t need to be all that funny to make this show work. Sheen pretty much deadpans his entire performance, which generously enough works rather well teamed with the more manic comedy of Jon Cryer. Throw into the mix a rather extraordinary young child actor in Angus T. Jones, and suddenly a show that looks terrible on paper turns out to be pretty dang funny. We’re not talking Fred Sanford funny, but I caught myself laughing far more often than I expected to. I had only caught the show before in bits and pieces and was never all that fond of what I saw. Watching these DVD episodes from the third season shed some new light on the show for me.

Charlie Harper (Sheen) is your typical womanizing bachelor. He’s got plenty of coin because he writes those annoying jingles you hear on commercials. He also happens to go through plenty of women. He’s got a swank place on the beach, and life is pretty much one big party until his brother Alan (Cryer) shows up on his doorstep along with his son Jake (Jones). In typical Felix Unger/Oscar Madison style, Alan’s been kicked out by his wife of 12 years and needs a place to stay for “just a little while”. Of course, Alan’s lifestyle is drastically different from Charlie’s. He’s got the responsibility of raising his son, and he’s rather obsessive-compulsive. As I’ve already mentioned, there is no escaping the obvious Odd Couple revival at work here, down to the slob vs. the neat-freak mentalities. Here we add the presence of an impressionable child. Most of the best laughs come when Charlie is trying to educate young Jake to his own philosophies of life. Naturally Alan considers him a bad influence, but then again, he is a guest in Charlie’s house. Helping to spread the humor out a bit, we get some great supporting work by Holland Taylor, who plays the boys’ smothering mother. Every good sit-com needs the nosy or pesky next door neighbor, and Melanie Lynskey fits the bill as the rapid staler, Rose. Some ethnic humor is provided by bossy housekeeper Berta, played by sit-com veteran Conchata Ferrell. New to the cast in season three is April Bowlby as the brainless Kandi dating Alan. As a particular treat, we get a visit from Charlie’s real life padre; Martin Sheen is an extremely off-the-wall character, the guys’s… what else… dad. If all of this sounds a bit complicated, it really isn’t. My best advice is not to ask too many questions, and enjoy the ride.

There were a lot of changes in store for the Bunkers in the seventh season. The Jeffersons, long a source of irritation for Archie and a ton of laughs for us, moved to their own show, on up to the East Side and that big de-luxe apartment in the sky. Mike and Gloria finally move out of the house, but only as far as next door in the vacated Jefferson home. Most importantly, little baby Joey joins the family. New characters would join the show in the seventh season. It's been a rough ride for the Bunkers, to be sure. The series was first released through Fox for three seasons. Sony took over the releases for the next three seasons. Finally Shout Factory has stepped up and has taken over the release chores for this classic comedy.

It’s perhaps a sad commentary on the level of political correctness that Archie Bunker could never have graced network primetime in 2010. Archie was ignorant and an incredibly vocal bigot. Archie was an equal-opportunity bigot. He didn’t just hate certain minorities … he hated everybody who wasn’t white blue-collar protestant. Carroll O’Connor, who brilliantly portrayed Archie, was without a doubt one of the best actors to grace a network sit-com. Just watch his eyes and you’ll understand. All in the Family holds a record for spin-off series. The Jeffersons, Maude, Good Times, and Archie Bunker’s Place are just a few of the highly successful shows that owe their roots to All In The Family. Rob Reiner, Meathead, has since followed in his father Carl Reiner’s footsteps as a highly-acclaimed producer.

In the opening scenes of Gunless, a horse trots into what appears to be a tiny western town. Atop the horse is an unconscious man, slumped backwards in the saddle with a noose around his neck attached to a large tree branch that drags along behind them. An iconic Western opening if ever there was one. Reminiscent of Clint Eastwood in High Plains Drifter or Hang ‘em High. However, things soon begin to stray from formula when we realize that this tiny town is actually in "The Dominion of Canada" and the man turns out to be the Montana Kid, a notorious American gunfighter.

The ‘Kid’ is soon helped out by a polite bunch of Canadians, and before you can say “American stereotype” he has tried to start a gunfight with the kind local blacksmith. The reason? Why, the blacksmith had the gall to shoe the Kid’s horse. Unfortunately (or fortunately, if you are the blacksmith) he has no gun and therefore, according to the code of the West, can’t be shot. The solution? Why, the Kid will get the blacksmith a gun. But since this is Canada, there are no guns in the area, except for a broken antique owned by the local Brit-accented hottie widow.

So Troll 2 hits Blu-ray. That fact is as sure a sign of the coming Apocalypse as any I can think of, and, at the very least, must threaten the entire Blu-ray format with destruction, as judgment rains down from the hands of an angry God. If, Gentle Reader, you come to this review without any foreknowledge of the film, and are actually wondering if a movie called Troll 2 might be good, then please run as fast as you can and hide. Or at the very least, please watch the legendary YouTube clip appended below. What, you're still here? Don't say you weren't warned.

I'm risking my immortal soul by writing any kind of a synopsis of this film, but here goes. Little Josh (Michale Stephenson) is regularly visited by the rather cranky ghost of his grandfather, who warns him about the dangers posed by goblins (yes, this is a movie called Troll 2 that features goblins instead of trolls – already a dire omen). Josh's family heads off into the countryside for a pioneer-style holiday. Less than happy to be on the trip is teenage daughter Holly (Connie McFarland), whose callow boyfriend Elliot (Jason Wright) was supposed to come along, but was late. Elliot and his equally idiotic friends are now trying to catch up under their own steam. Our characters arrive in the town of Nilbog, where the residents turn out to be goblins in disguise. Their dastardly plans involve transforming the people into vegetable hybrids, and then eating them.

Open Water:

An over-worked couple (Blanchard Ryan and Daniel Travis) whose marriage, while not in danger, has clearly reached some difficult shoals, head off on a diving vacation. A mix-up (which is disturbingly credible) results in the tour ship leaving them behind. Stuck in the middle of the ocean, they float together, hoping against hope for rescue, growing cold and hungry. And then there is the marine life. Like stinging jellyfish. And sharks…

As mentioned before, reviewing television series can be very rewarding since I don’t watch as much television as I used too. I’ve found series that I never knew existed until the discs showed up in my mailbox. One of these great series is named Legend of the Seeker. I was fortunate enough to review the first season and it got great marks. So, I was even more delighted to see the second season hit my hands as well. This might be the final season for the show but let’s hope they saved the best for last.

So boys and girls, do you remember what happened in the first season? Well the Seeker, Richard Cypher (played by Craig Horner) defeated the evil Darken Rahl (played by Craig Parker) and sent him to the underworld. There will be much rejoicing and celebrating now that the lands are free and maybe finally the people can live in peace. Or will they? *insert dramatic music here*.

"You are what they eat."

In 1964 Herschell Gordon Lewis brought us the classic gore-fest Two Thousand Maniacs. It was pretty much like all of his films. It was generous on the naked babes and the blood. Lewis was one of the pioneers of the slasher film and was producing low-budget gore films long before they were popular in the mainstream. The man continues to be a legend in the genre. It's been a long time since an original Lewis film has been released, but his influence can be felt everywhere in the genre. So, when I first heard about a "sequel", of sorts, being prepared by Tim Sullivan, I was intrigued, to say the least. This could either be a ton of fun or a complete disaster.

"Every government has its secret service branch. In America it's CIA, England MI5. A messy job? Well, that's when they call on me, or someone like me. Oh yes. My name is Drake, John Drake."

The legacy of Walt Disney and the studio he created requires little explanation. The studio invented the idea of a feature-length cartoon and has been on the cutting edge of animation since the 1930’s. No other studio can claim ownership of as many animated classics as Disney. From Mickey Mouse to Pixar, the studio has churned out one masterpiece after another for over 60 years. What tends to get lost in this great body of feature-length classics is that the studio was also producing some very high-quality shorts over these years. Whether it’s Disney favorites like Mickey, Donald, Minnie, or Goofy or it’s strictly one-off characters gathered to tell a wonderfully animated story, Disney has a record that simply hasn’t been and likely will never be matched.

The Disney magic faded for a little while during the 1980's. There were still animated features, but they weren't the groundbreaking triumphs of the studio's golden age. All of that changed as we entered the 1990's. The Little Mermaid is considered the first of the new wave of Disney classics. It certainly signaled a change in the direction of animation at Disney. While the change may have begun there, I believe it was Beauty And The Beast that started a wave of productions that would peak with The Lion King. With Beauty And The Beast everything is cranked up a notch from the mediocre affairs the studio had been churning out for a time. Beauty And The Beast had the epic proportions, fluid animation, and bright colors that set the Disney Express back on track.

We all remember the classic underdog film from 1984. Then it was awkward child star Ralph Macchio and Pat Morita in the lead roles. It was a coming-of-age story that taught some valuable lessons about discipline and patience. It was an immediate classic that pulled in a much more than respectable $90 million at the box office. It spawned three sequels which did not do near as well as the original. Now we find ourselves in an age where just about any movie ever made has to be remade/reimagined/rebooted/ or merely capitalized upon. Should there have been a new Karate Kid?

The box office would indicate that the move was a good one. The take was nearly double that of the original film. You also have to remember that 16 years have come and gone and $176 million doesn't buy you what it used to. Still, it's a huge number for a remade film, so I suspect the folks behind the film feel justified. Don't be surprised to see another group of sequels to follow.