Genre

Horror fans have suffered through a severe case of déjà vu of late. All of the major titles of the 80’s and 90’s slasher cycle have now been either remade or are currently in production. There isn’t a big title remaining. Now it appears anything is fair game. Are we really that desolate of originality in this modern age? Today no cult classic or bomb is safe from being regurgitated back to us in either a theatrical release. Or, more likely, a direct to DVD project. In some cases, I’ve welcomed the occasional re-release, if the new film has something new to offer while remaining true to the source material. I actually liked the Mummy films. They don’t really look anything like the Universal classics, but they were kind of a nice ride, so my sensibilities weren’t all that shaken up. I’m looking forward to the Wolf Man film coming soon from Universal. It appears that the movie will be quite an homage to the original, yet satisfy the more modern needs of today’s filmgoers. But for every film that deserves a second look, there are countless movies that had already played out their string. It’s Alive is one of those.

Larry Cohen ended up with an unexpected cult success on his hands when he delivered the low budget original film back in 1974. He wrote and directed the effort, and it was a pretty good hit. It told the story of an unsuspecting mother who gives birth to a carnivorous mutant with an unending hunger for fresh meat. It was a sweet Halloween treat back then. But Cohen decided to milk that baby for all that he could. In 1978 he churned out It Lives Again and finally in in 1987 he delivered his third and final baby with It’s Alive II: The Island Of The Alive. Each entry scored lower than the last, and finally It was dead. But that’s just not how Hollywood rolls these days.

Of the many films based on books by prolific writer Stephen King, Misery ranks near the top. Falling somewhere between the horror and thriller genres, this film about a twisted obsession is frightening because the premise seems very real.

Directed by Rob Reiner (A Few Good Men), who first visited King territory with his 1986 film Stand By Me, Misery tells the story of romance writer Paul Sheldon (James Caan, Elf) and the fan who rescues him after a car accident.

“Magic Mirror on the wall, who is the fairest one of all?”

Years ago a news magazine, I don’t remember which, conducted a survey. They discovered that more adults knew the names of the 7 Dwarfs than could name 7 figures in the federal government, including President, Vice-President, Senate, House of Representatives, and The Supreme Court. They say our educations begin very young. Well, since 1937 our youths have been entertained by Snow White and the Seven Dwarfs.

“For more than 150 million years dinosaurs roamed every corner of the planet. Only a very few left evidence of their existence, their fossilized bones. And, those bones have never ceased to fascinate us.”

The box art to the new IMAX Blu-ray release of Dinosaurs Alive is more than a little bit misleading. The package elicits an image of thundering prehistoric beasts engaged in all sorts of primeval activities. And why not? It’s the stuff of our youth’s imaginations. Has there ever been a more fascinating true story than dinosaurs? But, if you’re expecting, or worse hoping, to get a high definition experience somewhat akin to the Walking With Dinosaurs specials, you’re apt to be more than a little bit disappointed. And that’s actually a bit of a shame, because there are wonders to behold here, just not that kind. Instead the documentary takes you to the places where these stories once unfolded so many millions of years ago. There you’ll encounter these beasts, though not in the flesh, but in the bone. Paleontologists invite you along to some of the most fruitful dinosaur graveyards. There the past is uncovered one brushstroke at a time. And while incredibly fascinating in itself, it’s not exactly the high drama I was expecting.

This season finds the protagonists well beyond high school, now having adventures in the adult world. So writer Lucas, in the midst of promoting his book, proposes to Peyton. Brooke fights to save her clothing business from the clutches of her mother From Hell. Piece of work Dan is flattened by a car and then finds himself in the hospital, helpless, badly injured, and at the mercy of a sadistic nurse out for revenge. Basketball player Nathan doesn't know that his mother is having an affair with one of his friends. And on we go, and I haven't even mentioned the episode that's a fantasy construction of Lucas', relocating the entire cast and setting to the 1940s.

“You know those shows that say don’t try this at home? This is one of those.”

Scare Tactics is really nothing new. In 1948 one of the very first television shows to air on network television was a converted radio program originally called Candid Microphone and renamed Candid Camera for television. It was the brain child of Allen Funt, who began the idea while in the armed services, secretly recording fellow servicemen in awkward positions for his Armed Forces Radio program. The idea was a hit and was television’s first hit program. Funt would hide his 16mm cameras and put people in awkward situations with the intent to make them feel and appear foolish. The stunts in those days were pretty simple. A talking mail box or strange acting workers. It was all in good fun and everybody got a laugh.

Written by Adrienne Ambush

Growing up, I wasn’t really a fan of the cartoon Transformers; I was actually more of a Muppet babies kind of girl, but the minute I hit play on my DVD player I was instantly transported back to a time when nothing else mattered to me except for what was on TV and what time dinner was going to be later that night.

“Welcome to The Hundred Acre Wood, where voices come together in joyful celebration and, the seasons gently turn like pages in a book. A time of giving, shared with good friends and a silly old bear named Winnie The Pooh.”

“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.

“In 1982 controversial film director Wilson Wyler Concannon released his only film, The Hills Run Red. Because of its graphic depiction of sadism and murder the film was quickly pulled from theaters. All known prints vanished and no cast member was ever found. Over the years film historians attempted to find the film, but all that remained was a crudely made trailer. Director Wilson Wyler Concannon was never heard from again.”

Believe it or not, The Hills Run Red was a project saved at one point by the Man Of Steel himself, Superman. Okay, it’s not like the famous Kryptonian hero actually swooped in and rescued anyone on the project, but he does deserve some credit for the film’s ultimate release.

The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.

Detective Sam Tyler (O’Mara) is hot in pursuit of a serial killer who has abducted his partner and lover. When he steps out of his SUV he is struck by an oncoming car. On his ipod David Bowie is singing his obscure track, Life On Mars. When Tyler wakes up he can still hear the song in the background. But this time it’s coming from an 8-track deck in a mint vintage 1970’s car. Turns out there’s a reason the car is so cherry. It’s actually brand spankin’ new, and Tyler is no longer in 2008. It’s 1973. Strangely, he still has his identity here. A police officer identifies the car as his. At his 125th Precinct, he’s recognized as the transfer from Hyde. His disorientation earns him a few introductory sucker punches to the gut by his new boss Lt. Gene Hunt (Keitel) who doesn’t like people coming into his station house barking out orders. It turns out he’s joined a special forces kind of team that also includes Detective Ray Carling (Imperioli) who feels passed over by Tyler. He was in line to be the new second in command. Detective Chris Skelton (Murphy) is a green detective who warms us fastest to Tyler. Also working more or less for the team is policewoman Annie Norris (Mol) better known in the squad as “No Nuts Norris”, because she acts more like a man, believing that a woman can be a detective. It seems whatever powers that have planted Tyler here have thought of everything. He has an apartment with a free spirit hippie neighbor named Windy (Ferrin), appropriately named as she kind of breezes her way in and out of his life. Eventually Tyler decides to temporarily accept his situation, hoping to figure out why he’s here and how he can get back home.